WASHINGTON — Once upon a time … in America, it looked as if white men were at long last losing their tenacious grip on power.
A black man had made it into the White House. A woman in hot pink claimed the gavel in the House. A Latina congresswoman with a Bronx swagger emerged as the biggest media star in the capital. Six Democratic women — five pols and one mystic — earned their spots on the stage in the first presidential debates.
Male candidates who might have jumped to the head of the presidential pack in earlier eras are finding it impossible to rise anywhere near double digits in polls.
When I asked a friend who once worked for Barack Obama why a smart and appealing Obama protégé, Senator Michael Bennet of Colorado, was having a hard time breaking through, she replied: “The bar is much, much higher for white guys these days. You just have to be especially special.”
White male privilege is out of fashion these days. Yet we are awash in nostalgia for it.
Donald Trump has built a political ideology on nostalgia. And Quentin Tarantino has built a movie ideology on nostalgia.
In The Los Angeles Times, Mary McNamara observed that the moral of Tarantino’s new fairy tale, “Once Upon A Time In … Hollywood,” is, “Who doesn’t miss the good old days when cars had fins and white men were the heroes of everything?”
Dubbing the cowboys-versus-hippies movie starring Brad Pitt and Leonardo DiCaprio “nostalgia porn,” McNamara notes: “Watching two middle-aged white guys grapple with a world that does not value them as much as they believe it should, it was tough not to wonder if that something was the same narrow, reductive and mythologized view of history that has made red MAGA hats the couture of conservative fashion.”
In The New Yorker, Richard Brody called the movie, Tarantino’s biggest opening ever, “obscenely regressive,” a phrase that could easily be applied to the man in the Oval.
Both the Tarantino creation and the Trump creation feature scripted tough-guy dialogue, rough treatment of women and slurs against Mexicans. (“Don’t cry in front of the Mexicans,” Pitt warns an emotional DiCaprio in a tinsel town parking lot.)
But — except for the usual burst of violence that the director justifies the usual way, by leveling it at the most evil people ever, in this case the Manson Family — Tarantino’s time machine is a gentler ride. (This may mark the first time “Tarantino” and “gentler” have appeared in the same sentence.)
Bathed in a golden glow, Brad Pitt plays a world-weary stunt man and handyman to Leo’s Western star, Rick Dalton. Pitt’s character is a former war hero in the great midcentury tradition of American cinema. He reflects many of the values that America once proudly stood for:
- toughness without belligerence,
- charm without smarminess,
- loyalty without question. He is
- masculine yet chivalrous.
The iconic performance evokes other movie exemplars of the American male: Humphrey Bogart in “Casablanca,” Paul Newman in “Cool Hand Luke,” Steve McQueen in “Bullet,” Clint Eastwood in “Dirty Harry.” (Pitt’s significant other is a pit bull named Brandy — another contrast with Trump, who avoids dogs.)
Trump’s time machine is a vicious and vertiginous journey, all about punching down, pulpy fictions, making brown and black people scapegoats and casting women back into a crimped era of fewer reproductive rights.
Trump has inverted all the old American ideals, soiling the image of our country in the world and reshaping it around his grievances and inadequacies.
He is a faux tough guy who lets other people do the fighting for him, a needy brat who never accepts responsibility for his actions, an oaf with no trace of courage, class or chivalry.
Tarantino fashioned his nostalgic world out of love, while Trump fashions his out of hate.
His entitled and grabby ways illustrate why we need to leave that world behind. America is struggling to find a new identity with a more colorful mosaic, moving beyond our monochromatic past. More new heroines and heroes need to emerge, both onscreen and in life.
But first we need the credits to roll on Trump.
When Trolls and Crybullies Rule the Earth
How technology reshapes consciousness.
Over the past several years, teenage suicide rates have spiked horrifically. Depression rates are surging and America’s mental health over all is deteriorating. What’s going on?
My answer starts with technology but is really about the sort of consciousness online life induces.
When communication styles change, so do people. In 1982, the scholar Walter Ong described the way, centuries ago, a shift from an oral to a printed culture transformed human consciousness. Once, storytelling was a shared experience, with emphasis on proverb, parable and myth. With the onset of the printing press it become a more private experience, the content of that storytelling more realistic and linear.
As L.M. Sacasas argues in the latest issue of The New Atlantis, the shift from printed to electronic communication is similarly consequential. I would say the big difference is this: Attention and affection have gone from being private bonds to being publicly traded goods.
That is, up until recently most of the attention a person received came from family and friends and was pretty stable. But now most of the attention a person receives can come from far and wide and is tremendously volatile.
Sometimes your online post can go viral and get massively admired or ridiculed, while other times your post can leave you alone and completely ignored. Communication itself, once mostly collaborative, is now often competitive, with bids for affection and attention. It is also more manipulative — gestures designed to generate a response.
People ensconced in social media are more likely to be on perpetual alert: How are my ratings this moment? They are also more likely to feel that the amount of attention they are receiving is inadequate.
As David Foster Wallace put it in that famous Kenyon commencement address, if you orient your life around money, you will never feel you have enough. Similarly, if you orient your life around attention, you will always feel slighted. You will always feel emotionally unsafe.
New social types emerge in such a communications regime. The most prominent new type is the troll, and in fact, Americans have elected a troll as the commander in chief.
Trolls bid for attention by trying to make others feel bad. Studies of people who troll find that they score high on measures of psychopathy, sadism and narcissism. Online media hasn’t made them vicious; they’re just vicious. Online has given them a platform to use viciousness to full effect.
Trolls also score high on cognitive empathy. Intellectually, they understand other people’s emotions and how to make them suffer. But they score low on affective empathy. They don’t feel others’ pain, so when they hurt you, they don’t care.
Trolling is a very effective way to generate attention in a competitive, volatile attention economy. It’s a way to feel righteous and important, especially if you claim to be trolling on behalf of some marginalized group.
Another prominent personality type in this economy is the crybully. This is the person who takes his or her own pain and victimization and uses it to make sure every conversation revolves around himself or herself. “This is the age of the Cry-Bully, a hideous hybrid of victim and victor, weeper and walloper,” Julie Burchill wrote in The Spectator a few years ago.
The crybully starts with a genuine trauma. The terrible thing that happened naturally makes the crybully feel unsafe, self-protective and self-conscious to the point of self-absorption. The trauma makes that person intensely concerned about self-image.
Trump Taunts Christine Blasey Ford at Rally
Playing to the crowd of thousands gathered to cheer him on, the president pretended to be Dr. Blasey testifying before the Senate Judiciary Committee last Thursday. “Thirty-six years ago this happened. I had one beer, right? I had one beer,” said Mr. Trump, channeling his version of Dr. Blasey. His voice dripping with derision, he then imitated her being questioned at the hearing, followed by her responses about what she could not recall about the alleged attack.
“How did you get home? I don’t remember. How’d you get there? I don’t remember. Where is the place? I don’t remember. How many years ago was it? I don’t know. I don’t know. I don’t know. I don’t know. What neighborhood was it in? I don’t know. Where’s the house? I don’t know. Upstairs, downstairs, where was it? I don’t know,” Mr. Trump said, as the crowd applauded. “But I had one beer. That’s the only thing I remember.”
.. Then, continuing in his own voice, he said: “And a man’s life is in tatters. A man’s life is shattered. His wife is shattered.” Referring to those who have championed Dr. Blasey’s case, he added: “They destroy people. They want to destroy people. These are really evil people.”
Senator Jeff Flake, Republican of Arizona, criticized the president’s mocking of Dr. Blasey.
“To discuss something this sensitive at a political rally is just not right, it’s just not right and I wish he had not have done it,” Mr. Flake said early Wednesday on NBC. “It’s kind of appalling.”
.. Mr. Trump’s taunts could inflame a struggle over power and sex that has consumed the capital in recent weeks and risked alienating two of the undecided moderate Republicans whose votes will decide the fate of his nomination, Senators Susan Collins of Maine and Lisa Murkowski of Alaska.
.. Earlier Tuesday, the president’s advisers were privately marveling at how measured — for him — he had been throughout the controversy around Judge Kavanaugh’s confirmation process. But his patience appeared to run out on Tuesday night, as Mr. Trump seemed eager to charge up his supporters against Dr. Blasey... Mr. Trump’s portrait of Dr. Blasey was met with cheers and laughter by the crowd of several thousand supporters at the Landers Center in Southaven, Miss. And it mirrored the increasingly sharp attacks against her by conservative news media.. Mr. Trump has expressed similar sentiments in the past in response to sexual misconduct allegations against Bill O’Reilly, the Fox News host who was forced out after multimillion-dollar settlements of sexual harassment claims; Roy S. Moore, the Republican candidate for Senate in Alabama who lost after being accused of child molestation; and Rob Porter, his White House staff secretary who resigned after two former wives accused him of abuse... Asked if he had a message to men, the president said: “Well, I say that it’s a very scary time for young men in America when you can be guilty of something that you may not be guilty of. This is a very, very — this is a very difficult time.”
Of course Omarosa has tapes
It’s hard to take Omarosa Manigault Newman’s word for anything. But Lordy, she has tapes, and they offer vivid proof that Donald Trump’s White House is part clown show, part nest of vipers.
.. she performed with Shakespearean villainy —
- lying,
- cheating,
- backstabbing,
- viciously advancing her own interests and
- sabotaging her rivals.
Trump evidently found all of this admirable, because he insisted on bringing her into his administration as a top-level adviser despite her utter lack of experience and qualifications. They deserve each other.
.. Omarosa’s recording of part of that meeting was aired Sunday on NBC’s “Meet the Press.” In it, Kelly is heard making what sounds very much like a threat:
“I think it’s important to understand that if we make this a friendly departure, we can all be, you know, we can look at your time here in the White House as a year of service to the nation. And then you can go on without any type of difficulty in the future relative to your reputation.”
If that wasn’t clear enough, Omarosa subsequently received a generous offer. She could receive $15,000 a month to perform vaguely defined duties for Trump’s reelection campaign. But she would have to sign a nondisclosure and nondisparagement agreement pledging not to say detrimental things about President Trump, Vice President Pence or their family members.
.. She declined the offer but kept the documents she was asked to sign — and showed them to The Post last week.
.. She never made it, never will. She begged me for a job, tears in her eyes, I said Ok. People in the White House hated her. She was vicious, but not smart. I would rarely see her but heard really bad things. Nasty to people & would constantly miss meetings & work. When Gen. Kelly came on board he told me she was a loser & nothing but problems. I told him to try working it out, if possible, because she only said GREAT things about me — until she got fired!”
.. Trump went on to complain that “the Fake News Media will be working overtime” to make Omarosa seem credible now that she is one of his critics. But that’s certainly not my intent. She strikes me as a rank opportunist whose only allegiance is to herself.
She claims to have realized only recently that Trump is a “racist, misogynist and bigot.” Yet she heard his bigoted attacks on Latino immigrants and still went to work for his campaign. She heard his misogynistic rant about how he sexually assaulted women and still took a job in his administration. She heard his many appeals to white racial grievance and still vigorously defended him, even after Charlottesville.
.. So no, I’m not inclined to believe anything she claims without documentary evidence to back it up. But the tapes and the documents have not been disputed. Omarosa may not have obtained them honorably, but the old saying is true: There is no honor among thieves.
.. We don’t know what else might be in the conversations with Trump that lawyer Michael Cohen taped. We don’t know how many other recordings Omarosa might have made. We don’t know who else in the White House might have been keeping their own unauthorized records of conversations and events.
What we do know is why people in Trump’s orbit feel they need such insurance: Dishonor and disloyalty start at the top.