Playing to the crowd of thousands gathered to cheer him on, the president pretended to be Dr. Blasey testifying before the Senate Judiciary Committee last Thursday. “Thirty-six years ago this happened. I had one beer, right? I had one beer,” said Mr. Trump, channeling his version of Dr. Blasey. His voice dripping with derision, he then imitated her being questioned at the hearing, followed by her responses about what she could not recall about the alleged attack.
“How did you get home? I don’t remember. How’d you get there? I don’t remember. Where is the place? I don’t remember. How many years ago was it? I don’t know. I don’t know. I don’t know. I don’t know. What neighborhood was it in? I don’t know. Where’s the house? I don’t know. Upstairs, downstairs, where was it? I don’t know,” Mr. Trump said, as the crowd applauded. “But I had one beer. That’s the only thing I remember.”
.. Then, continuing in his own voice, he said: “And a man’s life is in tatters. A man’s life is shattered. His wife is shattered.” Referring to those who have championed Dr. Blasey’s case, he added: “They destroy people. They want to destroy people. These are really evil people.”
Senator Jeff Flake, Republican of Arizona, criticized the president’s mocking of Dr. Blasey.
“To discuss something this sensitive at a political rally is just not right, it’s just not right and I wish he had not have done it,” Mr. Flake said early Wednesday on NBC. “It’s kind of appalling.”
.. Mr. Trump’s taunts could inflame a struggle over power and sex that has consumed the capital in recent weeks and risked alienating two of the undecided moderate Republicans whose votes will decide the fate of his nomination, Senators Susan Collins of Maine and Lisa Murkowski of Alaska... Earlier Tuesday, the president’s advisers were privately marveling at how measured — for him — he had been throughout the controversy around Judge Kavanaugh’s confirmation process. But his patience appeared to run out on Tuesday night, as Mr. Trump seemed eager to charge up his supporters against Dr. Blasey... Mr. Trump’s portrait of Dr. Blasey was met with cheers and laughter by the crowd of several thousand supporters at the Landers Center in Southaven, Miss. And it mirrored the increasingly sharp attacks against her by conservative news media.. Mr. Trump has expressed similar sentiments in the past in response to sexual misconduct allegations against Bill O’Reilly, the Fox News host who was forced out after multimillion-dollar settlements of sexual harassment claims; Roy S. Moore, the Republican candidate for Senate in Alabama who lost after being accused of child molestation; and Rob Porter, his White House staff secretary who resigned after two former wives accused him of abuse... Asked if he had a message to men, the president said: “Well, I say that it’s a very scary time for young men in America when you can be guilty of something that you may not be guilty of. This is a very, very — this is a very difficult time.”
Knowing what I know now, I wonder if it wasn’t my friendship with them — and Quentin Tarantino and George Clooney — that saved me from being raped.
.. The range of his persuasion tactics went from sweet-talking me to that one time when, in an attack of fury, he said the terrifying words, “I will kill you, don’t think I can’t.”
When he was finally convinced that I was not going to earn the movie the way he had expected, he told me he had offered my role and my script with my years of research to another actress.
.. he gave me a list of impossible tasks with a tight deadline:
1. Get a rewrite of the script, with no additional payment.
2. Raise $10 million to finance the film.
3. Attach an A-list director.
4. Cast four of the smaller roles with prominent actors.
Much to everyone’s amazement, not least my own, I delivered, thanks to a phalanx of angels who came to my rescue, including Edward Norton, who beautifully rewrote the script several times and appallingly never got credit, and my friend Margaret Perenchio, a first-time producer, who put up the money. The brilliant Julie Taymor agreed to direct, and from then on she became my rock. For the other roles, I recruited my friends Antonio Banderas, Edward Norton and my dear Ashley Judd. To this day, I don’t know how I convinced Geoffrey Rush, whom I barely knew at the time.
.. Now Harvey Weinstein was not only rejected but also about to do a movie he did not want to do.
Ironically, once we started filming, the sexual harassment stopped but the rage escalated. We paid the price for standing up to him nearly every day of shooting.
.. So he told me he was going to shut down the film because no one would want to see me in that role.
It was soul crushing because, I confess, lost in the fog of a sort of Stockholm syndrome, I wanted him to see me as an artist: not only as a capable actress but also as somebody who could identify a compelling story and had the vision to tell it in an original way.
.. I was hoping he would acknowledge me as a producer, who on top of delivering his list of demands shepherded the script and obtained the permits to use the paintings.
.. But all of this seemed to have no value. The only thing he noticed was that I was not sexy in the movie.
.. He offered me one option to continue. He would let me finish the film if I agreed to do a sex scene with another woman. And he demanded full-frontal nudity.
He had been constantly asking for more skin, for more sex. Once before, Julie Taymor got him to settle for a tango ending in a kiss instead of the lovemaking scene he wanted us to shoot between the character Tina Modotti, played by Ashley Judd, and Frida.
.. When Harvey saw the cut film, he said it was not good enough for a theatrical release and that he would send it straight to video.
This time Julie had to fight him without me and got him to agree to release the film in one movie theater in New York if we tested it to an audience and we scored at least an 80.
Less than 10 percent of films achieve that score on a first screening.
I didn’t go to the test. I anxiously awaited to receive the news. The film scored 85... the film industry stopped making an effort to find out what female audiences wanted to see and what stories we wanted to tell... between 2007 and 2016, only 4 percent of directors were female and 80 percent of those got the chance to make only one film. In 2016, another study found, only 27 percent of words spoken in the biggest movies were spoken by women.