they forgot what adults always forget: that our children grow up, and remember everything, and forgive nothing.
.. Those kids have suddenly understood how little their lives were ever worth to the people in power. And they’ll soon begin to realize how efficient and endless are the mechanisms of governance intended to deflect their appeals, exhaust their energy, deplete their passion and defeat them. But anyone who has ever tried to argue with adolescents knows that in the end they will have a thousand times more energy for that fight than you and a bottomless reservoir of moral rage that you burned out long ago.
.. whenever you disapprove of young people, you’re in the wrong, because you’re going to die and they’ll get to write history, but I just can’t help noticing that the liberal side isn’t much fun to be on anymore.
.. Young people have only just learned that the world is an unfair hierarchy of cruelty and greed, and it still shocks and outrages them. They don’t understand how vast and intractable the forces that have shaped this world really are and still think they can change it. Revolutions have always been driven by the young.
.. the N.R.A.’s unassailable coalition of greed and fear
.. I’d come to the conclusion that America has always been a violent nation, from our founding genocide to the slave labor that built the country to the arsenal, unprecedented in human history, that maintains our empire.
.. We spend $60 billion a year on pets
.. cynicism is also a kind of faith: the faith that nothing can change, that those institutions are corrupt beyond all accountability, immune to intimidation or appeal
.. Harvey Weinstein ultimately wasn’t the one enforcing the code of silence around his predations: It was all the agents and managers and friends and colleagues who warned actresses that he was too powerful to accuse.
.. Once people stopped believing in his invulnerability, his destruction was as instantaneous
.. It has been inspiring and thrilling to watch furious, cleareyed teenagers shame and vilify gutless politicians and soul-dead lobbyists for their complicity in the murders
.. Wayne LaPierre was reduced to gibbering like Gen. Jack D. Ripper in “Dr. Strangelove” about a “socialist” takeover and “hardening” our schools. You could see the whites all around his irises. That look is fear.
.. why adults should listen to anything young people had to say about the world. My answer:
- because they’re afraid of you.
- They don’t understand you. And
- they know you’re going to replace them.
.. Go get us. Take us down — all those cringing provincials who still think climate change is a hoax, that being transgender is a fad or that “socialism” means purges and re-education camps. Rid the world of all our outmoded opinions, vestigial prejudices and rotten institutions. Gender roles as disfiguring as foot-binding, the moribund and vampiric two-party system, the savage theology of capitalism — rip it all to the ground. I for one can’t wait till we’re gone.
Hollywood Uses the Very Women It Exploited to Change the Subject
As allegations of sexual exploitations pile up, the
industry has absorbed the critiques and converted them
into inspirational messaging and branding exercises.Is it possible for Hollywood to truly reckon with its issues while it’s so busy celebrating itself? It’s remarkable how slickly the entertainment industry — and its annual showcase, the winter awards show circuit — has adapted to the accusations against it. Harvey Weinstein may have been cast out of Hollywood (exiled, for now, to a spa in Scottsdale, Ariz.), but his complicity machine stretched its tentacles into agencies, law firms, fashion deals and of course, awards shows. New allegations of exploitations and inequities are revealed every week. The details suggest systemic rot.
In response, Hollywood has nimbly absorbed its critiques and converted them into inspirational messaging and digestible branding exercises, just in time for the unfurling of the red carpets. Whatever talks may (or may not) be happening inside agencies or on film sets, the message that comes across is this: The industry has skirted a conversation about its culture of harassment in favor of one about what an amazing job it is doing combatting that harassment. It’s engaged in just enough introspection to recalibrate and move on.
.. But when an earnest effort is fed through the Hollywood machine, it is quickly repurposed for what Hollywood does best, which is to sell things — women included. The initiative has revealed as much about Hollywood’s still unexamined sexism as it has the abuses it intended to address. In short, that women are expected to clean up the industry’s mess, and look good doing it. And they don’t have much choice, either, because if they say nothing, they’ll be knocked for that, too.
.. In this commodified atmosphere, it was difficult to process the appearance of real activists on the red carpet: #MeToo founder, Tarana Burke, came as Michelle Williams’s date, while Meryl Streep brought along Ai-jen Poo, executive director of the National Domestic Workers Alliance. The tactic bucked expectation — namely, that actresses tie their public personas to their relationships with men — and gave these pioneering activists exposure that’s hard to come by, but it also revealed the impossibility of dismantling an event bent on promoting a certain kind of femininity and luxury at once.
.. The image of white actresses paired with activists of color suggested a kind of moral accessorizing. And the meeting of celebrities and “regular” people came tinged with a preset narrative, one where the celebrity’s perceived exceptionalism is only enhanced by her engagement with the real world. But when Ryan Seacrest interviewed Ms. Williams and Ms. Burke on the red carpet, E! made it clear which it valued most — women’s appearance, or what they have to say. The network shrank Ms. Burke’s image into a corner as soon as she began speaking and turned its gaze to the actress Dakota Johnson. She twirled.
.. Watching this sparkling protest unfold, it’s easy to forget what exactly is being protested. The ugliness of rape and abuse is polished into optimistic hashtags and spun into glamorous dresses. In glad-handing Hollywood, criticizing the industry is verboten, but using one’s platform to advocate for other people is so expected it’s a cliché. (Mr. Weinstein himself was a master of linking his films to social causes, cynically pitching the award show ballot as a kind of morality test.)
.. The most electrifying moments of this protest have come when Hollywood women choose instead to model what it looks like to interrogate their own industry’s destructive norms: When Debra Messing broke red carpet geniality to speak out against E!’s underpayment of women, straight into an E! microphone, or when Ms. Portman presented the Golden Globes’ best director nominees as “all-male.”
.. all of this is quite easier for men. Just as they’re not required to uphold the same standards of beauty as their female peers, men are generally excused from carrying the moral weight, too. At the Golden Globes, they got by silently wearing Time’s Up lapel pins.
.. Justin Timberlake captioned his pre-Globes Instagram snap: “Here we come! And DAMN, my wife is hot! #TIMESUP #whywewearblack.” The bar is so low for men that this was, according to Instagram, the most-liked post of the night.
.. One way to push Hollywood toward change is to heighten its contradictions, drawing out the gap between its shimmering idea of itself and its darker realities. The image Hollywood builds for itself at these self-congratulatory events can be used as a bargaining chip for behind-the-scenes activist wins. As the SAG Awards neared, pressure mounted for the guild to protect its workers by installing a real code of conduct to address harassment. And as “All the Money in the World” racked up award nominations, the revelation that Mark Wahlberg earned much more to participate in reshoots than his co-star Ms. Williams — reshoots necessary to scrub the film of Kevin Spacey, and make it palatable for post-#MeToo audiences — created such a PR nightmare that Mr. Wahlberg ended up donating his $1.5 million salary to Time’s Up.
.. When Mr. Franco attended the Golden Globes earlier this month, grinned down the red carpet and bounded onstage to claim a statuette for “The Disaster Artist,” he wore the Time’s Up logo pinned to his lapel. As the night unfolded, female acting students and collaborators began filing complaints on Twitter about Mr. Franco’s own behavior, noting the hypocrisy of the pin. When Mr. Franco appeared on Seth Meyers’s show days later, he was grilled over the allegations. A Los Angeles Times report came next. Mr. Franco skipped the Critic’s Choice Awards, and when he turned up at the SAG Awards last Sunday, his very appearance made news. This time, he didn’t wear the pin. Aziz Ansari, who himself weathered his own hypocrisy scandal after wearing the pin at the Golden Globes, didn’t even show up. All of a sudden, a Hollywood awards show is a perilous place for some men to be.
.. For a woman, getting old is as much of a career-ending affront as an assault allegation is for a man. When Mr. Meyers opened his Golden Globes monologue by greeting the “ladies and remaining gentlemen,” I thought of all the women who don’t “remain” in Hollywood, either, pushed out through abuse or just discarded. One of those women — until recently — was Rose McGowan.
.. She’s now emerged as the most prominent actress to take aim not just at Hollywood abusers but at Hollywood itself.
.. Ms. McGowan and other accusers of Mr. Weinstein were not invited to the campaign’s Golden Globes coming-out party.
.. On Twitter, she’s called out “fancy people wearing black to honor our rapes.” Of Ms. Streep, she wrote: “YOUR SILENCE is THE problem. You’ll accept a fake award breathlessly & affect no real change.”
.. its opening line — “I was in the middle of my second movie for his company, and I get assaulted” — is itself more real and more damning than anything that’s been said at these Hollywood events.
How “Fox & Friends” Rewrites Trump’s Reality
The thin fourth wall between the President and his TV.
..Once, while riffing about a Scandinavian scientific study, he shared his opinion that “the Swedes have pure genes,” unlike Americans, who “keep marrying other species and other ethnics.”
.. On cable, where the audiences are smaller and more ideologically segmented, morning hosts are free to be more opinionated; on MSNBC’s “Morning Joe,” for example, Trump is compared to an autocrat, a thug, or worse. “Fox & Friends” mashes these two genres together, resulting in some whiplash-inducing segues. A few minutes of misty-eyed Christmas nostalgia leads immediately—“meanwhile, switching gears”—to a conspiracy theory about Benghazi. A weather report gives way to a warning about the dangers of chain migration, with little adjustment in tone.
.. However, Earhardt noted buoyantly, “Republican candidate Roy Moore has President Trump on his side.” Trump had just recorded a robocall for the Moore campaign.
.. Turning to a person on the ground named Diane, he said, “So, ultimately, a vote for Roy Moore is a vote for President Trump?”
“Correct,” Diane said.
Hegseth ended the segment and then directed viewers back to his colleagues, the pundits in New York City.
Moore lost. The following morning, both “Fox & Friends” and its No. 1 fan were busy rewriting the immediate past. “The President had said that Roy Moore couldn’t win, and, as it turns out, he was right,” Doocy said.
.. Earhardt, speaking “as a female,” summed up her view: “I think this is a referendum on Harvey Weinstein, not on President Trump.” She delivered the line twice more, with slight variations, at the top of each hour. Earhardt is clearly the brainiest of the three co-hosts, if only because she can get through a broadcast without any notable malapropisms or endorsements of eugenics. Still, inevitably, she plays the role of the down-to-earth Southern gal, asking only the softest of softball questions. (Earhardt, to Ivanka Trump, in July of 2016: “Were you a tractor girl, or were you, like me, the pink Barbie Jeep?” Ivanka: “I was that combination.”)
.. Earhardt, speaking “as a female,” summed up her view: “I think this is a referendum on Harvey Weinstein, not on President Trump.” She delivered the line twice more, with slight variations, at the top of each hour. Earhardt is clearly the brainiest of the three co-hosts, if only because she can get through a broadcast without any notable malapropisms or endorsements of eugenics. Still, inevitably, she plays the role of the down-to-earth Southern gal, asking only the softest of softball questions. (Earhardt, to Ivanka Trump, in July of 2016: “Were you a tractor girl, or were you, like me, the pink Barbie Jeep?” Ivanka: “I was that combination.”)
.. At one point, using some mind-bending rhetorical dark magic, he managed to imply that the real loser in Alabama was neither Trump nor Moore but Hillary Clinton.
.. The Bush Administration was mendacious, but at least it was predictable—the co-hosts had to work hard to build a connection between 9/11 and Iraq, but they didn’t have to worry that they’d wake up one morning to find that the Administration was now blaming the attack on Sudan. These days, hosting “Fox & Friends” is like cheerleading for a player who misses an open shot on goal, then doubles back to score on his own goalie, then storms off in a fit of petulance, complaining that the ref is a loser.
It’s Been an Open Secret All Along
The scandal of Michael Wolff’s new book isn’t its salacious details—it’s that everyone in Washington has known its key themes, and refused to act
But “it was an open secret” now properly seems a broadened indictment, of all those who quietly let him get away with it, rather than an excuse.
The details in Michael Wolff’s new book Fire and Fury make it unforgettable, and potentially historic. We’ll see how many of them fully stand up, and in what particulars, but even at a heavy discount, it’s a remarkable tale.
.. His functional vocabulary is markedly smaller than it was 20 years ago; the oldest person ever to begin service in the White House, he is increasingly prone to repeat anecdotes and phrases. He is aswirl in foreign and financial complications. He has ignored countless norms of modern governance, from the expectation of financial disclosure to the importance of remaining separate from law-enforcement activities. He relies on immediate family members to an unusual degree; he has an exceptionally thin roster of experienced advisers and assistants
.. He views all events through the prism of whether they make him look strong and famous, and thus he is laughably susceptible to flattering treatment from the likes of Putin and Xi Jinping abroad or courtiers at home.
.. nearly 11 million more Americans voted against Trump last year than for him, including the three million more who voted for Hillary Clinton. (The rest were for Gary Johnson, who got nearly 4.5 million; Jill Stein, with nearly 1.5 million; Evan McMullin, with about 700,000; and a million-plus write-ins.)
.. They understand—or most of them do—the damage he can do to a system of governance that relies to a surprising degree on norms rather than rules
.. The failure of responsibility starts with Mitch McConnell and Paul Ryan, but it doesn’t end with them. Every member of a bloc-voting majority shares responsibility for not acting on their version of the open secret. “Independent” Republicans like Susan Collins and Lisa Murkowski share it. “Thoughtful” ones, like Ben Sasse and Jeff Flake.
.. When they vote as a majority against strong investigations, against subpoenas, against requirements for financial disclosure, and most of all against protecting Robert Mueller and his investigation, they share complicity in the open secret.
.. We are watching the political equivalent of the Weinstein board paying off the objects of his abuse. We are watching Fox pay out its tens of millions to O’Reilly’s victims. But we’re watching it in real time, with the secret shared worldwide, and the stakes immeasurably higher.