Israel and the Art of Postmodern War

To begin with, soldiers assemble behind the wall and then, using explosives, drills or hammers, they break a hole large enough to pass through. Stun grenades are then sometimes thrown, or a few random shots fired into what is usually a private living-room occupied by unsuspecting civilians. When the soldiers have passed through the wall, the occupants are locked inside one of the rooms, where they are made to remain – sometimes for several days – until the operation is concluded, often without water, toilet, food or medicine. Civilians in Palestine, as in Iraq, have experienced the unexpected penetration of war into the private domain of the home as the most profound form of trauma and humiliation.

..  Indeed, as far as the military is concerned, urban warfare is the ultimate Postmodern form of conflict. Belief in a logically structured and single-track battle-plan is lost in the face of the complexity and ambiguity of the urban reality. Civilians become combatants, and combatants become civilians. Identity can be changed as quickly as gender can be feigned: the transformation of women into fighting men can occur at the speed that it takes an undercover ‘Arabized’ Israeli soldier or a camouflaged Palestinian fighter to pull a machine-gun out from under a dress. For a Palestinian fighter caught up in this battle, Israelis seem ‘to be everywhere: behind, on the sides, on the right and on the left. How can you fight that way?’

.. References to the work of Georges Bataille, either directly or as cited in the writings of Tschumi, also speak of a desire to attack architecture and to dismantle the rigid rationalism of a postwar order, to escape ‘the architectural strait-jacket’ and to liberate repressed human desires.
In no uncertain terms, education in the humanities – often believed to be the most powerful weapon against imperialism – is being appropriated as a powerful vehicle for imperialism.

.. Here another use of theory as the ultimate ‘smart weapon’ becomes apparent. The military’s seductive use of theoretical and technological discourse seeks to portray war as remote, quick and intellectual, exciting – and even economically viable. Violence can thus be projected as tolerable and the public encouraged to support it. As such, the development and dissemination of new military technologies promote the fiction being projected into the public domain that a military solution is possible – in situations where it is at best very doubtful.

.. When the military talks theory to itself, it seems to be about changing its organizational structure and hierarchies. When it invokes theory in communications with the public – in lectures, broadcasts and publications – it seems to be about projecting an image of a civilized and sophisticated military. And when the military ‘talks’ (as every military does) to the enemy, theory could be understood as a particularly intimidating weapon of ‘shock and awe’, the message being: ‘You will never even understand that which kills you.’

 

Why compromise?

But power-sharing doesn’t come easy in a region where kinship and sectarian loyalties overwhelm any sense of shared citizenship. Without it, though, the dominant philosophy is either: “I am strong, why should I compromise?” or “I am weak, how can I compromise?”

The WWI Battleships That Saved (And Doomed) the British Empire

Though still a matter of some dispute amongst military historians, World War I largely ushered in the end of British dominance of the high seas and the beginning of the end of the British Empire. The Grand Fleet’s enormous number of first-class battleships—some 35 ships, including a half-dozen from the US—played a key role in the war effort. They forced Germany to pour huge sums into its own navy, making it difficult to effectively finance its war effort. However, the massive cost of the ships, at a time when the British Empire was in severe financial distress, was ruinous in the long term. By the end of the war, the nation had nearly bankrupted itself building close to 30 dreadnoughts that faced significant threats from torpedo ships operated by even small navies.

War as a Distraction

Recently Justin Fox of the Harvard Business Review suggested that the roots of the Ukraine crisis may lie in the faltering performance of the Russian economy. As he noted, Mr. Putin’s hold on power partly reflects a long run of rapid economic growth. But Russian growth has been sputtering — and you could argue that the Putin regime needed a distraction.