Donald Trump’s secret political weapon is his mastery of reality TV

He’s aware of the storylines, and he reacts to various challenges to his authority as if they’re just weird turns the producers came up with behind the scenes. This should come as no surprise. This is how you win in reality TV, a format Trump is eminently comfortable in.

Donald Trump’s true antecedent isn’t Newt Gingrich, Michele Bachmann, or even Mitt Romney. It’s Richard Hatch, the guy who won the first season of Survivor.

.. Hatch gleefully styled himself as the contestant you loved to hate and invented reality TV as we know it. The producers were only too happy to follow along.

.. Hatch invented the alliance — the voting bloc that would carry a contestant to the finals. He double-crossed others with impunity. And he generally seemed to get a huge kick out of behaving like a total asshole on TV. Hatch understood, on some intuitive level, that we wanted to see people give in to their own worst, most amoral impulses on our TV sets, and where he went, reality TV followed. Reality TV wasn’t for the nice or pure of heart. It was for the nasty, and in that first season, Hatch alone seemed to grasp this.

.. What’s also notable here is the way Hatch drew to himself a coalition of people who wouldn’t necessarily have kept company with him in other situations, simply because he rarely blinked and seemed like he knew what he was doing in a most unusual situation.
.. Richard was the one guy who seemed like he could see the whole picture, simply because he didn’t let things throw him, and that caused others to gravitate toward him, even as they were fairly certain he would stab them in the back eventually.
.. Watch again, if you can, Trump’s confrontation with Megyn Kelly over his previous misogynistic statements. Try to ignore, if possible, how horrible those statements are. Instead, focus entirely on how Trump carries himself.
.. For starters, Trump doesn’t shrink from Kelly’s challenge. He stays ramrod straight at the podium, and he doesn’t shift or move around. That’s pretty basic stuff, but you’d be surprised how many politicians who are under the gun forget all about it.Now notice how he uses his hands. His gestures are kept close to his body, so they don’t fly out too far from the audience’s attention or distract from the speaker at hand. He’s essentially keeping the center of the screen focused entirely on him, even when the Fox News chyron pushes him into the left half of the screen. This is, again, something politicians know to do (keeping your gestures small and forceful conveys control over your own emotions),

.. But also look at how good Trump is at sliding what he wants to say in between what Kelly is saying. He holds up a single finger, the universal symbol of “My turn.” He waits for just the right pause to jump in. And he doesn’t let Kelly continuing to speak deter him. He knows exactly how to do this, because, in so many ways, Trump is just back on reality television at this moment. If anything, he makes Kelly seem like she’s out of control of the situation, on a night when Kelly’s performance was generally very good. And that’s to say nothing of how quickly he comes up with this little quip to turn the audience to his side.

Donald Trump knows exactly how to play to the camera. (Fox News)

Yes, some of what makes Trump good at this sort of thing is that he’s got ample business experience. But even more than that, he’s got ample reality TV experience, and he learned from Burnett, who learned from Hatch, that someone who seemed a little imperious, aloof, and utterly unconcerned with what others were doing around him could make for riveting television.

NBC actually promoted The Apprentice in this way for years. You won’t believe what Trump does next! But despite his frequently strange decisions, he rarely was ridden down as out of touch. Part of that is the simple suspicion most of us have that reality TV is heavily controlled by the producers (and thus Trump was as well). But just as much is due to the fact that Trump held court in the boardroom in a way that made everything he did, no matter how out there, seem like a perfectly logical decision.

Indeed, watch this famous firing of (as the YouTube description says) not one, not two, not three, but four people, and you’ll see glimpses of the Trump who took the debate by storm.

Reality TV is really popular, and Trump is really good at being on reality TV

We have a tendency to write off reality TV in America as lowest-common-denominator entertainment, because a lot of it is. But the specific storytelling forms and cinematic tricks of reality have more or less become central parts of our current cultural vernacular. Is it any wonder they’ve entered politics as well?

When people talk about Trump as a reality TV personality, then, they’re trying to ride him down, to suggest he’s unserious or simply there for entertainment value. And all of that may well be true.

But this ignores that reality TV is really popular, and Trump is really good at being on reality TV. And, more specifically, the skills he learned on reality TV make him better equipped to handle tough challenges and big pushback than other candidates who’ve gotten in similar hot water. The usual way to deal with something like what Kelly accuses Trump of is quick contrition, followed by a pivot to a talking point or two.

But Trump is, as Ezra Klein has noted, without shame, because he’s a reality TV character who’s escaped into a presidential race. He avoids the contrition and jumps straight to whatever he wants to talk about. It’s the debate equivalent of the reality TV confessional, where the contestant tells us what he’s really thinking.

That’s what makes him more dangerous than many political observers will allow. As we saw with Richard Hatch, unflappability plays beautifully on television, and it makes for wildly entertaining viewing. The contents of Trump’s message are loathsome to many, including many Republicans, but the package Trump is selling them in is market-tested and ready to ship. Compared with many of his competitors, especially, Trump seems to be playing at a whole other level when it comes to live television.

The smart money is still on Trump eventually self-combusting, crumbling under the weight of his own hubris. But, then, the smart money in that first season of Survivor was on the fellow members of Richard’s alliance realizing he didn’t have their best interests at heart and tossing him overboard — and that simply never happened.

On television, never look for the person who’s playing the game best. Look for the person who’s realized the rules are only a suggestion. That’s the person the audience wants to watch — and that’s the person who just might win.

 ..  he learned from Burnett, who learned from Hatch, that someone who seemed a little imperious, aloof, and utterly unconcerned with what others were doing around him could make for riveting television.
.. NBC actually promoted The Apprentice in this way for years. You won’t believe what Trump does next! But despite his frequently strange decisions, he rarely was ridden down as out of touch. Part of that is the simple suspicion most of us have that reality TV is heavily controlled by the producers (and thus Trump was as well). But just as much is due to the fact that Trump held court in the boardroom in a way that made everything he did, no matter how out there, seem like a perfectly logical decision.
.. We have a tendency to write off reality TV in America as lowest-common-denominator entertainment, because a lot of it is. But the specific storytelling forms and cinematic tricks of reality have more or less become central parts of our current cultural vernacular. Is it any wonder they’ve entered politics as well?
.. The usual way to deal with something like what Kelly accuses Trump of is quick contrition, followed by a pivot to a talking point or two.
.. But Trump is, as Ezra Klein has noted, without shame, because he’s a reality TV character who’s escaped into a presidential race. He avoids the contrition and jumps straight to whatever he wants to talk about.
.. As we saw with Richard Hatch, unflappability plays beautifully on television, and it makes for wildly entertaining viewing. The contents of Trump’s message are loathsome to many, including many Republicans, but the package Trump is selling them in is market-tested and ready to ship. Compared with many of his competitors, especially, Trump seems to be playing at a whole other level when it comes to live television.
.. But, then, the smart money in that first season of Survivor was on the fellow members of Richard’s alliance realizing he didn’t have their best interests at heart and tossing him overboard — and that simply never happened.
.. On television, never look for the person who’s playing the game best. Look for the person who’s realized the rules are only a suggestion. That’s the person the audience wants to watch — and that’s the person who just might win.

Is the World of Journalism More Like Hollywood Than it Wants to Admit

It’s cynical but not so rare to assert that the highest tier of the realm of journalism is starting to resemble Hollywood. Halperin’s latest show, The Circus, ran on HBO, not a news network. Journalists play themselves in cameos in television shows and movies, and the White House Correspondent’s Dinner increasingly resembles Oscar Night for Washington. Some journalists have become full-scale “personality celebrities,” performing a drama of their own. The cover of Vanity Fair usually features a movie or music star; in January, Megyn Kelly stared out at viewers. Would anyone today launch a McLaughlin Group style-show of ruffled, not-quite-ready-for-prime-time middle-aged print reporters with more inside scoops than good looks?

How Roy Moore Met his Wife

.. Kyle Whitmire reads Moore’s autobiography, where he describes meeting his wife: “Many years before, I had attended a dance recital at Gadsden State Junior College,” Moore wrote. “I remembered one of the special dances performed by a young woman whose first and last names began with the letter ‘K.’ It was something I had never forgotten.

Could that young woman have been Kayla Kisor?” Moore later determined that it was. “Long afterward, I would learn that Kayla had, in fact, performed a special dance routine at Gadsden State years before,” he wrote.

. . . In an interview Moore gave earlier this year, he gave a similar account, but for one detail. “It was, oh gosh, eight years later, or something, I met her,” Moore said. “And when she told me her name, I remembered ‘K. K.,’ and I said, ‘Haven’t I met you before?’”

It’s a simple matter of subtraction. When Roy Moore first took notice of Kayla she would have been as young as 15. Or perhaps 16. Moore would have been roughly 30 at the time.

The Megyn Kelly Problem

Except, of course, that Kelly, unlike a fictional dinosaur, has been through some truly horrific sexual violations, including vile and gendered comments from a man who is now the president of the United States, as well as an online silencing campaign that will most likely continue for as long as she refuses to capitulate.

.. Except, of course, that Kelly, unlike a fictional dinosaur, has been through some truly horrific sexual violations, including vile and gendered comments from a man who is now the president of the United States, as well as an online silencing campaign that will most likely continue for as long as she refuses to capitulate.

.. If you’ve heard the term “white feminism” tossed around your social media feeds, this is a prime example: fighting for freedom and justice as far as the boundaries of your own identity and not beyond.

.. America’s traditionalist wing has set a tidy trap: The more you actually know about the way abuse functions, the less seriously you’re taken. So, what do we do with the fact that, as destructive as some of Kelly’s work has been, there are people who listened to her indictment of Ailes who would never have listened to, say, Anita Hill.

.. When Kelly finds a righteous purpose, she is potent.

.. In a profoundly hostile and disturbing interview about the settlement, O’Reilly told The New York Times that he had been the subject of no formal complaints to human resources in 43 years. Kelly dunked on that one, too: “O’Reilly’s suggestion that no one ever complained about his behavior was false. I know because I complained.”

.. Conservative women, anti-feminist women, apolitical women, it is simply a fact: You are participating in feminism just by being alive. In the most passive sense, you are beneficiaries. You can vote, you can work, you can have your own bank account, you can bring a sexual harassment claim against someone at your place of employment, you can prosecute your husband for rape

.. by participating in #MeToo, by fighting back against harassment, by telling your story, you are standing up for the idea that women are autonomous human beings who are preyed upon and subordinated by men. Sorry, but that’s feminism. We’ll be here when you’re ready.

I Miss the Old Megyn Kelly

Wearing a pink pussy-bow blouse, her hair no longer slicked back in the trademark power bob of her later Fox News days, Ms. Kelly declared that she was “kind of done with politics for now.” Rather than politics, she explained, her new show would focus on, well, emotions. “Have a laugh with us, a smile, sometimes a tear, and maybe a little hope to start your day,”

.. It was the antithesis of the woman who was once willing to give up the support of her conservative audience to speak truth to power. The former Megyn Kelly came to slay, whether you liked it or not. The new Megyn Kelly is “so excited — so excited” and “also a little nervous; bear with me, please!” With every gesture, every word, every look, the new Megyn Kelly seems to be trying to convey one thing: Like me.

.. It’s one of the bitterest ironies in television that it was at Fox News, network of blond bombshells and chronic sexual harassment, that Ms. Kelly was given the breathing room to become that most unusual of unicorns: an unlikable woman on television.

.. Even as he was commenting on her bra choices, Roger Ailes himself was giving Ms. Kelly savvy advice that was, in a way, progressive. As she notes in her book, Mr. Ailes told her at the beginning of her career “to not try so hard to be perfect” and to show “who I really am.” Who she really was turned out to be smart, aggressive and impossibly quick. A former lawyer, she developed an adversarial approach that made her something of an anomaly among talk show hosts: Whether she was sparring with Anthony Weiner over President Barack Obama’s tax policy or with Donna Brazile over the Democratic National Committee’s hacked emails, Megyn Kelly was not there to make friends.

.. With time, in fact, she assumed a style that had hitherto been the exclusive province of men: a charisma that comes from dispensing with the need to be liked. And in featuring her, Fox News was doing more to break female stereotypes than any of the more mainstream networks.

It’s true that Ms. Kelly developed her signature style while perfectly coifed, with obligatory blond streaks. And it’s true that she developed her brand of magnetic unlikability while outfitted in Fox’s ubiquitous jewel-toned dresses, her legs exposed beneath the obligatory glass table. But Megyn Kelly’s power came not from her beauty but from her sharp-wittedness, her familiarity with the issues, and her willingness to ask tough questions and demand answers — the same traits that were on full display in the infamous Republican debate when she took on Candidate Trump.

.. Instead of unleashing her, NBC has attempted to transform Megyn Kelly into one of the nice girls of mainstream media, another Kelly Ripa, Savannah Guthrie or Katie Couric.
.. Why did Fox News have more room for this charismatic, difficult woman than NBC? It’s hard to say. Mainstream talk shows — morning shows in particular — have never had much of an appetite for difficult. And at a time when our country is so divided, it was always likely that a network like NBC would try to cast as broad a net as possible, meaning that politics would be off the table for someone like Ms. Kelly.
.. a cautionary tale to all women: You will have to be likable if you want to go mainstream.