Why Is the World So Beautiful?

Nobel physicist Frank Wilczek sees beauty as a compass for truth, discovery, and meaning. His book A Beautiful Question: Finding Nature’s Deep Design is a long meditation on the question: “Does the world embody beautiful ideas?” He’s the unusual scientist willing to analogize his discoveries about the deep structure of reality with deep meaning in the human everyday.

.. “Each of us is born to become an accomplished, if unconscious, practitioner of projective geometry.”

.. That’s right. That’s one of our most impressive abilities that humans, children, do routinely without thinking about it — although they have to learn it, or parts of it — and yet, we have not been able to teach sophisticated computers to do it. That is, humans do an astonishing feat, routinely and very quickly. That is, they interpret the messages coming through little, little openings in their eyes and project it on a two-dimensional screen, the retina at the back, which then, the light gets turned into electrical signals. And from that crazy, scrambled encoding, we reconstruct an external world of three-dimensional objects in space. We recognize that if we move our head, they’re still the same objects, and we determine these effortlessly. We do a job which is — it literally is impossible. We use all kinds of tricks and rules of thumb to guess what the external world is, and sometimes it’s wrong, with optical illusions, but basically, in most circumstances, we do this remarkable feat of reconstructing a three-dimensional world from two-dimensional information that’s all scrambled up with things on top of each other

MR. WILCZEK: We take it for granted, but nature has equipped us with extraordinary abilities in geometry. I knew this abstractly, but in preparing the book I decided I should actually learn something about [laughs] perspective and projective geometry. And it was a real revelation. I’m terrible at drawing, just terrible — the worst person I’ve ever met. But I [laughs] learned some of the rules of perspective that artists use, and they are just so beautiful. They’re so elegant. And using them, I was empowered to create accurate buildings and town squares and so forth. I just astonish myself. And I wasn’t able to reproduce it consciously, but now, with knowledge, I was able to do it. And it was just magic to suddenly see these things emerging from geometric constructions, and it looks like the external world. And it had a tremendous effect, historically and psychologically, when these rules were discovered in the Italian Renaissance. It’s one of the things that really powered the Renaissance — the artists took enormous joy in their sudden ability to render the world the way it actually looked.

..  Yes. And people who started to work on artificial intelligence thought at the beginning that would all be trivial, because it’s so easy, [laughs] we don’t have to work very hard. They thought that would be very easy, whereas, say, teaching a computer to play chess would be very difficult. But it’s turned out to be just the opposite. The things that we do unconsciously and are part of our daily lives and are important for survival are things we’re really, really good at.

..  But in science, we need to have a more precise concept. And the concept that we use that’s more precise, that has something in common with the common usage but is a special case of it and gets amplified in different directions, is that symmetry in physics and mathematics means change without change.

Now, that seems kind of mysterious and mystical, but it means something very concrete. Einstein’s theory of relativity, it says that if you ride by the world at a constant velocity, any constant velocity, although things will look different — so some things will be coming at you, other things will be moving away, faster — that the same physical laws will apply to this new configuration of the world. So, you can make a change in the way everything looks, [laughs] but you don’t change the laws.

A simpler example might be helpful here. We’re used to the idea that a circle is a very symmetrical object. What does that have to do with change without change? Well, a circle is an object that you can rotate around its center by any angle, and although it might have changed, and every point, in fact, moves, the circle as a whole does not move, and that’s what makes it symmetric. If you take a more lopsided shape and you rotate it, there’s no way — it won’t come back to itself until you go all the way around. So if you take an equilateral triangle, it’ll come around after you turn it one-third of the way. So it has some symmetry, but much less than a circle. So that’s a concept, change without change — things that might have changed, but don’t — that picks out special kinds of objects, like circles.

.. It turns out that very symmetric laws seem to be the laws that nature likes. Nature likes laws and likes equations that support enormous possibilities for transformation, where things look different, get different names, and different situations are described, but the same equations apply.

..  “Deep propositions have a meaning that goes beyond their surface.” This is so interesting. “You can recognize a deep truth by the feature that its opposite is also a deep truth.”

.. MS. TIPPETT: So one of the conflicts was, is light a particle or wave? And, in fact, it is both.

MR. WILCZEK: It’s both, and…

MS. TIPPETT: It’s both, right.

MR. WILCZEK: …sometimes it’s useful to think of it one way, sometimes it’s useful to think of it another way. Both can be informative in different circumstances, but it’s very difficult — in fact, impossible — to apply them both at once.

MS. TIPPETT: To apply them both at the same time.

MR. WILCZEK: And I think that’s the essence of complementarity, that you have to view the world in different ways to do it justice, and the different ways can each be very rich, can each be internally consistent, can each have its own language and rules, but they may be mutually incompatible. And to do full justice to reality, you have to take both of them into account.

MS. TIPPETT: Somewhere you say, “Complementarity is both a feature of physical reality and a lesson in wisdom.” And I think just what you just said about reality is equally true of — and I know you have to be careful to do too much of this stretching these things, but it’s equally true of the human condition.

MR. WILCZEK: Oh, very much so. [laughs] Oh, I think so. When people ask me what my religion is, I say I’m a complementarian.

MS. TIPPETT: [laughs] That’s right.

MR. WILCZEK: I believe that it’s really interesting and really fun and really informative, and the right thing to do, to be able to look at things in different ways and appreciate their different ways of looking at things that each have their own validity. And they may conflict if you try to apply them both at once, but OK, that’s fine. You apply one at a time [laughs] and try to appreciate both.

MS. TIPPETT: And in terms of this — I have spoken with physicists who will say: Of course, they take their daily perceptions seriously on some level; they understand that, essentially, what we perceive to be reality is full of illusion, and including the perception that we have freedom and choice. But you also present this as another piece of complementarity — two things that, in fact, are true, but hard to speak about in the same moment — that you, as a human being, are nothing but a collection of particles and light; and you are a thinking, feeling human being. [laughs]

MR. WILCZEK: Yes. I think those are both true. [laughs] And they are different ways of organizing our experience of the world, and each one tells us important things. Each one can be very useful in certain applications. But they’re very difficult to apply simultaneously, because they’re just from different worlds.

..  “All colors are one thing.” This is what we learned: “All colors are one thing, seen in different states of motion. And that is science’s brilliantly poetic answer to Keats’ complaint that science unweaves a rainbow.”

.. I’m saying that by understanding the world better that you gain a new perspective on what you are and a different feeling about your place in reality that’s more realistic; also, richer. And there’s good news, and there’s bad news, but in any case… [laughs]

MS. TIPPETT: Right, it’s challenging.

MR. WILCZEK: …it’s something you can — by understanding it deeply, you can certainly enrich your experience of the life you’re given.

MS. TIPPETT: You also cite somewhere what you say is, for you, one of the most beautiful passages in literature, from the 20th-century physicist, Hermann…

MR. WILCZEK: Hermann Weyl, yes.

MS. TIPPETT: …Weyl on spacetime. He’s talking about spacetime from a “God’s-eye view”: “The objective world simply is, it does not happen. Only to the gaze of my consciousness, crawling along the lifeline of my body does a section of this world come to life as a fleeting image in space which continually changes in time.” That’s a very — it’s almost a mystical image. That the world is, it does not happen, is quite a remarkable thing to try to take in.

MR. WILCZEK: Yes, but it’s really, I think, very much what the theory of relativity suggests. It’s really basic, to think of spacetime as a whole, because there are relationships between things that happen in different parts of space and at different times that are significant in forming the laws and the regularities of the world that are very, very difficult and awkward to express if you carve the world into time slices, as we experience…

MS. TIPPETT: Right — past, present, future.

MR. WILCZEK: …and regard them as separate and unrelated, or as snapshots, each a thing in itself.

Relativity teaches us to think of spacetime as a whole and that it’s very unnatural to divide them. So it leads, I think, very much to the worldview that Hermann Weyl was alluding to there, that the world — that is, spacetime — it simply is. It does not happen. It already encompasses all times.

..  “I know not how I appear to the world, but to myself I appear like a boy on a beach who came upon some particularly beautiful pebbles, while the great ocean of the unknown lay before me.”

So he realized that he understood some things very well, and he understood what it meant to really understand something, but part of that is realizing that you don’t understand a lot of things. And there’s a profound humility that comes from really understanding something, because then you understand what it means to really understand something. [laughs] And you realize how much is missing that is different.

MS. TIPPETT: [laughs] And you feel that way as a physicist at this juncture in physics, which is so far from what Newton could have imagined, also.

MR. WILCZEK: Yes. We’ve done very, very well. Physics is pretty good. [laughs] Physics, we’ve attained a high level, although there are certainly big holes in our understanding. But when it comes to the mind, when it comes to understanding society, our understanding is much, much less satisfactory and, I’m fully aware of that.

Krista Tippet: The Moral World in Dark Times: Hannah Arendt for Now

she says, if you can’t have that inner dialogue, then you can’t speak and act with others either because it’s part of — if you’re already divided in yourself because you’re having this conversation with yourself, and that’s the passion of your being, people who can do that can actually then move on to having conversations with other people and then judging with other people. And what she called “the banality of evil” was the inability to hear another voice, the inability to have a dialogue either with oneself or the imagination to have a dialogue with the world, the moral world.

.. And one of the first things she pointed out is that what was exposed by the refugee crisis of the last century was how so-called human rights were actually political and national rights. So you were only — you only had as many rights as were guarded by the country in which you happened to be born.

Once that country decided to decitizenize you, once it decided that you were no longer a citizen, once it decided that it had no more responsibilities towards you, you were rightless. She said very famously, “The world found nothing sacred in the abstract nakedness of being human.”

MS. TIPPETT: And that is where we are, and it’s interesting — interesting in a terrible way — I think that with globalization, which is not necessarily a word she would have used or predicted — but with globalization, there was this assumption, which actually didn’t rest on a very sophisticated examination of the human condition — but there was this assumption that we would just grow out of that, right?

MS. STONEBRIDGE: Yeah.

MS. TIPPETT: But what she understood, because she was looking at the human condition, and taking that seriously, is that, as you say, that “dark background,” that this would become a crisis again.

.. But she says globalization is about the accumulation of capital. It’s expansion for expansion’s sake. It will not produce more equality. It will produce more inequality, hence the background of difference. So trying to work for a worldliness that’s genuinely worldly, as against a worldliness, which is actually about accumulation and expansion for expansion’s sake, which will increase the divides between people.

 

.. here’s her essay “Lying in Politics.” She says that “factual truths,” here’s that. “Factual truths are never compellingly true. The historian knows how vulnerable is the whole texture of facts in which we spend our daily life. It is always in danger of being perforated by single lies, or torn to shreds. Facts need testimony to be remembered and trustworthy domain of human affairs. From this it follows that no factual statement can ever be beyond doubt.” Take us inside that and what that means for us now.

MS. STONEBRIDGE: For Arendt, I think why the idea of thinking and speaking as a form of action are important to her is that what she’s saying there is, you can throw enough facts, you can throw all the facts you like at people, and they will not stick. We had this, in the U.K., and I know you have, too, that it’s — “OK, against the false news we’ll have fact-finding, and we’ll tell you.

And we’ll have a team of researchers, and you just have to look on our website, and we’ll tell you which of those are lies.” And you can scream facts at people until you’re blue in the face, and a lot of colleagues and universities and journalists have been doing exactly that very hard, working tirelessly. And it’s not making any difference. And I think what she’s talking about there is the ability through thinking and communal discourse, to make truth meaningful in the world, it has to happen between people. Which is not saying we just make up our own reality. She’s not saying that. It means that this is why…

MS. TIPPETT: When she says testimony, it needs…

MS. STONEBRIDGE: Testimony.

MS. TIPPETT: It needs experience. It needs human experience around it.

MS. STONEBRIDGE: Yeah. And so I think she — that was why testimony was important to her. It’s why history and the sense of a myth were all important to her because it’s what makes truth meaningful to people together in a community. If you want a culture that’s going to take on fake news, and the political lie, I say as someone who teaches literature and history, what you need is a culture of the arts and humanity. What you need is more storytelling. What you need is more discourse. What you need is more imagination. What you need is more creation in that way, and more of a sense of what it is that ties us to those words and ties us to those stories.

How can we be present to what’s happening in the world without giving in to despair and hopelessness?

 Journalism, the way it came down to us from the 20th century, is absolutely focused, utterly and completely, on what is catastrophic, corrupt, and failing. And then, at the same time, there are good people. There are healing initiatives. There is a narrative of healing and of hope and of goodness, and we also just, as a discipline, have to take that in, as well — not instead of, but the both/and of humanity and of our world.

.. the attention I pay to language and I see how we have lapsed into calling the people on ships that are floating perilously around oceans, or children and parents in detention on our border, how we call them migrants. And what difference it would be, both for the journalists reporting this and the politicians legislating it and for us, consuming it and figuring out what to do, as fellow citizens. I think we have to call ourselves, always, to call them people. So that’s something I pay attention to that’s in my mind. How can I insert my understanding of the power of language in the places I’m working? And I don’t think that’s enough, but I think that’s what I can do today.

.. There’s a sensibility behind that stance that says that joy is a privilege. And I don’t think joy is a privilege. I think freedom can be a privilege; I think luxury and comfort can be a privilege. But joy is a piece of basic human resilience. It’s a human birthright. And in fact, one of the paradoxical and amazing things about our species is how people are able to get through the worst, also, with their joy muscle intact.

What is the value of boredom in our lives?

Finally, I think what’s important about all this that we’re also coming to understand on a whole new level is that that kind of getting calm inside, that kind of grounding ourselves as we move through the world, as we are not just present to the world, but a presence — in our workplaces, in our families, with strangers, with the people we love, but also the people who drive us crazy — the more calm and grounded and full and whole and conscious our presence can be — that is civilizational work. Especially in a moment like this, where everyone is on edge, and all of our devices of culture — our technologies, but certainly journalism and news and so many of the images that are coming at us — they are designed to put us on edge. The more we can embody the reality that there’s more to us and there’s more to a day, that we are capable of calm presence; of presence; of, also, the joy that can rise up from our deep places that is different from the pleasure of the instant hits — that that is an offering, not just to our own resilience, but to everybody around us, in a way that I don’t think it was a few years ago.