Surkov: dark prince of the Kremlin

He is also an intriguing personality, having apparently published a novel under one pseudonym, and then reviewed it (not entirely favourably) under another ..

.. Surkov’s philosophy from the first was that there is no real freedom in the world, and that all democracies are managed democracies, so the key to success is to influence people, to give them the illusion that they are free whereas in fact they are managed. The only freedom in his view is “artistic freedom”.

..the most eloquent defenders of Putin’s consolidation of the state and the leading advocate of the notion of ‘sovereign democracy”. Surkov can be defined as a “democratic statist”, and is thus not part of the ‘siloviki” faction, those associated with the security forces who advocate some sort of “iron hand”.

.. The theme of this speech reiterates his message of his years in the Presidential Administration: that there is no universal democracy, but only specific forms that reflect a country’s traditions, political culture and psychology. He supported the centralisation of power during Putin’s presidency, and thus his arguments contributed to the erosion of political pluralism and diversity. His views no doubt are contradictory, espousing the role of centralised leadership while at the same time extolling Russia’s tradition of local government (notably the zemstvosestablished by Alexander II) and insisting the “wholeness” is compatible with the competitiveness that is the hallmark of any democracy. His work is also concerned about developing a dynamic model of modernisation for Russia, but the rather heavy-handed model of political management that he practices runs counter to this ambition.

.. Surkov’s published works reveal engagement with these issues, accompanied by a playful self-awareness in which one senses that he is not taking all of this quite seriously. This is a dangerous combination. One can fear rulers when they believe in themselves, but when the authorities begin to treat power as a joking matter the mask slips and legitimacy wanes.

Trump’s lies have a purpose. They are an assault on democracy.

Donald Trump is winning the war on reality. Welcome to the age of nightmares.

.. Some political lies are more ambitious than that. Sometimes the goal isn’t to embroider reality as it currently exists, but to construct a new reality out of whole cloth.

That’s what the second Bush administration tried to do. President George W. Bush and his advisers — most notably deputy chief of staff Karl Rove —wove a parallel universe in which Saddam Hussein possessed weapons of mass destruction, Al Qaeda was in cahoots with virtually all of America’s enemies, and the United States was a messianic crusader that would eventually spread capitalist liberal democracy to every corner of the world.

.. Creating an alternate political universe requires discipline. It requires the willingness to tell many little lies that add up to one big lie. All these lies need to be internally consistent, mutually reinforcing, and at least superficially plausible.

.. For members of the Bush administration, even their power to mold reality had a place in the universe they created. “We’re an empire now, and when we act, we create our own reality,” an anonymous Bush official, widely believed to be Rove, told the New York Times’ Ron Suskind in 2004. “And while you’re studying that reality — judiciously, as you will — we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors…and you, all of you, will be left to just study what we do.”

.. President-elect Donald Trump does not create new realities. He tells lies that are seemingly random, frequently inconsistent, and often plainly ridiculous.

He says or tweets things on the record and then denies having ever said them. He contradicts documented fact and then disregards anyone who points out the inaccuracies. He even lies when he has no discernible reason to do so — and then turns around and tells another lie that flies in the face of the previous one.

.. If he does not fully understand what he is doing, his advisers certainly do.

.. “Darkness is good. Dick Cheney. Darth Vader. Satan. That’s power,” he said.“It only helps us when they get it wrong. When they’re blind to who we are and what we’re doing.”

.. Bannon is a skilled practitioner of the “darkness” strategy, but he is not its inventor. The real Master of the Dark Arts is another Karl Rove equivalent: Vladislav Surkov, a top adviser to Russian President Vladimir Putin.

.. His aim is to undermine peoples’ perceptions of the world, so they never know what is really happening.

Surkov turned Russian politics into a bewildering, constantly changing piece of theater. He sponsored all kinds of groups, from neo-Nazi skinheads to liberal human rights groups. He even backed parties that were opposed to President Putin.

.. no one was sure what was real or fake. As one journalist put it: “It is a strategy of power that keeps any opposition constantly confused.”

.. The underlying aim, Surkov says, is not to win the war, but to use the conflict to create a constant state of destabilized perception, in order to manage and control.

.. Many of the stories promulgated by Trump, Bannon, and their allies — such as Trump’s claim that Sen. Ted Cruz’s father was somehow involved in the Kennedy assassination — were obviously false and easily debunked. But the sheer volume of these stories had their intended effect. When fake news becomes omnipresent, all news becomes suspect. Everything starts to look like a lie.

.. In March, Terris reported that he had seen Corey Lewandowski, then Trump’s campaign manager, physically attack journalist Michelle Fields. The campaign lied about the incident and said nothing had happened. After days of being told his report had been wrong, Terris began to doubt what he had seen. Even when video was uncovered corroborating Terris’ report, the Trump campaign evaded the issue.

“Trump gaslighted me,” Fields later told Terris for an article about the incident. “I worry now that he’s gaslighting the country.”

.. If everything is a lie, then the man who makes his lies obvious is practicing a peculiar form of honesty.

.. It makes sense that the man who would pioneer this style of rhetoric in an American context is someone who used to host a reality television show and appear in pro wrestling events. Both The Apprentice and the World Wrestling Federation are staged; they’re contests that are meant to look superficially real, even though everyone knows that the outcomes are rigged and the “heroes” and “villains” are reading canned lines.

.. Non-linear warfare is intrinsically authoritarian. The president-elect is speaking the language of dictators.

.. “Ideally, in a democracy, everybody would agree that climate change is the consequence of man-made behavior, because that’s what ninety-nine per cent of scientists tell us,” Obama told New Yorker editor David Remnick. “And then we would have a debate about how to fix it. That’s how, in the seventies, eighties, and nineties, you had Republicans supporting the Clean Air Act and you had a market-based fix for acid rain rather than a command-and-control approach. So you’d argue about means, but there was a baseline of facts

.. By attacking the very notion of shared reality, the president-elect is making normal democratic politics impossible.

.. To men like Surkov, that is exactly as it should be. Government policy should not be set through democratic oversight; instead, the government should “manage” democracy, ensuring that people can express themselves without having any influence over the machinations of the state.

.. Surkov is “considered the main architect of what is colloquially known as ‘managed democracy,’ the administrative management of party and electoral politics.”

.. “Surkov’s philosophy is that there is no real freedom in the world, and that all democracies are managed democracies, so the key to success is to influence people, to give them the illusion that they are free, whereas in fact they are managed,” writes Sakwa. “In his view, the only freedom is ‘artistic freedom.’”

.. When political actors can’t agree on basic facts and procedures, compromise and rule-bound argumentation are basically impossible; politics reverts back to its natural state as a raw power struggle in which the weak are dominated by the strong.

.. This “artistic expression” can be nominally political, insofar as it takes on the guise of political rhetoric. But it is also fundamentally anti-political, both because its primary aim is self-expression, and because it has little effect on political power itself. It is essentially a form of narcissism. And it is harmless to authoritarian despots.

But there are at least a couple of steps that anti-authoritarians can make right away to ensure that the Surkov style of rhetoric does not go unchallenged.

First, social media companies need to be held accountable for facilitating the spread of misinformation.

..Second, journalists need to understand what Trump is doing and refuse to play by his rules. He is going to use the respect and deference typically accorded to the presidency as an instrument for spreading more lies. Reporters must refuse to treat him like a normal president and refuse to bestow any unearned legitimacy on his administration. They must also give up their posture of high-minded objectivity — and, along with it, any hope of privileged access to the Trump White House. The incoming president has made clear that he expects unquestioning obedience from the press, and will regard anyone who doesn’t give it to him as an enemy. That is the choice every news outlet faces for the next four years: Subservience and complicity, or open hostility. There is no middle ground.

.. For the next four years, Donald Trump will seek to shred any institution that threatens his ability to unilaterally determine what is real. That will likely include the courts, universities, unions, and even executive branch agencies like the Bureau of Labor Statistics.

What You Need to Know First to Understand the Russian Revolution

Read this first in a series of columns chronicling what led to that 1917 cataclysm

we begin today with a series of columns that will highlight how the Russian Empire, ruled by the Romanov dynasty for more than 300 years, transformed into the Communist Soviet Union.

.. In an 1895 speech to representatives of the nobility and municipal officials, the czar declared “there have arisen the voices of people carried away by senseless dreams of taking part in the business of government. Let everyone know that I will retain the principles of autocracy as firmly and unbendingly as my unforgettable late father.” The speech shattered the hopes of elected municipal officials who hoped for a gradual transition to a system closer to a constitutional monarchy.

.. These land reforms were designed to foster a conservative, monarchist peasantry than would serve as a counterweight to urban workers, who repeatedly demonstrated for better working conditions and compensation and were more likely to be drawn to Bolshevism.

.. The outbreak of the war prompted a burst of patriotism that initially reinforced the czar’s rule. Sixteen million soldiers were mobilized on the Eastern Front over the course of the conflict including 40 percent of all men between the ages of 20 and 50. Despite the enthusiasm and rapid mobilization, the Russian war effort was beset with problems from the start. The wages for workers in the munitions factories did not keep up with the increased cost of living, exacerbating the discontent that existed prior to the outbreak of hostilities.

.. The importance of the railways for transporting military supplies to the front disrupted the transportation of food to the cities and, outside of sugar, no other goods were subject to a regimented rationing system. Alexandra and her two eldest daughters, Olga and Tatiana, trained as nurses, endowed hospital trains and established committees to address the needs of war widows and orphans, and refugees.

The philanthropy of the Imperial women, however, could not compensate for the absence of a coordinated government response to the needs of thousands of wounded soldiers, military families and displaced persons.

.. The czarina turned to faith healers, including a wandering holy man from Siberia named Grigori Rasputin, who became known as “the Mad Monk” though he never entered a holy order and was in fact married with three children. Before the war, Rasputin provided spiritual counsel for the Imperial couple and prayed for the recovery of the heir to the throne. During the war, however, Rasputin provided Nicholas and Alexandra with political advice. When Suklominov was released from prison after only six months, the Russian public blamed Rasputin’s influence.

.. little could be down to quash the rumors swirling about Rasputin, who had a disreputable reputation because of his drunkenness and womanizing.

.. In November 1916, Vladimir Purishkevich, a reactionary deputy known for his militant anti-Bolshevism gave a speech in the Duma denouncing what he described as the “ministerial leapfrog” in which Nicholas, under the influence of Alexandra who was in turn influenced by Rasputin, removed competent ministers from office and replacde them with unqualified figures endorsed by Rasputin. Purishkevich concluded his speech with the words, “While Rasputin is alive, we cannot win.” Prince Felix Yusupov, the wealthiest man in Russia and the husband of Nicholas’s niece Irina was impressed by the speech and began plotting the murder of Rasputin.