The Saudi royals are caught in a perfect trap: Weakened by succession laws that encourage turnover, they cling to ancestral ties between king and preacher. The Saudi clergy produces Islamism, which both threatens the country and gives legitimacy to the regime.
.. One has to live in the Muslim world to understand the immense transformative influence of religious television channels on society by accessing its weak links: households, women, rural areas.
.. It is worth reading certain Islamist newspapers to see their reactions to the attacks in Paris. The West is cast as a land of “infidels.” The attacks were the result of the onslaught against Islam. Muslims and Arabs have become the enemies of the secular and the Jews. The Palestinian question is invoked along with the rape of Iraq and the memory of colonial trauma, and packaged into a messianic discourse meant to seduce the masses. Such talk spreads in the social spaces below, while up above, political leaders send their condolences to France and denounce a crime against humanity.
.. Since ISIS is first and foremost a culture, not a militia, how do you prevent future generations from turning to jihadism when the influence of Fatwa Valley and its clerics and its culture and its immense editorial industry remains intact?
.. Daesh has a mother: the invasion of Iraq. But it also has a father: Saudi Arabia and its religious-industrial complex. Until that point is understood, battles may be won, but the war will be lost. Jihadists will be killed, only to be reborn again in future generations and raised on the same books.
The utopia of Isis: inside Islamic State’s propaganda war
Looking at Dabiq, she found that images promoting the idea of an “idealistic caliphate” far outnumbered photographs of killings and torture. Overall, she estimates that only 5 per cent of imagery produced and distributed by Isis is violent.
.. But part of the modernity of Isis is its high level of media literacy. Terror is only part of the movement’s communications strategy: it knows it must offer hope, too. Fahmy points to images showing serenity and repentance – “suggesting that any individual will always be embraced by the organisation and forgiven for past affiliations upon joining the ‘caliphate’” – alongside others promoting the idea of victimisation by the West, such as graphic photographs of children killed by drone strikes.
How Will Putin Manage the Metrojet Plane Crash?
State-controlled television has repeatedly demonstrated its extraordinary capacity to shape Russian public opinion in a way the Kremlin needs. The coverage of the Malaysian airliner downed over Ukraine was a perfect example. Evidence presented by a wide range of foreign sources was enough to convince the world that pro-Russia insurgents had downed the plane, but in Russia just two or three per cent of the public thought so, while the overwhelming majority laid responsibility on Ukraine.
What Do We Really Know About Osama bin Laden’s Death?
American history is filled with war stories that subsequently unraveled. Consider the Bush administration’s false claims about Saddam Hussein’s supposed arsenal of weapons of mass destruction. Or the imagined attack on a U.S. vessel in the Gulf of Tonkin. During the Bay of Pigs, the government inflated the number of fighters it dispatched to Cuba in hopes of encouraging local citizens to rise up and join them. When the operation failed, the government quickly deflated the number, claiming that it hadn’t been an invasion at all but rather a modest attempt to deliver supplies to local guerrillas. More recently, the Army reported that the ex-N.F.L. safety Pat Tillman was killed by enemy fire, rather than acknowledging that he was accidentally shot in the head by a machine-gunner from his own unit.
These false stories couldn’t have reached the public without the help of the media. Reporters don’t just find facts; they look for narratives.
.. Hersh confidently walked readers through an alternate version of all the familiar plot points in a dispassionate, just-the-facts tone, turning a story of patient perseverance, careful planning and derring-do into one of luck (good and bad), damage control and opportunism.
.. ‘‘It’s all sort of hokey, the whole thing,’’ Robert Baer, a longtime C.I.A. case officer in the Middle East (and the inspiration for the George Clooney character in the movie ‘‘Syriana’’) told me of the government’s version of the events. ‘‘I’ve never seen a White House take that kind of risk. Did the president just wake up one morning and say, ‘Let’s put my presidency on the line right before an election?’ This guy is too smart to put 23 SEALs in harm’s way in a Hollywood-like assassination. He’s too smart.’’ Still, none of Baer’s old friends inside or outside the agency have challenged the administration’s account.
.. This was a story that was so good it didn’t need to be fictionalized, or so it seemed. It began with a series of C.I.A.-led torture sessions, which the movie suggested provided the crucial break in the hunt for bin Laden. Only they didn’t, at least according to a report conducted over the course of many years by the Senate Intelligence Committee (and others with access to classified information). Senator Dianne Feinstein, who oversaw the report as the committee’s chairwoman, said she walked out of a screening of the film. ‘‘I couldn’t handle it,’’ she said. ‘‘Because it’s so false.’’ The filmmakers’ intent had presumably been to tell a nuanced story — the ugly truth of how we found bin Laden — but in so doing, they seem to have perpetuated a lie.
.. And we can’t necessarily console ourselves with the hope that we will have more answers any time soon; to this day, the final volume of the C.I.A.’s official history of the Bay of Pigs remains classified. We don’t know what happened more than a half-century ago, much less in 2011.
.. There are different ways to control a narrative. There’s the old-fashioned way: Classify documents that you don’t want seen and, as Gates said, ‘‘keep mum on the details.’’ But there’s also the more modern, social-media-savvy approach: Tell the story you want them to believe. Silence is one way to keep a secret. Talking is another. And they are not mutually exclusive.