Invisibilia: Inspired By ‘American Idol,’ Somali TV Show Aimed To Change The World

Once upon a time there was music in Somalia, but then the music started fading out. First one music radio station, then another, then another, until there was almost no music to hear and people started MacGyvering workarounds.

One of the people who came up with a workaround was Xawa Abdi Hassan, a young woman who lived in a village outside Mogadishu.

“We used to use a memory card, fill the memory card with music and listen to it from our phones,” Xawa says. In her house, as she cooked and cleaned, Hassan would sing along with the great Somali singers. But even in this private space she says she was careful. “I used to turn the volume down low, so no one could hear it.”

The problem was al-Shabab, the Islamic extremist group that dominated large parts of the country. Al-Shabab didn’t like music. In 2009 it banned music at weddings, banished musical ringtones and starting punishing people who listened to music on their mobile phones by making them swallow their memory cards.

Eventually the musicians themselves were targeted. The famous soloist Aden Hasan Salad was shot and killed in a tea shop, and others were murdered in the street.

Through all of that, Xawa Abdi Hassan kept listening and practicing. Because she had a dream: “I just wanted to sing and become an entertainer.”

For most of her life though — because of al-Shabab — this was a pretty far-fetched dream. Then in 2013 an unexpected and interesting opportunity emerged: There was going to be a new reality television show in Somalia, an American Idol-style show with singers competing.

“As soon as I heard about it I knew I wanted to join,” Hassan says.

What she didn’t know — what she couldn’t possibly know — was that this reality show was part of a much larger political plan.

Using reality TV to change the world

The plan was to create a musical reality show that could undermine the power of al-Shabab, or, in the language of the memo distributed to the people involved in the show’s creation, “undercut the messaging and brand appeal of armed extremist groups.”

The United Nations, which was providing the money and support for the show, had concluded that a vivid display of Somali musical culture could serve “as a kind of inoculation against the austerity of Shabab,” Ben Parker told me. Parker was the head of communications for the U.N. in Mogadishu. He says that at this point — 2013 — al-Shabab had finally been pushed out of the capital, Mogadishu. But the situation in Somalia was far from stable. There were still regular attacks, so the new government (which had U.N. backing) needed to prove to Somalis that the power of the extremist group really was fading. This is why, Parker says, a musical reality show that challenged the power of the music-hating group was so appealing.

“The beauty of a reality show is that the form itself achieves some of your goals,” he explains.

After all, not only is there music in a musical reality show, there’s democratic voting and individual expression. So even in its form it communicates to its audience a very different way of being.

This kind of indirect political messaging, Parker told me, is increasingly popular in strategic communications: “Those working in conflict … are less and less convinced of the value of weapons and more and more convinced that other approaches can deliver the dividends.”

You get further with songs than with bombs.

So is he right?

Can a reality show actually change reality?

It turns out this question has been systematically studied.

The tricky science of changing what’s normal

How do people come to see the world around them as normal, an unremarkable fact, the way things are and should be? This is the question that interests Betsy Levy Paluck, a psychologist at Princeton University who studies media and how societies change.

Paluck told me that for a long time people assumed the path to political or cultural change depended on crafting the right argument.

“It was all rhetoric and no poetics,” she says.

But starting in the 1990s, according to Paluck, poetics started gaining ground because psychologists realized that people consumed stories in this qualitatively different way.

“Their defensiveness is disabled. Their counterarguing is at rest.”

What Paluck wanted to understand was whether this difference in how we consumed stories translated into any changes in what we thought and how we behaved. So around 2004 she hooked up with an organization in Rwanda that was creating a new radio soap opera that was trying encourage tolerance between different ethnicities.

And what Paluck found after a year of studying communities in Rwanda randomly assigned to listen to the soap opera was that their exposure had a surprising impact.

“What it boiled down to was that despite the fact that people loved this program, it didn’t change their beliefs,” she says. “But it did change their perceptions of norms, and at the same time it changed their behaviors. Which is why I thought this is something significant.”

Let me repeat that: It didn’t change their beliefs; it changed their behaviors by changing what they considered to be the social norm.

That’s a sobering idea.

“It’s a very uncomfortable thought,” Paluck says. “We like to think that all of our behaviors flow from our convictions, and what we do is a reflection of who we are and what we think. But we’re constantly tuning ourselves to fit in with the social world around us.”

So what this work suggests is that if you change someone’s perception of what constitutes the social norm — as you convince people that the world is safe enough to sing in public even though in actual fact singing in public is incredibly dangerous — then you just might be able to move the needle on the ground.

She took on extremists with her song

Which brings us back to Xawa Abdi Hassan, the young woman who quietly listened to music off a memory card and dreamed of being a singer.

It took her some time to convince her family that it would be OK to compete in the show, called Inspire Somalia. Her mother was afraid that participating would turn her into a target, but ultimately she got permission.

Hassan says when she first took the stage to compete, her hands were shaking, and not just because this could be a big break. There was another reason: Because of al-Shabab, she had never sung in public before.

It was too dangerous.

“That was my first time,” she says. “Before that, I did not sing in public places.”

After Hassan two other contestants had their turns, both men. One had a famous musician father; the second, a man named Mustafa, had composed his own song.

Once they finished came the part of the show supposed to serve as a democracy demonstration: the voting. Ballots were distributed to the audience and judges, and for a minute the room was quiet. In this small conference room in the middle of Mogadishu people bent over their ballots and considered the options before them.

The son of the famous musician.

The girl who practiced at home with the volume turned low.

The boy who wrote his own song.

In that room they consulted their hearts, weighed strengths and weaknesses, then marked the paper in their laps.

It was Mustafa who ended up winning, but Hassan says she was honestly not upset. For her just the act of singing in public for the first time was enough. “I was happy as … like I was born that day.” she told me.

In fact, Hassan is now a bit famous. People occasionally recognize her on the street, and even more important, she’s part of a professional singing group. As al-Shabab remains a force in Somalia, this means she is still at risk. She says she tries not to worry too much but is often spooked when she sees a car slow down when she’s walking. Still, she is committed to keep making music.

“Yes, it is dangerous,” Hassan says. “But if the young person doesn’t stand up for his country and do what’s right, how is he helping his country?”

Which brings us to this question: Did this reality show actually change reality in any way?

It would be impossible to make the case that Somalia is a completely different country now. It isn’t.

But there is at least one undeniable change since 2013. Music is back in the streets. Brought back, slowly and painfully, through a complicated combination of political strategy and personal courage.

Bad Faith, Pathos and G.O.P. Economics

On professionals who sold their integrity, and got nothing in return.

As 2018 draws to an end, we’re seeing many articles about the state of the economy. What I’d like to do, however, is talk about something different — the state of economics, at least as it relates to the political situation. And that state is not good: The bad faith that dominates conservative politics at every level is infecting right-leaning economists, too.

This is sad, but it’s also pathetic. For even as once-respected economists abase themselves in the face of Trumpism, the G.O.P. is making it ever clearer that their services aren’t wanted, that only hacks need apply.

.. Professional conservative economists are something quite different. They’re people who even center-right professionals consider charlatans and cranks; they make a living by pretending to do actual economics — often incompetently — but are actually just propagandists. And no, there isn’t really a corresponding category on the other side, in part because the billionaires who finance such propaganda are much more likely to be on the right than on the left.

.. Even during the Obama years, it was striking how many well-known Republican-leaning economists followed the party line on economic policy, even when that party line was in conflict with the nonpolitical professional consensus.

Thus, when a Democrat was in the White House, G.O.P. politicians opposed anything that might mitigate the costs of the 2008 financial crisis and its aftermath; so did many economists. Most famously, in 2010 a who’s who of Republican economists denounced the efforts of the Federal Reserve to fight unemployment, warning that they risked “currency debasement and inflation.”

Were these economists arguing in good faith? Even at the time, there were good reasons to suspect otherwise. For one thing, those terrible, irresponsible Fed actions were pretty much exactly what Milton Friedman prescribed for depressed economies. For another, some of those Fed critics engaged in Donald Trump-like conspiracy theorizing, accusing the Fed of printing money, not to help the economy, but to “bail out fiscal policy,” i.e., to help Barack Obama.

It was also telling that none of the economists who warned, wrongly, about looming inflation were willing to admit their error after the fact.

But the real test came after 2016. A complete cynic might have expected economists who denounced budget deficits and easy money under a Democrat to suddenly reverse position under a Republican president.

And that total cynic would have been exactly right. After years of hysteria about the evils of debt, establishment Republican economists enthusiastically endorsed a budget-busting tax cut. After denouncing easy-money policies when unemployment was sky-high, some echoed Trump’s demands for low interest rates with unemployment under 4 percent — and the rest remained conspicuously silent.

What explains this epidemic of bad faith? Some of it is clearly ambition on the part of conservative economists still hoping for high-profile appointments. Some of it, I suspect, may be just the desire to stay on the inside with powerful people.

Will the Kerch Blockade Make Putin Great Again?

The narrative that Russia is under attack has long dominated Kremlin propaganda, with Putin positioning himself as the commander of a fortress besieged – militarily, economically, and even in the domain of international sports – by a hostile West. This propaganda, already building in volume in 2012, after Putin won his third presidential term, reached a crescendo in 2014, after the annexation of Crimea.

So far, there has been no diminuendo, and there is unlikely to be one so long as Putin’s siege narrative strategy continues to yield political dividends. Prior to the annexation of Crimea, his approval rating had dropped to record lows; afterwards, it surged to more than 80%.

But, since last summer, Putin’s approval ratings have again dropped precipitously, to 66% in October and November. Beyond “making Russia great again” on the international stage, Putin was supposed to improve Russians’ standard of living. Instead, after four years of falling real incomes, the government announced deeply unpopular pension reforms, which included an increase in the retirement age.

Addressing Russians’ economic grievances will not be easy. Russia’s economy is under severe strain as a result of the sanctions imposed by the West over Crimea. More important, Russia’s state-capitalist model has led to weak competition and declining incentives for private investment and entrepreneurship.

With few options for rallying public opinion, Putin may well have decided that it is time to “remind” Russians that they are under attack. (Ukraine’s president, Petro Poroshenko, may also benefit politically from escalating tensions as he seeks to lift his dismal approval ratings ahead of his reelection bid in March.)

.. To be clear, Ukraine is not attacking Russia. The Ukrainian naval vessels were in full compliance with a 2003 bilateral treaty governing access to the Kerch Strait and the Sea of Azov. But, by asserting that the vessels entered Russian waters illegally, not to mention escalating tensions with the West, Putin may be hoping to breathe new life into the siege narrative, thereby inspiring the kind of primitive patriotism on which he has long relied.
.. But Putin is likely also to draw more public attention to Russia’s military-industrial complex and weapons development, while celebrating past glory, especially the mythologized version of World War II that he has established as a component of his own legitimacy.
.. For example, the veneration of Stalin, with whom Putin shares more than a few traits, has no doubt contributed to many Russians’ greater willingness to accept repression. The grand military parade commemorating the anniversary of the end of the Siege of Leningrad, planned for January 29 in St. Petersburg, may inspire patriotism, but it will in no way reflect the real drama of the city’s starving inhabitants.
.. In the “Great Waltz” of July 1944 – which the Novgorod event will reenact – 57,000 German prisoners of war were marched through the streets of Moscow, Stalin’s goal being to humiliate the Germans and remind Muscovites of their hatred for their enemies. But, in the event, many Russians pitied the prisoners, and some even threw bread to them.
.. When sociologists from the Levada Center recently asked 20-year-old Russians to identify the country they view as a model for others, they chose
  1. Germany, followed by
  2. China and Putin’s favorite villain, the
  3. United States.

While these young people support Russian greatness, they define greatness not only in military terms, but also on the basis of economic prosperity and social progress.

.. It does not help that Putin’s foreign-policy gambits have become increasingly dubious. It is hard for many Russians to see why their leaders have channeled so many resources to Syria when there are such pressing challenges at home. Watching a Russian boat ram a Ukrainian boat is no substitute for economic opportunities.

For a long time, the slogan “we can repeat” – a reference to the Soviet Union’s WWII victory – was popular in Russia. But the truth is that we cannot. We lack not only the resources, but also the will to let our young people die fighting another country’s young people. Indeed, the last thing Russians want is to repeat a war that left 27 million of their countrymen dead.