The House of Representatives has passed an important resolution calling on the U.S. to end support for the Saudi/United Arab Emirates war in Yemen. Congratulations to Rep. Ro Khanna, who has waged this fight for almost two years. (Self-promotional aside: He says he introduced the bill after he read one of my 2017 columns on Yemen. I have the best readers!) I hope the Saudis and Emiratis will get the message and end this tragic war, for which there is no military solution.
One of my concerns is that the opposite will happen: The Saudis might try to embroil the U.S. in a war with Iran,
- partly to bring Riyadh and Washington closer together,
- partly to distract from Saudi problems, and
- partly to teach the Iranians a lesson.
There are plenty of Iranian, Saudi and American ships in the Gulf and hotheads on each side, so it would be easy to have a murky accident that both sides mishandle and then escalate. The crown prince already tried to boost his fortunes by starting one war, with Yemen, and it is conceivable he’ll try to do the same again
President Trump and his staff have often criticized The New York Times and other news organizations for bias, arguing that we should just report what the president says without trying to analyze whether it’s true or is consistent with other things he has said. I think in fact that we should do the opposite: Where we in the media have screwed up the worst, I believe, is in cases like the run-up to the Iraq War, where we were more lap dogs than watch dogs. My colleague David Sanger (whom I met in our freshman year of college and who was the best man at my wedding), has written an eloquent essay explaining why we point out inaccuracies and inconsistencies even though we know the White House will object. His key phrase: “We’re not stenographers.”
Speaking of journalism, it is horrifying to see the way a New York hedge fund, Alden Global Capital, has systematically purchased and pillaged newspapers around the country, squeezing them for a final bit of revenue as it destroys them. Alden represents the worst of capitalism, targeting a public good and systematically trying to destroy it (often for the underlying real estate that newspapers own). Led by Randall D. Smith, R. Joseph Fuchs and Heath Freeman, the company is now trying to acquire newspapers around the country owned by Gannett, presumably so that it can rip them apart as well. I hope for the sake of newspapers around America, Gannett shareholders resist these barbarians at the gate.
It has been a year since the Parkland, Fla., massacre claimed 17 lives, and we remain as vulnerable as ever to shootings — in a way that Canadians and Europeans are not. I originally wrote a piece in 2017 about modest, sensible steps we could take to reduce the carnage, and I’m recirculating it now because it remains tragically relevant. In addition, check out this satirical Times video about when the right time is for politicians to act on gun control.
In some ways, Obama’s desires for a stable home and family are quite conventional, and she uses the conventionally feminine, domestic metaphor of knitting to describe them. “We were learning to adapt, to knit ourselves into a solid and forever form of us,” she writes of the first months of her marriage to Barack. It isn’t easy: in the Robinson-Obama union, the South Side power-walker meets the Hawaii-born ambler; the meticulous planner and striver with an “instinctive love of a crowd” and a desire for family must adapt to the messy, cerebral dreamer who loves solitude and books at least as much as he loves people. Later, the woman who loathes politics must throw her life into her husband’s pursuit of the Presidency.
Things are complicated long before the campaign, as children both complete and unsettle the Obamas’ carefully cultivated “us.” Once Obama gets pregnant, through I.V.F., her resentment at Barack’s distance from the pain of miscarriage and needles gives way to feelings of maternal pride. Upon Malia’s arrival, she writes, “motherhood became my motivator”—yet, three years (and almost twenty pages) later, she is most galvanized by her new full-time job, at the University of Chicago Medical Center. Although she considers staying home when Sasha is born, she instead takes the job, which “[gets her] out of bed in the morning,” though Barack’s comparative absence, as a commuting state and U.S. senator, gets her home in time for dinner. Then, just as Sasha is about to start elementary school and Obama is “on the brink of . . . [firing] up my ambition again and [considering] a new set of goals,” it is decided that Barack should run for President.
Michelle is still driven, but now by a desire not to fail Barack’s growing base of supporters. In an effort to “earn” public approval, she talks a lot about her kids while campaigning—a safe subject for a black woman who was framed in negative contemporary press accounts as an unpatriotic shrew. As the Obamas near the Iowa primaries, Michelle’s growing commitment to Barack’s cause is reflected in her language. Her pronouns shift from “him” to “we”—“Our hopes were pinned on Iowa. We had to win it or otherwise stand down”—and she adopts Barack’s own sermonic listing mode, describing meetings with voters “in Davenport, Cedar Rapids, Council Bluffs . . . in bookstores, union halls, a home for aging military veterans, and, as the weather warmed up, on front porches and in public parks.” Her rhetoric itself knits her and Barack into a “we.”
The book as a whole, however, represents a different moment, and announces her ambition to tell her story in her own way. A long memoir by any measure, “Becoming” not only matches the length of Barack’s first book, “Dreams from My Father,” but it also shows Michelle to be a better storyteller than her husband—funnier, and able to generate a surprising degree of suspense about events whose outcomes are a given (the results of Barack’s first run for President, for instance). Having devoted herself to strategically remaking the office of First Lady, through such initiatives as the White House garden and Let Girls Learn, she now reflects on what she has done and who else she might want to become.
Of course, the choices she makes throughout—to focus more and less on work, more and less on family—are a function of privilege. It is a privilege to decide how much or whether to work, and a privilege to have children, whether through I.V.F. or otherwise. The ability to steer one’s own ship also relies on the sheer luck of evading any number of American disasters: layoffs, mass shootings, prison, domestic violence, lack of health care. Then there are the disasters perpetrated by the U.S. surveillance state, which can undo black women, such as Sandra Bland, or their children, such as Kalief Browder. Under these conditions of hypervisibility, no amount of strategic maneuvering can guarantee one’s safety. And, in light of this, the Obamas’ faith in the American system, and in electoral politics, can seem woefully insufficient.
It comes as something of a relief, then, that, even as Michelle seeks to bind her own story to that of her husband and, through him, to that of the nation, the story of her mother, Marian Robinson, hints at an exit. Robinson is a willfully marginal figure in the text, as she was in the White House—famously reluctant to move in, and evasive of its basic security protocols. She gave everything to her kids (“We were their investment,” Michelle writes of her parents’ devotion to their two children) and stood by her husband, Fraser Robinson III, while multiple sclerosis drained him of strength. And yet, it turns out, she harbored fantasies of leaving. It is here that Obama’s portrait of her mother grows most vivid: “Much later, my mother would tell me that every year when spring came and the air warmed up in Chicago, she entertained thoughts about leaving my father. I don’t know if these thoughts were actually serious or not. . . . But for her it was an active fantasy, something that felt healthy and maybe even energizing to ponder, almost as ritual.” Obama sees this ritual as an internal renewal of vows for Marian, akin to how doubts about God might be said to bolster one’s faith. But the fantasy also represents a wholly other possibility: not a knitting-together but an unfurling, a quiet dream of escape.