.. there was the stunning revelation that we found out that the CEO of Cambridge Analytica, Alexander Nix, had actually reached out to WikiLeaks. So it had got hold of Julian Assange. And this was in August, before the Trump election. And he offered to help distribute Hillary’s stolen emails.
So that was a kind of mind-blowing moment for me news-wise because the idea that, you know, we knew that WikiLeaks was consequential in the U.S. election, and we knew that Cambridge Analytica was, but we had no idea that there was a sort of channel of communication between them.
.. The second alarm bell was that Chris had this insane presentation that he pulled out which Cambridge Analytica had given to Lukoil, which is a massive Russian state oil company. And the presentation just didn’t make any sense because supposedly it was the sort of advertising pitching Cambridge Analytica do – commercial work. But the presentation was all about influencing elections. Why would you be pitching a Russian oil company in how to manipulate voters?
.. I do think that it was having an American newspaper which forced Facebook as an American company to take note. And that was also what helped force Zuckerberg in front of Congress. So I do kind of give tribute to our American partners in helping bring that about. I kind of think that Facebook considers the rest of the world as lesser, as less consequential, as less important. And, you know, I really feel that’s what’s happening with its refusal to come to parliament. I really do very seriously think that Britain should consider banning Facebook from having any role in any of our elections because if you’ve got a foreign company which is playing an absolutely pivotal role in your elections but yet it’s completely unaccountable and it won’t even answer questions to lawmakers then I think you’ve got a really, really serious problem in terms of national security.
.. another British figure who Americans are probably not familiar with but played a key role in the Brexit campaign and may be a link to Russia. And his name is Arron Banks.
.. So Arron Banks, he’s a businessman based in Bristol, in the West Country here, and he’s the bankroller of it. So Arron Banks gave more money towards the Brexit campaign than any other person in Britain. And he is this strange and – I wouldn’t say strange character, but there’s just so many questions. Essentially, we don’t know where Arron Banks’ money comes from. And that is a source of one other investigation into Britain. He’s married to a Russian woman, Katya Banks.
.. And one of the key people he met in London was Ambassador Yakovenko. And Ambassador Yakovenko is described by Mueller as a high-level contact between the Trump campaign in the Kremlin.
.. We had two Brexit campaigns in Britain. That’s why I have to make the distinction. And on the same day that he launched it, he went to the Russian Embassy with his associates, and at the Russian Embassy, we know that the Russian ambassador introduced him to an oligarch called Siman Povarenkin, and Povarenkin offered him a couple of lucrative potential business deals. One of them was a gold deal. It was about buying into six separate gold mines and consolidating them. And one was this very intriguing one. Alrosa, it was called. And that was a state diamond mining company in Russia.
.. He always said he had met the Russian ambassador. But he’d met him only once. He’d had one boozy lunch with him. And this was something he’d carried on saying for – for two years, he said that. He had that line very consistently. And now – we’re now up to – it’s 11 meetings between him and the ambassador, or between his associates and the political secretary at the embassy.
And it’s just, why did he lie about it? Why did he lie about it? It’s, like, always the question you come back to with these things.
.. People in America, I don’t think, have realized this fully. And people in Britain certainly haven’t realized this fully. But they overlap very, very distinctly. And, you know, one of the points we have in common with America is simply that our laws and our democracy was not prepared for what hit it in 2016. And by that, I mean because all of our laws were around sort of ensuring that our vote was free and fair in terms of a sort of 19th century model of how you run elections and how you control spending. And with the rise of the Internet, that just changed everything.
.. So in just a few years, everything is being done via Facebook, and to some degree, via Google. And that’s all in complete darkness. So the thing about Facebook, and the thing which is so frustrating in terms of being able to get any answers from it, is that these are black boxes.
.. And we know that all of these advertisements, which were shown in the referendum, all the data went through the Facebook’s servers. They know a lot of the answers we’re scratching around as journalists and trying to figure out from the tiny clues left on the surface.
And it comes back to, time and time again, the role of Silicon Valley in these elections is the really, really key thing. And Russia exposed that weakness.
.. The Russian Embassy Twitter account is this extraordinary thing. It trolls me. It trolls other journalists. It trolls, like, MPs. And I thought it was the Russian Embassy first. And it had my article about Arron Banks and the gold deals and his meetings with the embassy. It had a picture – a screenshot of that. It put fake news stamped over it. And then it said, this journalist lies, or this journalist conspirator or something. And it tagged me into it.
And then I realized it wasn’t even the Russian Embassy Twitter account. It was the Russian Ministry of Foreign Affairs Twitter account. So this is the Kremlin. This is the government agency in Moscow, which directs all of Russia’s foreign affairs, targeting me specifically via its Twitter feed and calling me a conspirator and writing, fake news, and going in to defend Arron Banks and Nigel Farage, interestingly.
.. And the thing is about it, this thing is just being normalized. It does it in this jokey way. And this is also what we saw from the Leave EU campaign – Arron Banks and Nigel Farage’s campaign. By doing things in this jokey fashion, it normalizes it. And then you go a bit further.
.. the Russian Embassy started writing me letters and calling my journalism – calling me a bad journalist and with an agenda and spreading lies, et cetera. And at the same time, Arron Banks and Nigel Farage’s campaign were retweeting the Russian Embassy. And then they did this, like, mock video of me, so they took a clip of the film “Airplane!” and it was a woman being hysterical in the film. It’s like a spoof. People come and slap her around the face, and then they threaten her with a gun. They’d Photoshopped my face into that video, and they’d added the Russian national anthem to the music behind it.
.. And again it looked like a joke. It was like ha ha ha ha ha ha (ph), look at this hysterical woman. But it was intended to unnerve me. And initially, I was just kind of like, well, this is just weird. But then hundreds – literally thousands of people actually reported that to Twitter and to the police and to Leave.EU and it didn’t come down. And this is why what is going on on the Internet is – and that the role of the tech giants is so invidious and so problematic because Facebook and Twitter and Google, it look – these look like public spaces. We are all communicating through them and mingling in them, but they’re not. They’re private companies. And this is why the Russian government has been able to exploit these things in the way that it has. And that’s what’s made democracy so vulnerable.
.. because I’m experiencing this kind of viscerally, this information warfare sort of viscerally, and I’m experiencing it from these forces, these campaigns in my own country. So Leave.EU, this is a domestic, political campaign here. And when we get hold of these emails, Arron Banks’ emails, we discovered that they were communicating with the Russian Embassy about social media messaging. This idea that they were actually coordinating in their attacks on certain things that – there’s that those levels of sinister in this which I really don’t think should be treated like a joke.