Do not be silent, O God of my praise.
2 For wicked and deceitful mouths are opened against me,
speaking against me with lying tongues.
3 They beset me with words of hate,
and attack me without cause.
4 In return for my love they accuse me,
even while I make prayer for them.[a]
5 So they reward me evil for good,
and hatred for my love.
6 They say,[b] “Appoint a wicked man against him;
let an accuser stand on his right.
7 When he is tried, let him be found guilty;
let his prayer be counted as sin.
8 May his days be few;
may another seize his position.
9 May his children be orphans,
and his wife a widow.
10 May his children wander about and beg;
may they be driven out of[c] the ruins they inhabit.
11 May the creditor seize all that he has;
may strangers plunder the fruits of his toil.
12 May there be no one to do him a kindness,
nor anyone to pity his orphaned children.
13 May his posterity be cut off;
may his name be blotted out in the second generation.
14 May the iniquity of his father[d] be remembered before the Lord,
and do not let the sin of his mother be blotted out.
15 Let them be before the Lord continually,
and may his[e] memory be cut off from the earth.
16 For he did not remember to show kindness,
but pursued the poor and needy
and the brokenhearted to their death.
17 He loved to curse; let curses come on him.
He did not like blessing; may it be far from him.
18 He clothed himself with cursing as his coat,
may it soak into his body like water,
like oil into his bones.
19 May it be like a garment that he wraps around himself,
like a belt that he wears every day.”
20 May that be the reward of my accusers from the Lord,
of those who speak evil against my life.
21 But you, O Lord my Lord,
act on my behalf for your name’s sake;
because your steadfast love is good, deliver me.
22 For I am poor and needy,
and my heart is pierced within me.
23 I am gone like a shadow at evening;
I am shaken off like a locust.
24 My knees are weak through fasting;
my body has become gaunt.
25 I am an object of scorn to my accusers;
when they see me, they shake their heads.
26 Help me, O Lord my God!
Save me according to your steadfast love.
27 Let them know that this is your hand;
you, O Lord, have done it.
28 Let them curse, but you will bless.
Let my assailants be put to shame;[f] may your servant be glad.
29 May my accusers be clothed with dishonor;
may they be wrapped in their own shame as in a mantle.
30 With my mouth I will give great thanks to the Lord;
I will praise him in the midst of the throng.
31 For he stands at the right hand of the needy,
to save them from those who would condemn them to death.
“I never wonder to see men wicked, but I often wonder to see them not ashamed,” Jonathan Swift observed
.. it feels, more and more, that we are experiencing the end of shame.
.. two oddly connected stories: Alabama Republican Senate nominee Roy Moore and the tax bill.
.. For some, including Senate Majority Leader Mitch McConnell (R-Ky.) and most of his colleagues, the answer has been a welcome yes.
.. To conclude that electing an accused child molester to the Senate is preferable to seating a Democrat is the epitome of shamelessness.
.. The White House line on Moore has descended from “if/then” to “let the voters of Alabama decide” to “we need the seat.”
.. Kellyanne Conway, who had once touted the no-Senate-seat-more-important line, found something even more important than defeating an accused child molester: “I’m telling you that we want the votes in the Senate to get this tax bill through.”
.. Mick Mulvaney .. once styled himself a deficit hawk and now is pushing a measure projected to add at least $1.5 trillion to the debt over 10 years.
.. the bill is so studded with gimmicks that the real cost is more like $2.2 trillion.
.. Mulvaney’s brazen willingness to admit that the price tag is phony — specifically the notion that individual tax cuts will expire. Mulvaney, making the rounds of the Sunday shows, felt no need to dissemble. “One of the ways to game the system is to make things expire . . . a lot of this is a gimmick,” he told NBC. And, on CNN, “It’s simply trying to essentially manipulate the numbers and game the system.” In other words, we’re lying to you to ram this through, and we’re not even going to bother to hide it.
.. If hypocrisy is the tribute that vice pays to virtue, what does it say, exactly, when our most senior public officials feel no such compunction?
And so I snarked on Twitter that “the porn-y side of Game of Thrones helps keeps liberals deluded about why they like the show,” letting them tell themselves, “Oh, I like it because it’s deconstructing this patriarchal pre-modern world and showing how it’s sex and power all the way down.” But not so, liberals: “You like it because it lets you escape the flat dreariness of liberalism for a little while. Because deep down you want a king or queen.”
.. I think that dystopian exaggeration is in fact key to the show’s appeal to liberals in many ways. It lets you fantasize about the negation of your principles while simultaneously confirming their rightness. GoT presents a vision of a world in which illiberal instincts can be freely indulged, in which the id is constrained only by physical power. All the violent, nasty stuff liberal society (thankfully) won’t let us do, but that’s still seething in our lizard brains, gets acted out. And not just acted out — violence and brutality are the organizing principles on which the world is based.
.. the show chides you for harboring the very fantasies it helps you gratify. It wallows in their destructive consequences — makes that wallowing, in fact, simultaneous with the fulfillment of the fantasies. Will to power leads to suffering and chaos, which lead to more opportunities for the will to power to be acted upon, etc. This is a vastly more complex and interesting emotional appeal than “people secretly want kings.”
.. These shows invite liberal viewers into various illiberal or pre-liberal or just, I suppose, red-state worlds, which are more violent and sexist and id-driven than polite prestige-TV-viewing liberal society, and which offer viewers the kind of escapism that Phillips describes … in which there is a temporary attraction to being a mobster or hanging out with glamorous chainsmoking ’50s admen or leaving your put-upon suburban life behind and becoming Heisenberg the drug lord.
.. But then ultimately because these worlds are clearly wicked, dystopic or just reactionary white-male-bastions you can return in relief to the end of history, making Phillips’ “reconciliation with the existing order” after sojourning for a while in a more inegalitarian or will-to-power world.
.. But what the shows properly understood are doing isn’t a celebration of illiberalism; it’s an exploration of its attractions that ultimately confirms the liberal world and all its norms.
.. fundamentally “The Sopranos” was a story without any heroes, a tragedy in which the only moral compass (uncertain as Dr. Melfi’s arrow sometimes was) was supplied by an outsider
.. fantasy from Tolkien to the present (in both its fictional forms and role-playing varietals) partakes by its nature of romantic and reactionary themes, often scratching the same anti-modern itch as certain forms of far-right and New Age lefty politics — and perhaps the same monarchical itch as certain forms of Macron-esque centrism as well.
.. it’s a world in which the fabric of a feudal society gets rent and you root for a very particular set of noble families to regain their rightful place and help weave it back together
.. whatever their politics in this world, both the show’s bad fans and its good fans are rooting a queen or for a king.