It’s also totally clear why Allen felt untouchable enough to add that even if he had believed the “horror stories,” he wouldn’t have been interested, let alone concerned, because he is a serious man busy making serious man-art. He said people wouldn’t bother coming to him anyway, because, as he described it: “You’re not interested in it. You are interested in making your movie.” (That last bit is fair, actually. If I’d been sexually assaulted by Harvey Weinstein, literally my last instinct would be to go to Woody Allen for help.)
.. there is no injustice quite so unnaturally, viscerally grotesque as a white man being fired.
.. Donald Trump, our predator in chief, seems to view the election of Barack Obama as a white man being fired. He and his supporters are willing to burn the world in revenge.
.. the pathetic gall of men feeling hunted after millenniums of treating women like prey
.. So, Mr. Allen et al., I know you hate gossip and rumor mills, but unfortunately they’re the only recourse we have.
.. In a just system, the abuse wouldn’t have stayed an open secret for decades while he was left free to chew through generation after generation of starlets. Weinstein’s life, like Cosby’s, isn’t the story of some tragic, pitiable downfall. It’s the story of someone who got away with it.
.. The witches are coming, but not for your life. We’re coming for your legacy.
.. We don’t have the justice system on our side; we don’t have institutional power; we don’t have millions of dollars or the presidency; but we have our stories, and we’re going to keep telling them
Ted Talk: The secret structure of great talks, by Nancy Duarte
From the “I have a dream” speech to Steve Jobs’ iPhone launch, many great talks have a common structure that helps their message resonate with listeners. In this talk, presentation expert Nancy Duarte shares practical lessons on how to make a powerful call-to-action.
Why Doctors Need Stories
Regularly, I received — and still receive — phone calls: “My husband is just like — ” one or another figure from a clinical example. For a decade and more, public health campaigns had circulated symptom lists meant to get people to recognize mood disorders, and still there remained a role for narrative to complete the job.
.. This summer, Oxford University Press began publishing a journal devoted to case reports. And this month, in an unusual move, the New England Journal of Medicine, the field’s bellwether, opened an issue with a case history involving a troubled mother, daughter and grandson. The contributors write: “Data are important, of course, but numbers sometimes imply an order to what is happening that can be misleading. Stories are better at capturing a different type of ‘big picture.’ ”
.. I don’t think that psychiatry — or, again, medicine in general — need be apologetic about this state of affairs. Our substantial formal findings require integration. The danger is in pretending otherwise. It would be unfortunate if psychiatry moved fully — prematurely — to squeeze the art out of its science. And it would be unfortunate if we marginalized the case vignette. We need storytelling, to set us in the clinical moment, remind us of the variety of human experience and enrich our judgment.