This is what real “decolonization” should look like.
“Decolonize this place!” “Decolonize the university!” “Decolonize the museum!”
In the past few years, decolonization has gained new political currency — inside the borders of the old colonial powers. Indigenous movements have reclaimed the mantle of “decolonization” in protests like those at Standing Rock against the Dakota Access pipeline. Students from South Africa to Britain have marched under its banner to challenge Eurocentric curriculums. Museums such as the Natural History Museum in New York and the Royal Museum for Central Africa in Brussels have been compelled to confront their representation of colonized African and Indigenous peoples.
But what is “decolonization?” What the word means and what it requires have been contested for a century.
After World War I, European colonial administrators viewed decolonization as the process in which they would allow their imperial charges to graduate to independence by modeling themselves on European states. But in the mid-20th century, anticolonial activists and intellectuals demanded immediate independence and refused to model their societies on the terms set by imperialists. Between 1945 and 1975, as struggles for independence were won in Africa and Asia, United Nations membership grew from 51 to 144 countries. In that period, decolonization was primarily political and economic.
As more colonies gained independence, however, cultural decolonization became more significant. European political and economic domination coincided with a Eurocentrism that valorized European civilization as the apex of human achievement. Indigenous cultural traditions and systems of knowledge were denigrated as backward and uncivilized. The colonized were treated as people without history. The struggle against this has been especially central in settler colonies in which the displacement of Indigenous institutions was most violent.
South Africa, where a reckoning with the persistence of the settler regime has gripped national politics, reignited the latest calls for decolonization in 2015 with the #RhodesMustFall movement. Students at the University of Cape Town targeted the statue of the British imperialist Cecil Rhodes, but saw its removal as only the opening act in a wider struggle to bring white supremacy to an end. Under the banners of “more than a statue” and “decolonize the university,” students called for social and economic transformation to undo the racial hierarchies that persist in post-apartheid South Africa, free university tuition and an Africa-centered curriculum.
Now, partly riding the global surge of Black Lives Matter mobilizations, calls for decolonization have swept Europe’s former imperial metropoles. In Bristol, England, last month, protesters tore down the statue of Edward Colston, the director of the Royal African Company, which dominated the African slave trade in the 17th and 18th centuries. Across Belgium, protesters have focused on statues of King Leopold II, who ruled the Congo Free State (now the Democratic Republic of Congo) as his personal property from 1885 to 1908. King Phillipe II of Belgium recently expressed “regret” for his ancestor’s brutal regime, which caused the death of 10 million people.
Colonialism, the protesters insist, did not just shape the global south. It made Europe and the modern world. Profits from the slave trade fueled the rise of port cities like Bristol, Liverpool and London while the Atlantic economy that slavery created helped to fuel the Industrial Revolution. King Leopold amassed a fortune of well over $1.1 billion in today’s dollars from Congo. His vision of the Royal Museum for Central Africa, which opened in 1910 soon after his death, reproduced a narrative of African backwardness while obscuring the violent exploitation of the Congolese.
By tearing down or defacing these statues, protesters burst open the national narrative and force a confrontation with the history of empire. This is a decolonization of the sensory world, the illusion that empire was somewhere else.
Laying a flag of the Democratic Republic of Congo on the statue of King Leopold or hauling the Colston statue into the sea, where thousands of enslaved women and men lost their lives, tears apart the blinders and boundaries between past and present, metropole and colony. Insisting on the presence of the past, the protests reveal Europe’s romance with itself, unmasking its political and economic achievements as the product of enslavement and colonial exploitation.
This historical reckoning is only the first step. Acknowledging that colonial history shapes the current inequalities and hierarchies that structure the world sets the stage for the next one: reparations and restitution.
Reparations is not a single act. The Caribbean Community has already demanded reparations for slavery and Indigenous genocide from Britain, France, Spain and the Netherlands. Although there is little movement at the level of states, the University of Glasgow agreed last year to pay 20 million pounds (about $25 million) for development research with the University of the West Indies in recognition of how the university benefited from the profits of the trans-Atlantic slave trade.
The Herero of Namibia, who suffered the 20th century’s first genocide at the hands of Germany, have also called for redress. Their efforts follow the successful bid for reparations by the Mau Mau of Kenya, many of whom were tortured during Britain’s brutal suppression of their independence movement in the mid-20th century. In other contexts, activists have focused on the return of the looted artifacts that fill Europe’s great museums. France, for instance, has committed to returning 26 stolen artworks to Benin.
But reparations should not focus only on the former colonies and their relations with European states. Colonialism lives on inside Europe’s borders, and Europe itself must be decolonized. Black Europeans experience discrimination in employment and education, are racially profiled and are subject to racist violence at the hands of the police and fellow citizens.
The European Union recently avowed that “Black lives matter,” but its policies deprive Black people of equal rights, imprison them in camps and drown them in the Mediterranean. Overseas imperialism was once believed to be a political necessity for European states; today, anti-immigrant politics plays the same role. In either case, European policymakers disavow responsibility for the misery they bring about.
Repair and redress is owed as much to Black Europeans as it is to former colonial states. It would mean treating Black Europeans, and all migrants from the colonized world, as equal participants in European society. And this form of reparation cannot be perceived as one-off transactions. Instead, it must be the basis of building an inclusive and egalitarian Europe.
This is no easy task and will not happen overnight. But we should remember that just 80 years ago, colonial rule appeared to be a stable and almost permanent feature of international politics. In just three decades, anticolonial nationalists had transformed the world’s map.
The struggle for racial equality in Europe is a fight for a truly postcolonial condition, and its creation is implied by each dethroned statue. If colonialism made the modern world, decolonization cannot be complete until the world — including Europe — is remade.
As much of the world makes amends for social and political injustices of the past, Russia is lionizing its despots, raising statues to the worst of them. Behind this phenomenon is an ultra-nationalist brand of conservatism that seeks to take Russian politics back to the Middle Ages.
While much of the world is busy dismantling monuments to oppressors, Russians are moving in the opposite direction, erecting statues to medieval warlords who were famous for their despotism. Understanding this revival can shed light on the direction of Russia’s politics.
In October 2016, with the endorsement of Russia’s culture minister, Vladimir Medinsky, the country’s first-ever monument to Ivan the Terrible was unveiled in the city of Orel. A month later, Vladimir Zhirinovsky, the leader of the ultra-nationalist Liberal Democratic Party of Russia, called for Lenin Avenue in Moscow to be renamed Ivan the Terrible Highway. And in July of this year, President Vladimir Putin christened Moscow’s own tribute to the tyrant, declaring, erroneously, that “most likely, Ivan the Terrible never killed anyone, not even his son.”
Most historians agree that Ivan lived up to his name; not only did he kill his son and other relatives, he also ordered the oprichnina, the state-led purges that terrorized Russia from 1565 to 1572. He also presided over Russia’s defeat in the Livonian War, and his misrule contributed to the Time of Troubles and the state’s devastating depopulation.
.. Joseph Stalin initiated the modern cult of Ivan the Terrible. But, since the mid-2000s, Russia’s Eurasia Party – a political movement led by the pro-fascist mystic Alexander Dugin – has moved to position Ivan as the best incarnation of an “authentic” Russian tradition: authoritarian monarchy.
Dugin’s brand of “Eurasianism” advocates the embrace of a “new Middle Ages,” where what little remains of Russian democracy is replaced by an absolute autocrat. In Dugin’s ideal future, a medieval social order would return, the empire would be restored, and the Orthodox church would assume control over culture and education.
.. Eurasianism, which was marginal in the 1990s, has gained considerable popularity in recent years by contributing to the formation of the so-called Izborsky Club, which unites the Russian far right.
.. Putin has referred to Eurasianism as an important part of Russian ideology
.. members of the Eurasia Party, who consider political terror the most effective tool of governance and call for a “new oprichnina” – a staunchly anti-Western Eurasian conservative revolution. According to Mikhail Yuriev, a member of the political council of the Eurasia Party and author of the utopian novel The Third Empire, the oprichniks should be the only political class, and they should rule by fear.
.. Cultural vocabulary is also reverting. For example, the word kholop, which means “serf,” is returning to the vernacular, a linguistic devolution that parallels a troubling rise in Russia’s modern slavery. Data from the Global Slavery Index show that more than one million Russians are currently enslaved in the construction industry, the military, agriculture, and the sex trade. Moreover, serf “owners” are also happily identifying themselves as modern-day barins.
.. Nostalgia for serfdom compliments the desire for a return to autocracy.
.. Putin’s tacit support for the Eurasian vision of a neo-medieval Russia invokes the historical memory of Stalinism. According to Dugin, “Stalin created the Soviet Empire,” and, like Ivan the Terrible, expresses “the spirit of the Soviet society and the Soviet people.” No wonder, then, that monuments to Stalin, too, are multiplying in Russian cities.
.. Neo-medievalism is rooted in nostalgia for a social order based on inequality, caste, and clan, enforced by terror.
The lionization of historical despots reflects the contemporary embrace of such pre-modern, radically anti-democratic and unjust values. For Ivan’s contemporary champions, the past is prologue.
One difference between democracies and dictatorships is that the constructing and revising of public spaces is not a propaganda opportunity for the ruler but a realm of democratic discourse, influenced by popular opinion and competitive electoral politics. After the shock of Charlottesville, as many American cities, towns, and campuses have taken down statues of Confederate leaders and generals, or debated whether to do so, New Delhi’s example is perhaps a useful one.
.. Lonnie G. Bunch III, who leads the Smithsonian’s National Museum of African American History and Culture, told the Times, “I am loath to erase history.” He suggested that the statues that were removed should be grouped together in new spaces and contextualized. As it happens, that is what New Delhi did
.. And, by again raising the question of why a statue of Robert E. Lee is more offensive than one of a slaveholding Founding Father like Thomas Jefferson, the statue debates have again forced Americans to reckon with the foundational role of slavery in the construction of the Republic.
.. They stand still, while the struggle for rights and democratic pluralism is dynamic. And that struggle can lurch backward suddenly. In India today, the Bharatiya Janata Party, with its Hindu-nationalist ideology known as Hindutva, is busy rewriting school textbooks, to falsely revise the history of Muslim conquest of the subcontinent, and to reduce the prominence in the story of Indian independence of Jawaharlal Nehru, who was India’s first Prime Minister and who, during his seventeen years in office, built the modern state and its resilient democracy. Nehru was an avowed atheist, who promoted science, industry, and secularism; he worked to keep Hindu chauvinism on the sidelines, and the Hindutva movement’s ideologues have not forgotten.
The sponsor of “Fearless Girl” is State Street Global Advisors, a Boston financial firm that said it wanted to promote “greater gender diversity on corporate boards.”
.. Mayor Bill de Blasio said, in an interview with public radio host Brian Lehrer, that the girl was standing up to a figure representing “unfettered capitalism.”
.. “Fearless Girl” was originally supposed to be on display for a few days. But her stay was extended, and now there are calls to keep her forever. Meanwhile, the bull’s creator is going nuts. “It’s really bad,” said an emotional Arturo Di Modica, 76, at a press conference.
.. He spent his own money on the project and hauled his 7,000-pound creation to the front of the New York Stock Exchange, where he deposited it in the middle of the night.
Exchange officials, unmoved, had it be carted away. But Mayor Ed Koch and his parks commissioner liked “Charging Bull,” and placed in a nearby park, where it’s been ever since.
.. Most people, of course, prefer to see a call for gender diversity. “I like it because Wall Street is a male bastion, and it’s good to look at a future where women are determined to lead
.. Her stay has now been extended to a year. The wounded Di Modica says he’ll sue.
.. There’d be plenty of room for “Fearless Girl” in Central Park