Rose McGowan Attacks Ben Affleck Over Harvey Weinstein: ‘You Lie’

actress Rose McGowan accused Ben Affleck of lying on Tuesday about his knowledge of Mr. Weinstein’s alleged sexual harassment and assaults of women.

.. Ms. McGowan, in a tweet and a subsequent email exchange with The New York Times on Tuesday night, said she had told Mr. Affleck that Mr. Weinstein had behaved inappropriately with her.

.. Mr. Affleck has not responded to Ms. McGowan’s tweet. He did not respond to requests for further comment.

The Times emailed Ms. McGowan to confirm that she was asserting that Mr. Affleck knew about Mr. Weinstein’s mistreatment of her because she had told him, and that she was accusing Mr. Affleck of lying because his statement did not acknowledge awareness of Mr. Weinstein’s behavior.

“I am saying exactly that,” she replied to The Times. She wrote nothing further.

.. Mr. Affleck, in his statement posted to Twitter Tuesday, wrote that he was “saddened and angry” and that new reports of more serious assaults — which include accounts of forced oral sex — “made me sick.”

.. While several prominent actresses spoke out on Monday against Mr. Weinstein, Mr. Affleck was one of a small cadre of prominent male figures in Hollywood with ties to Mr. Weinstein who criticized him on Tuesday after the new reports in The Times and The New Yorker.

Matt Damon, Mr. Affleck’s longtime friend and film collaborator, said in an interview with Deadline on Tuesday that he “never saw” Mr. Weinstein harass or abuse women and that he would have put an end to it if he had.

.. Several directors with close ties to Mr. Weinstein, such as Quentin Tarantino and Robert Rodriguez, have not responded to requests asking them to comment about what it was like to work with him.

.. Mr. Affleck later dated Ms. Paltrow, though it is not known whether she relayed news of the incident to him.

.. George Clooney has also weighed in on the controversy, telling The Daily Beast in an interview that was published Monday night that while he was aware of rumors that young actresses had slept with Mr. Weinstein to get roles, he had been unaware of any misconduct or the settlements Mr. Weinstein had reached with women.

The Church Of Harvey Weinstein’s Casting Couch

Here’s the problem: people were willing to talk about what they knew, but nobody was willing to go on the record, or provide documents to back up their claims. Even though I heard the same kinds of stories repeatedly from reputable sources — most of them priests — not a soul dared to put his name to the accusations. This man was too powerful. At least two prominent laymen who knew about this, but who weren’t under his authority (they did not work for him), would not go on the record about it. One of the men gave no reason; the other said it was to protect the church. This was 2002, if that tells you anything.

.. Unless people were willing to make their accusations public, or disclose court documents, my hands were tied. From a journalistic point of view, until and unless that happened, the stories were just gossip. This story burned me up, especially when I would see this old lecher on television pretending to be so heartbroken about the abuse of children. He was a fraud. Lots of people had personal knowledge of the kind of fraud he was. But nobody said a word publicly. The story was never told.

Camille Paglia on Hugh Hefner’s Legacy, Trump’s Masculinity and Feminism’s Sex Phobia

Hugh Hefner absolutely revolutionized the persona of the American male. In the post-World War II era, men’s magazines were about hunting and fishing or the military, or they were like Esquire, erotic magazines with a kind of European flair.

.. Hefner reimagined the American male as a connoisseur in the continental manner, a man who enjoyed all the fine pleasures of life, including sex. Hefner brilliantly put sex into a continuum of appreciative response to jazz, to art, to ideas, to fine food. This was something brand new. Enjoying fine cuisine had always been considered unmanly in America. Hefner updated and revitalized the image of the British gentleman, a man of leisure who is deft at conversation — in which American men have never distinguished themselves — and the art of seduction, which was a sport refined by the French.

.. Hefner’s new vision of American masculinity was part of his desperate revision of his own Puritan heritage. On his father’s side, he descended directly from William Bradford, who came over on the Mayflower and was governor of Plymouth Colony, the major settlement of New England Puritans.

.. What do you think about the fact that Trump’s childhood hero and model of sophisticated American masculinity was Hefner?

.. the mainstream media based in Manhattan, particularly The New York Times, was hopelessly off in the way it was simplistically viewing Trump as a classic troglodyte misogynist. I certainly saw in Trump the entire Playboy aesthetic, including the glitzy world of casinos and beauty pageants. It’s a long passé world of confident male privilege that preceded the birth of second-wave feminism. There is no doubt that Trump strongly identified with it as he was growing up. It seems to be truly his worldview.

.. Many mainstream voters are gratified by his reassertion of male pride and confidence. Trump supporters may be quite right that, in this period of confusion and uncertainty, male identity needs to be reaffirmed and reconsolidated.

.. What Playboy doesn’t know about well-educated, upper-middle-class women with bitter grievances against men could fill a book! I don’t regard Gloria Steinem as an expert on any of the human appetites, sexuality being only one of them. Interviews with Steinem were documenting from the start how her refrigerator contained nothing but two bottles of carbonated water. Steinem’s philosophy of life is extremely limited by her own childhood experiences. She came out of an admittedly unstable family background. I’m so tired of that animus of hers against men, which she’s been cranking out now for decade after decade. I come from a completely different Italian-American background — very food-centric and appetite-centric. Steinem, with that fulsomely genteel WASP persona of hers, represents an attitude of malice and vindictiveness toward men that has not proved to be in the best interest of young women today.
.. Gloria Steinem, Susan Faludi, all of those relentlessly ideological feminists are people who have wandered away from traditional religion and made a certain rabid type of feminist rhetoric their religion. And their fanaticism has poisoned the public image of feminism and driven ordinary, mainstream citizens away from feminism.
.. I hugely admired the early role that Steinem played in second-wave feminism because she was very good as a spokesperson in the 1970s. She had a very soothing manner that made it seem perfectly reasonable for people to adopt feminist principles. She normalized the image of feminism when there were a lot of crazy feminists running around (like Valerie Solanas, who shot Andy Warhol). That was Steinem’s great contribution, as far as I’m concerned. Also, I credit her for co-founding Ms. magazine and thereby contributing that very useful word, Ms., to the English language, which allows us to refer to a woman without signaling her marital status. I think that’s a tremendous accomplishment.But aside from that, Steinem is basically a socialite who always hid her early dependence on men in the social scene in New York.

.. I have always felt that feminism should transcend party politics and be a big tent welcoming women of faith and of all views into it. Also, I hold against Steinem her utter, shameless hypocrisy during the Bill Clinton scandal. After promoting sexual harassment guidelines, which I had also supported since the 1980s, Steinem waved away one of the worst cases of sexual harassment violation that can ever be imagined — the gigantic gap of power between the President of the United States and an intern! All of a sudden, oh, no, it was all fine, it was “private.” What rubbish! That hypocrisy by partisan feminist leaders really destroyed feminism for a long time.

.. hat Hefner espoused and represented — the art of seduction, where a man, behaving in a courtly, polite and respectful manner, pursues a woman and gives her the time and the grace and the space to make a decision of consent or not

.. Instead, what we have today, after Playboy declined and finally disappeared off the cultural map, is the coarse, juvenile anarchy of college binge drinking, fraternity keg parties where undeveloped adolescent boys clumsily lunge toward naive girls who are barely dressed in tiny miniskirts and don’t know what the hell they want from life. What possible romance or intrigue or sexual mystique could survive such a vulgar and debased environment as today’s residential campus social life?

.. Today’s hook-up culture, which is the ultimate product of my generation’s sexual revolution, seems markedly disillusioning in how it has reduced sex to male needs, to the general male desire for wham-bam-thank-you-ma’am efficiency, with no commitment afterwards. We’re in a period of great sexual confusion and rancor right now. The sexes are very wary of each other. There’s no pressure on men to marry because they can get sex very easily in other ways.

.. What Hefner’s death forces us to recognize is that there is very little glamour and certainly no mystery or intrigue left to sex for most young people. Which means young women do not know how to become women. And sex has become just another physical urge that can be satisfied like putting coins into a Coke machine.

.. But if feminism means anything, it should be encouraging young women to take control of every aspect of their sex lives, including their own impulses, conflicts and disappointments. That’s what’s tragic about all this. Young women don’t seem to realize that in demanding adult inquiry into and adjudication of their sex lives, they are forfeiting their own freedom and agency.

.. there are so many hugely rich women stars in movies and music who should be using their millions to fund the creation of production companies precisely for the kind of hiring that they want. All those wealthy performers with their multiple houses — how about selling one of them? And let them do whatever feminist projects they want and see if they can sell it to the general public.

.. Multiplying like bunnies: Hefner was making a strange kind of joke about the entire procreative process.

.. I think feminism is wildly wrong when it portrays men as the oppressor, when in fact men, as I have argued in my books, are always struggling for identity against the enormous power of women.

.. Hefner created his own universe of sexuality, where there was nothing threatening. It’s a kind of childlike vision, sanitizing all the complexities and potential darkness of the sexual impulse. Everybody knows that Hefner’s sexual type was the girl next door, in other words, the corn-fed, bubbly American girl who stays at the borderline of womanhood but never crosses it.

.. Hefner’s women may have been uncomplex as personalities, but they were always warm and genuine. I never found them particularly erotic. I much preferred the Penthouse style of women, who were more femme fatales. Hefner’s bunnies were a major departure from female mythology, where women were often portrayed as animals of prey — tigresses and leopards. Woman as cozy, cuddly bunny is a perfectly legitimate modality of eroticism. Hefner was good-natured but rather abashed, diffident, and shy. So he recreated the image of women in palatable and manageable form. I don’t see anything misogynist in that. What I see is a frank acknowledgment of Hefner’s fear of women’s actual power.

 

So about that ‘sexual revolution in the Republican Party’. . .

Hefner, who validated the objectification of women by embedding their sexualized bodies between the more-respectable pages of first-rate writing, embraced and championed libertinism and materialism. “Bad boy” behavior — philandering, licentiousness and exploitation — was re-imagined and sold as “freedom,”

.. Perpetually stalled in adolescence, he was an early advocate of the socially debased trends Moore saw as having led to the unraveling of the American family.

.. the current president of the United States may be Hefner’s most sterling achievement. Donald Trump, who has surrounded himself with material excess and women worthy of male admiration, is both protege and prototype, the essential playboy who has acquired wealth and glamour — and boasts that he can do whatever he wants to women.

.. For the president, religion is a convenience — until it’s not. Bannon, though no saint, is a Catholic who respects church doctrine, by his own admission, and is a street fighter for the hard-right.

 In Alabama, he, too, defeated Trump.
..  But the standoff between Bannon and Trump via Moore and Strange may foretell the future of the GOP, which can’t survive without its Southern Christian base. Ironically, Hefner, who put Trump on his magazine’s cover in 1990, penned an essay when the thrice-married reality TV star secured the GOP presidential nomination, defeating Ted Cruz, a pastor’s son. To Hefner, this victory signified “massive changes in the ‘family values party’ ” and was “proof of . . . a sexual revolution in the Republican Party.”