Harvey Weinstein Is My Monster Too

Knowing what I know now, I wonder if it wasn’t my friendship with them — and Quentin Tarantino and George Clooney — that saved me from being raped.

.. The range of his persuasion tactics went from sweet-talking me to that one time when, in an attack of fury, he said the terrifying words, “I will kill you, don’t think I can’t.”

When he was finally convinced that I was not going to earn the movie the way he had expected, he told me he had offered my role and my script with my years of research to another actress.

.. he gave me a list of impossible tasks with a tight deadline:

1. Get a rewrite of the script, with no additional payment.

2. Raise $10 million to finance the film.

3. Attach an A-list director.

4. Cast four of the smaller roles with prominent actors.

Much to everyone’s amazement, not least my own, I delivered, thanks to a phalanx of angels who came to my rescue, including Edward Norton, who beautifully rewrote the script several times and appallingly never got credit, and my friend Margaret Perenchio, a first-time producer, who put up the money. The brilliant Julie Taymor agreed to direct, and from then on she became my rock. For the other roles, I recruited my friends Antonio Banderas, Edward Norton and my dear Ashley Judd. To this day, I don’t know how I convinced Geoffrey Rush, whom I barely knew at the time.

.. Now Harvey Weinstein was not only rejected but also about to do a movie he did not want to do.

Ironically, once we started filming, the sexual harassment stopped but the rage escalated. We paid the price for standing up to him nearly every day of shooting.

.. So he told me he was going to shut down the film because no one would want to see me in that role.

It was soul crushing because, I confess, lost in the fog of a sort of Stockholm syndrome, I wanted him to see me as an artist: not only as a capable actress but also as somebody who could identify a compelling story and had the vision to tell it in an original way.

.. I was hoping he would acknowledge me as a producer, who on top of delivering his list of demands shepherded the script and obtained the permits to use the paintings.

.. But all of this seemed to have no value. The only thing he noticed was that I was not sexy in the movie.

.. He offered me one option to continue. He would let me finish the film if I agreed to do a sex scene with another woman. And he demanded full-frontal nudity.

He had been constantly asking for more skin, for more sex. Once before, Julie Taymor got him to settle for a tango ending in a kiss instead of the lovemaking scene he wanted us to shoot between the character Tina Modotti, played by Ashley Judd, and Frida.

.. When Harvey saw the cut film, he said it was not good enough for a theatrical release and that he would send it straight to video.

This time Julie had to fight him without me and got him to agree to release the film in one movie theater in New York if we tested it to an audience and we scored at least an 80.

Less than 10 percent of films achieve that score on a first screening.

I didn’t go to the test. I anxiously awaited to receive the news. The film scored 85.

.. He also would never know how much he hurt me. I never showed Harvey how terrified I was of him. When I saw him socially, I’d smile and try to remember the good things about him, telling myself that I went to war and I won.
..  the film industry stopped making an effort to find out what female audiences wanted to see and what stories we wanted to tell.
.. between 2007 and 2016, only 4 percent of directors were female and 80 percent of those got the chance to make only one film. In 2016, another study found, only 27 percent of words spoken in the biggest movies were spoken by women.

The Sterile Society

To be for Clinton, as Tara Isabella Burton noted recently in a retrospective piece for Vox, was to be for a dream of sexual sophistication, a Europe-envying vision of perfect zipless adult bliss.

.. the idea that sexual sophistication requires defending pigs from prudes has largely fallen out of fashion.

.. Part of the problem is economic: Everything from student debt to wage stagnation to child-rearing costs has eroded the substructure of the family, and policymakers have been pathetically slow to respond.

.. If women are having fewer children, it must be because they want fewer children. (In fact most women want more children than they have.)

Is Feminism the Answer to Sexual Harassment?

Beyond partisanship, the feminist record is unhelpful. From the inception of “second wave” feminism in the 1960s, the movement embraced sexual “liberation” as part of women’s liberation. Feminists weren’t so much upset that some men behaved like pigs as they were that women couldn’t do the same without loss of reputation. It was the “double standard” they took aim at, not sexual license itself.

.. Womanizers used to at least make an effort at seduction. Now they seem to act out repellent narratives from porn movies.

Richard Rohr Meditation: Returning to Essentials

Hospitality is the practice that keeps the church from becoming a club, a members-only society. —Diana Butler Bass [1]

.. description of Emerging Christianity

  1. Jesus is a model for living more than an object of worship.
  2. Affirming people’s potential is more important than reminding them of their brokenness.
  3. The work of reconciliation should be valued over making judgments.
  4. Gracious behavior is more important than right belief.
  5. Inviting questions is more valuable than supplying answers.
  6. Encouraging the personal search is more important than group uniformity.
  7. Meeting actual needs is more important than maintaining institutions.
  8. Peacemaking is more important than power.
  9. We should care more about love and less about sex.
  10. Life in this world is more important than the afterlife (eternity is God’s work anyway).