5 Broken Cameras (Arabic: خمس كاميرات محطمة Khamas Kamīrāt Muḥaṭṭamah; Hebrew: חמש מצלמות שבורות Hamesh Matslemot Shvurot) is a 94-minute documentary film co-directed by Palestinian Emad Burnat and Israeli Guy Davidi. It was shown at film festivals in 2011 and placed in general release by Kino Lorber in 2012. 5 Broken Cameras is a first-hand account of protests in Bil’in, a West Bank village affected by the Israeli West Bank barrier. The documentary was shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son. In 2009 Israeli co-director Guy Davidi joined the project. Structured around the destruction of Burnat’s cameras, the filmmakers’ collaboration follows one family’s evolution over five years of turmoil. The film won a 2012 Sundance Film Festival award, it won the Golden Apricot at the 2012 Yerevan International Film Festival, Armenia, for Best Documentary Film, won the 2013 International Emmy Award, and was nominated for a 2013 Academy Award.
There are five cameras — each with its own story. When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a Palestinian villager, gets his first camera. At the same time in his village of Bil’in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil’in from the Jewish Settlement Modi’in Illit. The barrier’s route cuts off 60% of Bil’in farmland and the villagers resist this seizure of more of their land by the settlers.
During the next year, Burnat films this struggle, which is led by two of his best friends including his brother Iyad, while at the same time recording the growth of his son. Very soon, these events begin to affect his family and his own life. Emad films the Army and Police beating and arresting villagers and activists who come to support them. Settlers destroy Palestinian olive trees and attack Burnat when he tries to film them. The Army raids the village in the middle of the night to arrest children. He, his friends, and brothers are arrested or shot; some are killed. Each camera used to document these events is shot or smashed.
Eventually, in 2009, Burnat approaches Guy Davidi – an Israeli filmmaker and together, from these five broken cameras and the stories that they represent, these two filmmakers create the film.
Background and Emad Burnat
Israel began construction of an Israeli West Bank barrier in the West Bank village of Bil’in, Palestine in 2005. Discovering that the wall would cut through their agricultural land, confiscating half of it, the villagers initiated popular protests and were joined by Israeli and international activists. At that point Burnat received a camera to document the movement.
In 2007 the Israeli Supreme Court ordered the barrier rerouted, and four years later, after village access to some of the land was restored, the demonstrations were called off.A case against Canada, for failing to prevent Canadian corporations from being complicit in the building of the settlements, is currently pending before the UN Human Rights Committee.
The first year, Burnat filmed mainly to serve the purposes of activists. His footage was introduced as evidence in Israeli court and posted on YouTube to spread awareness of the growing movement.
As media interest in Bil’in grew, Burnat’s footage gained international recognition and was used by local and international news agencies. He started working as a freelance photographer for Reuters and provided footage documenting the villagers’ fight to professional filmmakers. This footage was used in such notable films as Shai Carmeli Pollac’s Bil’in, My Love and Guy Davidi’s and Alesandre Goetschmann Interrupted Streams.
Pre-Production and Guy Davidi
Burnat was approached in 2009 by Greenhouse, a Mediterranean film development project, to develop a documentary. The project focused on the non-violent movement and especially on Bassem Abu-Rahme, who was killed earlier that year at a demonstration in Bil’in. After some difficulties, Burnat approached Israeli filmmaker, Guy Davidi who had just finished editing “Interrupted Streams”, Davidi’s first feature documentary which was released in 2010 at the Jerusalem International Film Festival.
Earlier, Davidi had been involved in the left-wing organizations Indymedia and Anarchists Against the Wall. “Until my twenties,” Davidi has said in an interview, “it was very hard for me to work in Israel. I felt it was a very destructive environment, a very violent environment…. There is a lot of aggression expressed towards the arts in Israel. I connect it completely with the political situation….So I left for Paris and I found time to reflect on my life…. I kind of found a freedom in Paris and I wanted to express it as well in Israel. And ever since my life was connected with the West Bank.”
Davidi provided Burnat’s film with a new concept: Burnat himself, the cameraman, would be the protagonist, and the story would be told from his point of view. Davidi also proposed that the film be structured around the history of the destruction of Burnat’s cameras. Footage that Burnat shot of his family was also incorporated into the film, thus enhancing the personal element.
Beginning in 2009, Burnat, adhering to the new concept for the film, focused more extensively on his family’s reactions to events. A few important scenes shot by other cameramen (including Guy Davidi) were used to supplement the narrative, and to introduce Burnat as a character.
Starting in 2009, Davidi worked on the voice-overs and structuring the film. In 2011 French editor Véronique Lagoarde–Ségot joined the project to edit the final cut of the 90-minute film and to create the 52-minute television version. The film takes the form of a diary, and is divided into 5 sections, each of which recounts the story of one of the five cameras that Burnat used over the years.
In a prologue, Burnat is shown with his 5 broken cameras laid out on a table. This scene is returned to at the end of the film. Title cards identifying the time periods during which each camera was used are shown at the start of each episode as well as the epilogue. The story shifts frequently between the dramatic public events in the village and the highly intimate scenes involving Burnat’s family.
The most prominent narrative is of Burnat’s fourth son Gibreel, whose growth throughout almost 6 years is documented in the film. The birth of Gibreel occurs at the same time as the birth of the non-violent movement in the village; later in the film, Gibreel’s first words are “wall” and “cartridge,” uttered when he crosses the barrier with his brothers and finally writes his name on the second concrete wall at the end of the film.
Beginning with the episode involving the third camera, the personal and village movement narratives grow more integrated. Burnat becomes more conspicuous as a protagonist. First he is placed under house arrest and films himself, then he is filmed at the moment a bullet directly hits his third camera.
internationally co-produced documentary film by director Dror Moreh that tells the story of the Israeli internal security service, Shin Bet (known in Hebrew as ‘Shabak’), from the perspective of six of its former heads.
The film combines in-depth interviews, archival footage, and computer animation to recount the role that the group played in Israel’s security from the Six-Day War to the present. The film was nominated for Best Documentary Feature at the 85th Academy Awards.
From Elizabeth Holmes to Fyre Festival, the stories of grifters prove compelling
THERE ARE plenty of words in English for tricking people out of their money. You can scam, hustle, bilk, gyp, flimflam, swindle, swizzle, fleece and finagle. Those who do so are grifters, con artists, hucksters, charlatans, hustlers or fraudsters. Such figures are something of a staple in popular culture: think of the champagne-chicanery of F. Scott Fitzgerald’s Jay Gatsby; Frank Abagnale, Leonardo DiCaprio’s charismatic con-man in “Catch Me if You Can”; or the glitzy characters in “American Hustle”. They are not ordinary villains, causing revulsion or fear. In being able to make a fortune using little more than their wits, they become attractive, almost awe-inspiring. In both fiction and real life, scammers sell.
Wesley Morris joins us to talk about “Green Book”, the latest Oscar winner to focus on a white character’s moral journey in an interracial friendship.
Three decades ago, the highest honor at the Academy Awards was given to a movie about a white passenger learning to love her black chauffeur. Sunday night, the same award was given to a film about a white chauffeur learning to love his black passenger. We look at Hollywood’s obsession with fantasies of racial reconciliation.
.. “Green Book” focuses on a white driver, played by Viggo Mortensen, and a black musician, played by Mahershala Ali, in the 1962 South.
Wesley Morris examines why tales of interracial friendships born out of employment are repeatedly rewarded at the Oscars.
“Green Book,” a segregation-era buddy film, won this year’s Academy Award for best picture, prompting anger from those who criticized the movie as a simplistic take on race relations.
Listen to an episode of “Still Processing” that revisits Spike Lee’s film “Do the Right Thing,” which was snubbed by the academy in 1990, the year the racial reconciliation fantasy “Driving Miss Daisy” took home the top honor.
Elon Musk, didn’t improve nerds’ image when he tweeted that a diver who assisted in rescuing 12 boys trapped in a cave in Thailand was a pedophile. Mr. Musk later apologized, and said he had been angry with the diver for criticizing Mr. Musk’s design of a mini-submarine to rescue the boys.
.. The notion of nerds being kinder than other men fades faster every day. Part of that has to do with the way nerd culture has subsumed popular culture. Some of the most popular movies in America are based on comic books. If it was a little nerdy to spend too much time on the internet in the ’90s, well, everyone is now on the internet essentially all the time.
.. Nerds are the overdogs now. If they got into tech early, they’re obscenely wealthy, and all of America now likes the stuff they enjoyed as kids. But they’re not wielding that power in a way that is especially kind or thoughtful.
.. So what about their old schoolyard nemeses, those heartless bullies — the jocks?
Well, they suddenly seem pretty great by comparison.Last week, another N.B.A. player, Stephen Curry, raised over $21,000 through a live-streamed event to help benefit the family of Nia Wilson, a young woman who was stabbed to death at a train station in Oakland, Calif.
In June, the former N.F.L. player-turned-actor Terry Crews gave Senate testimony in which he spoke about having been sexually assaulted and warned against the “cult of toxic masculinity” that led him to believe he was more important than women.
.. And of course there’s Colin Kaepernick, the former 49ers quarterback, who drew national attention to police brutality by kneeling during the national anthem.
.. None of these guys sound like the heartless, monosyllabic brutes pop culture made jocks out to be. They sound like the kind of men who would patiently listen to you and commiserate after a nerd sexually harasses you.
.. These jocks are deeply decent men standing up to bullies in power. Just like nerds in old movies used to do.
“Sorry to Bother You” and “Dietland” offer something we need at this moment.
When the history of this terrible moment in American life is written, I suspect the surreal and deeply radical indie film “Sorry to Bother You” will be a major cultural marker, like “Easy Rider” in 1969 or “Slacker” in 1990. Watching it — agog that it ever got made in the first place — felt like getting a little glimpse into the future, and not just because its dystopian satire is half a step away from our reality.
.. “Sorry to Bother You,” a sleeper hit, may be the most overtly anticapitalist feature film made in America.
.. If you want to get a feel for the zeitgeist behind the growth of the Democratic Socialists of America, the wave of unionizing in digital media, the striking teachers in red states, and the general broad seething fury about inequality that’s particularly pronounced among people who came of age amid the Great Recession, it’s a good place to start.
.. It’s about an African-American man named Cassius Green — he goes by Cash — living with his girlfriend, an avant-garde artist, in the garage of his uncle’s house, which is facing foreclosure. Desperate for work, he becomes a telemarketer, where his uncanny ability to feign the voice of a confident white man makes him a star, lofting him into a rarefied realm of high-paid, grotesquely immoral salesmanship. The movie includes subplots about unionization, (literal) debt slavery, viral videos, brutal reality television and the cultural worship of sociopathic entrepreneurs. (As well as weird disturbing stuff I don’t want to give away.) I’ve never seen anything like it... In another time, the fantasies of violent leftist resistance in “Sorry to Bother You” and “Dietland” might have caused more of a backlash. But the scary obliteration of limits on the right has also opened up new imaginative space on the left. Donald Trump is trying to destroy liberal democracy, a system that seemed inviolable, before our eyes. Watching it happen, it’s hard not to wonder: what other systems might be more fragile than they seem?.. At least for the duration of “Sorry to Bother You,” capitalism feels evil but also tawdry and preposterous, and labor solidarity seems sexy and exuberant... Americans in their 20s and 30s, after all, are as a cohort poorer and more indebted than their predecessors, while being surrounded by comic-book villain displays of wealth. (Just this week, Education Secretary Betsy DeVos, whose family owns 10 yachts, proposed to make it harder for students defrauded by for-profit colleges to seek loan forgiveness.) They are the most diverse generation of adults in history at a time of vicious right-wing backlash from older white people.
He’s long-boasted of how his business acumen makes him fit for president. But, Kurt Eichenwald delves into the history of his deals and finds a catalogue of calamitous ventures
The year was 1993, and his target was Native Americans, particularly those running casinos who, Trump was telling a congressional hearing, were sucking up to criminals.
Trump, who at the time was a major casino operator, appeared before a panel on Native American gaming with a prepared statement that was level-headed and raised regulatory concerns in a mature way. But, in his opening words, Trump announced that his written speech was boring, so he went off-script, even questioning the heritage of some Native American casino operators, saying they “don’t look like Indians” and launching into a tirade about “rampant” criminal activities on reservations.
.. His words were, as is so often the case, incendiary. Lawmakers, latching onto his claim to know more than law enforcement about ongoing criminal activity at Native American casinos, challenged Trump to bring his information to the FBI. One attacked Trump’s argument as the most “irresponsible testimony” he had ever heard.
.. For opponents of Trump’s presidential run, this contretemps about Native Americans might seem like a distant but familiar echo of the racism charges that have dogged his campaign, including his repeated taunting of Senator Elizabeth Warren as “Pocahontas” because she claims native ancestry.
.. Trump, through his offensive tantrum, was throwing away financial opportunities, yet another reminder that, for all his boasting of his acumen and flaunting of his wealth, the self-proclaimed billionaire has often been a lousy businessman.
.. As Trump was denigrating Native Americans before Congress, other casino magnates were striking management agreements with them.
.. in his purposeless, false and inflammatory statements before Congress, Trump alienated politicians from around the country, including some who had the power to influence construction contracts –problems that could have been avoided if he had simply read his prepared speech rather than ad-libbing.
.. Lost contracts, bankruptcies, defaults, deceptions and indifference to investors – Trump’s business career is a long, long list of such troubles
.. arrogance and recklessness of a businessman whose main talent is self-promotion... He is also pretty good at self-deception, and plain old deception... “I’m just telling you, you wouldn’t say that you’re failing,” he said in a 2007 deposition when asked to explain why he would give an upbeat assessment of his business even if it was in trouble. “If somebody said, ‘How you doing?’ You’re going to say you’re doing good.” Perhaps such dissembling is fine in polite cocktail party conversation, but in the business world it’s called lying... And while Trump is quick to boast that his purported billions prove his business acumen, his net worth is almost unknowable given the loose standards and numerous outright misrepresentations he has made over the years. In that 2007 deposition, Trump said he based estimates of his net worth at times on “psychology” and “my own feelings”. But those feelings are often wrong – in 2004, he presented unaudited financials to Deutsche Bank while seeking a loan, claiming he was worth $3.5bn. The bank concluded Trump was, to say the least, puffing; it put his net worth at $788m, records show.
.. He personally guaranteed $40m of the loan to his company, so Deutsche coughed up. He later defaulted on that commitment.
.. Trump’s many misrepresentations of his successes and his failures matter – a lot.
.. He has no voting record and presents few details about specific policies. Instead, he sells himself as qualified to run the country because he is a businessman who knows how to get things done, and his financial dealings are the only part of his background available to assess his competence to lead the country. And while Trump has had a few successes in business, most of his ventures have been disasters.
.. When he was ready for college, Trump wanted to be a movie producer, perhaps the first sign that he was far more interested in the glitz of business than the nuts and bolts.
.. He applied to the University of Southern California to pursue a film career, but when that didn’t work out, he attended Fordham University; two years later, he transferred to the Wharton School of Business at the University of Pennsylvania and got a degree in economics.
.. Almost all of his best-known successes are attributable to family ties or money given to him by his father.
.. The son of wealthy developer Fred Trump, he went to work for his father’s real estate business immediately after graduating from Wharton and found some success by taking advantage of his father’s riches and close ties to the power brokers in the New York Democratic Party, particularly his decades-long friend Abe Beame, the former mayor of the city.
Even with those advantages, a few of Trump’s initial deals for his father were busts, based on the profits.
His first project was revitalising the Swifton Village apartment complex in Cleveland, which his father had purchased for $5.7m in 1962. After Trump finished his work, they sold the complex for $6.75m, which, while appearing to be a small return, was a loss; in constant dollars, the apartment buildings would have had to sell for $7.9m to have earned an actual profit. Still, Trump happily boasted about his supposed success with Swifton Village and about his surging personal wealth.
.. in 1970, he took another shot at joining the entertainment business by investing $70,000, to snag a co-producer’s credit for a Broadway comedy called Paris Is Out! Once again, Trump failed; the play bombed, closing after just 96 performances.
.. The next year, he moved to Manhattan from the outer boroughs, still largely dependent on Daddy. In 1972, Trump’s father brought him into a limited partnership that developed and owned a senior citizen apartment complex in East Orange, New Jersey.
Fred Trump owned 75 per cent, but two years later shrunk his ownership to 27 per cent by turning over the rest of his stake to two entities controlled by his son. Another two years passed, and then Fred Trump named him the beneficiary of a $1m trust that provided him with $1.3m in income (2015 dollars) over the next five years.
.. In 1978, he boosted his son’s fortunes again, hiring him as a consultant to help sell his ownership interest in a real estate partnership to the Grandcor Company and Port Electric Supply Corp. The deal was enormously lucrative for Donald Trump, particularly since it just fell into his lap thanks to his family. Under the deal, Grandcor agreed to pay him an additional $190,000, while Port Electric kicked in $228,500. The payments were made over several years, but the value in present-day dollars on the final sum he received is $10.4m.
.. Despite having no real success of his own, by the late 1970s, Trump was swaggering through Manhattan, gaining a reputation as a crass self-promoter. He hung out in the fancy nightspot Le Club, where he was chums with prominent New Yorkers like Roy Cohn, the one-time aide to Senator Joe McCarthy who was one of the city’s most feared and politically connected attorneys. Cohn became one of the developer’s lifelong mentors, encouraging the pugilistic personality that showed itself all the way back in second grade, when Trump punched his music teacher.
.. Soon Trump gained the public recognition he craved. Through a wholly owned corporation called Wembley Realty, Trump struck a partnership with a subsidiary of Hyatt Hotels. That partnership, Regency Lexington, purchased the struggling Commodore Hotel for redevelopment into the Grand Hyatt New York, a deal Trump crowed about when he announced he was running for president.He failed to mention that this deal was once again largely attributable to Daddy, who co-guaranteed with Hyatt a construction loan for $70m and arranged a credit line for his boy with Chase Manhattan Bank.
.. The credit line was a favour to the Trump family, which had brought huge profits to the bank; according to regulatory records, the revolving loan was set up without even requiring a written agreement. Topping off the freebies and special deals that flowed Trump’s way, the city tossed in a 40-year tax abatement. Trump’s “success” with the Hyatt was simply the result of money from his dad, his dad’s bank, Hyatt and the taxpayers of New York City.
.. Despite the outward signs of success, Trump’s personal finances were a disaster. In 1978, the year his father set up that sweet credit line at Chase, Donald’s tax returns showed personal losses of $406,386 – $1.5m in present-day dollars. Things grew worse in 1979, when he reported an income of negative $3.4m, $11.2m in constant dollars. All of this traced back to big losses in three real estate partnerships and interest he owed Chase. With Trump sucking wind and rapidly drawing down his line of credit, he turned again to Daddy, who in 1980 agreed to lend him $7.5m.
.. All of these names and numbers can grow confusing for voters with little exposure to the business world. So to sum it all up, Trump is rich because he was born rich – and without his father repeatedly bailing him out, he would have likely filed for personal bankruptcy before he was 35. As his personal finances were falling apart, Trump got a big idea for how to make money: casinos... At the time, Trump was deep into plans to turn Bonwit Teller’s flagship department store into Trump Tower – a transformation achieved with the help of Roy Cohn, who fought in the courts to win Trump a huge tax abatement. Still, Trump jumped on the casino idea and had a lawyer reach out to the owners to negotiate a lease deal... Trump wanted to build a 39-story, 612-room hotel and casino, but the banks refused to finance his adventure. So, instead, he struck a partnership with Harrah’s Entertainment in which the global gaming company and subsidiary of Holiday Inn Inc put up all the money in exchange for Trump developing the property. In 1984, Harrah’s at Trump Plaza opened, and Trump seethed. He had wanted his name to be the marquee brand, even though Harrah’s had an international reputation in casinos and he had none. He even delayed building a garage because his name was not being used prominently enough in the marketing.
..According to court papers, Harrah’s spent $9.3m promoting the Trump name, giving the New York developer a reputation in the casino business he’d never had before. And Harrah’s quickly learned the price – now, with Trump able to argue he knew casinos, financing opportunities that did not exist before opened up, and he was able to use Harrah’s promotion of him as a lever against the entertainment company. Soon after that first casino opened, Trump took advantage of his new credibility with financial backers interested in the gaming business to purchase the nearly completed Hilton Atlantic City Hotel for just $320m; he renamed it Trump Castle. The business plan was ludicrous: Trump had not only doubled down his bet on Atlantic City casinos but was now operating two businesses in direct competition with each other. When Trump Castle opened in 1985, Harrah’s decided to ditch Trump and sold its interest in their joint venture to him for $220m... Still, he wanted more in Atlantic City – specifically, the Taj Mahal, the largest casino complex ever, which Resorts International was building. This made the Casino Control Commission nervous because it could have meant that the financial security of Atlantic City would be riding on the back of one man.
.. his argument went, he was Donald Trump. He would contain costs, he said, because banks would be practically throwing money at him, and at prime rates. He would be on a solid financial foundation because the banks loved him so much, unlike lots of other companies and casinos that used below-investment-grade, high-interest junk bonds for their financing. “I’m talking about banking institutions, not these junk bonds, which are ridiculous,” he testified... But Trump’s braggadocio proved empty. No financial institution gave him anything. Instead, he financed the deal with $675m in junk bonds, agreeing to pay an astonishing 14 percent interest, about 50 percent more than he had projected.
That pushed Trump’s total debt for his three casinos to $1.2bn. For the renamed Trump Taj Mahal to break even, it would have to pull in as much as $1.3m a day in revenue, more than any casino ever.
Disaster hit fast. As had been predicted by some Wall Street analysts, Trump’s voracious appetite cannibalised his other casinos – it was as if Trump had tipped the Atlantic City boardwalk and slid all his customers at the Trump Castle and Trump Plaza down to the Taj. Revenues for the two smaller casinos plummeted a combined $58m that first year... Trump introduced the airline with his usual style – by insulting the competition. At an elegant event at Logan Airport in Boston, Trump took the stage and suggested that the other airline with a northeastern shuttle, Pan Am, flew unsafe planes. Pan Am didn’t have enough cash, he said, and so it couldn’t spend as much as the Trump Shuttle on maintenance. “I’m not criticising Pan Am,” Trump told the assembled crowd. “I’m just speaking facts.” But Trump offered no proof, and others in the airline industry seethed; talking about possible crashes was bad for everyone’s business.
.. He was spending $1m to update each of the planes, which were individually worth only $4m. With those changes, he boasted, he would increase the shuttle’s market share from 55 to 75 percent. But just like with casinos, Trump was in a business he knew nothing about.
.. Customers on a one-hour flight from Washington to New York didn’t want luxury; they wanted reliability and competitive prices. Trump Shuttle never turned a profit. But it didn’t have much of a chance; even as he was preening about his successes, Trump’s businesses were falling apart and would soon bring the shuttle crashing down... At 1:40pm on 10 October, 1989, the four-blade rotor and tail rotor broke off of a helicopter flying above the pine woodlands near Forked River, New Jersey. The craft plunged 2,800 feet to the ground, killing all five passengers. Among them were three of Trump’s top casino executives... With the best managers of his casinos dead, Trump for the first time took responsibility for running the day-to-day operations in Atlantic City. His mercurial and belligerent style made a quick impact – some top executives walked, unwilling to put up with his eccentricities, while Trump booted others. The casinos were struggling so badly that Trump was sweating whether a few big winners might pull him under... executives at the casino were humiliated, since Trump was signalling that he was frightened customers might win... By early 1990, as financial prospects at the casinos worsened, Trump began badmouthing the executives who had died, laying blame on them, although the cause of his problems was the precarious, debt-laden business structure he had built... By June 1990, Trump was on the verge of missing a $43m interest payment to the investors in the Taj’s junk bonds. Facing ruin, he met with his bankers, who had almost no recourse – they had been as reckless as Trump. By lending him billions – with loans for his real estate, his casinos, his airline and other businesses – they could fail if Trump went down. So the banks agreed to lend him tens of millions more in exchange for Trump temporarily ceding control over his multi billion-dollar empire and accepting a budget of $450,000 a month for personal expenditures. In August, New Jersey regulators prepared a report totaling Trump’s debt at $3.4bn, writing that “a complete financial collapse of the Trump Organisation was not out of the question.”.. By December, Trump was on the verge of missing an interest payment on the debt of Trump Castle, and there was no room left to manoeuvre with the banks this time. So, just as he had in the past, Trump turned to Dad for help, according to New Jersey state regulatory records. On December 17, 1990, Fred Trump handed a certified cheque for $3.35m payable to the Trump Castle to his attorney, Howard Snyder. Snyder travelled to the Castle and opened an account in the name of Fred Trump. The cheque was deposited into that account and a blackjack dealer paid out $3.35m to Snyder in gray $5,000 chips. Snyder put the chips in a small case and left; no gambling took place. The next day, a similar “loan” was made – except by wire transfer rather than by cheque – for an additional $150,000. This surreptitious, and unreported, loan allowed Donald Trump to make that interest payment... Trump’s casino empire was doomed. A little more than a year after the opening of the Taj, that casino was in bankruptcy court, and was soon followed there by the Plaza and the Castle. Under the reorganisation, Trump turned over half his interest in the businesses in exchange for lower rates of interest, as well as a deferral of payments and an agreement to wait at least five years before pursuing Trump for the personal guarantees he had made on some of the debt... In 2004, Trump Hotels & Casino Resorts – the new name for Trump’s casino holdings – filed for bankruptcy, and Trump was forced to relinquish his post as chief executive. The name of the company was then changed to Trump Entertainment Resorts; it filed for bankruptcy in 2009, four days after Trump resigned from the board... In his books and public statements, Trump holds up this bankruptcy as yet more proof of his business genius; after all, his logic goes, he climbed out of a hole so deep few others could have done it. He even brags now about how deep that hole was. Trump falsely claimed in two of his books that he owed $9.2bn, rather than the actual number, $3.4bn, making his recovery seem far more impressive... When challenged on the misrepresentation during a 2007 deposition, Trump blamed the error on Meredith McIver, a longtime employee who helped write that book. Trump testified that he recognised the mistake shortly after the first book mentioning it was published; he never explained why he allowed it to appear again in the paperback edition and even in his next book. McIver went on to garner some national recognition as a Trump scapegoat – nine years later, when Trump’s wife, Melania, delivered a speech at the Republican National Convention that was partially plagiarised from Michelle Obama, the campaign blamed McIver. But despite all this supposed sloppiness, Trump has never directed his trademark phrase “You’re fired!” at this loyal employee... In 2008, he defaulted on a $640m construction loan for Trump International Hotel & Tower in Chicago, and the primary lender, Deutsche Bank, sued him. Trump counter-sued, howling that the bank had damaged his reputation... Trump has also based huge projects on temporary business trends. For example, for a few years during the George W Bush administration, wealthy expatriates from around the Middle East flocked to Dubai. In response, Trump launched work on a 62-story luxury hotel and apartment complex on an artificial island shaped like a palm tree. But, as was predictable from the start, there were only so many rich people willing to travel to the United Arab Emirates, so the flood of wealthy foreigners into the country slowed. The Trump Organisation was forced to walk away from the project, flushing its investments in it.Beginning in 2006, Trump decided to take a new direction and basically cut back on building in favour of selling his name. This led to what might be called his nonsense deals, with Trump slapping his name on everything but the sidewalk, hoping people would buy products just because of his brand... Trump hosted a glitzy event in 2006 touting Trump Mortgage, then proclaimed he had nothing to do with managing the firm when it collapsed 18 months later. He tried again, rechristening the failed entity as Trump Financial. It also failed.That same year, he opened GoTrump.com, an online travel service that never amounted to more than a vanity site; the URL now sends searchers straight to the Trump campaign website... Also in 2006, Trump unveiled Trump Vodka, predicting that the T&T (Trump and Tonic) would become the most requested drink in America (he also marketed it to his friends in Russia, land of some of the world’s greatest vodkas); within a few years, the company closed because of poor sales... In 2007, Trump Steaks arrived. After two months of being primarily available for sale at Sharper Image, that endeavour ended; the head of Sharper Image said barely any steaks sold... Amusing as those fiascoes are for those of us who didn’t lose money on them, the most painful debacles to witness were many involving licensing agreements Trump sold to people in fields related to real estate. There is the now-infamous Trump University, where students who paid hefty fees were supposed to learn how to make fortunes in that industry by being trained by experts handpicked by Trump; many students have sued, saying the enterprise was a scam in which Trump allowed his name to be used but had nothing else to do with it, despite his claims to the contrary in the marketing for the “school”... Particularly damning was the testimony of former employee Ronald Schnackenberg, who recalled being chastised by Trump University officials for failing to push a near-destitute couple into paying $35,000 for classes by using their disability income and a home equity loan.Around the country, buyers were led to believe they were purchasing apartments in buildings overseen by Trump, although his only involvement in many cases was getting paid for the use of his brand... In 2010, lenders foreclosed on the $355m project. Even though Trump’s name was listed on the condominium’s website as the developer, he immediately distanced himself, saying he had only licensed his name... A similarly sordid tale unfolded for Trump Ocean Resort Baja Mexico, a 525-unit luxury vacation home complex that Trump proclaimed was going to be “very, very special”. His name and image were all over the property, and he even personally appeared in the marketing video discussing how investors would be “following” him if they bought into the building. Scores of buyers ponied up deposits in 2006, but by 2009 the project was still just a hole in the ground. That year, the developers notified condo buyers their $32m in deposits had been spent, no bank financing could be obtained, and they were walking away from the project. Scores of lawsuits claimed the buyers were deceived into believing Trump was the developer. Trump walked away from the deal, saying that if the condo buyers had any questions, they needed to contact the developer – and that wasn’t him, contrary to what the marketing material implied... The same story has played out again and again. In Fort Lauderdale, Florida, people who thought they were buying into a Trump property lost their deposits of at least $100,000, with Trump saying it was not his responsibility because he had only licensed his name.. Investors in another failed Floridian property, Trump Tower Tampa, put up millions in the project in 2005 believing the building was being constructed by him. Instead, they discovered it was all a sham in 2007, inadvertently from Trump, when he sued the builder for failing to pay his license fees. The investors lost their money, and finally got to hear Trump respond to allegations that he had defrauded them when they sued him. In a deposition, lawyers for the Tampa buyers asked him if he would be responsible for any shoddy construction; Trump responded that he had “no liability” because it was only a name-licensing deal. As for the investors, some of whom surrendered their life savings for what they thought was a chance to live in a Trump property, Trump said they at least dodged the collapse of the real estate market by not buying the apartments earlier.
“They were better off losing their deposit,” he said.
So said the man who now proclaims that Americans can trust him, that he cares only about their needs and their country, that he is on the side of the little guy.