Multiple Senate Republicans have expressed doubts about the prospects for confirming conservative commentator Stephen Moore if President Trump nominates him to the Federal Reserve Board of Governors. They cited among other issues his comments about women. Here is a sample.
Aug. 1, 1994 column for The Washington Times
“Probably the most objectionable pork in the entire legislation is the $1.8 billion earmarked for Sen. Joe Biden’s ‘Violence Against Women Act.’ That act sets up gender sensitivity programs for judges and police; classifies assaults against women as ‘hate crimes’ or civil rights offenses, and passes out millions of dollars to women’s groups for ‘rape education’ and a smorgasbord of other programs. The act would be more efficient if Congress cut out the federal middleman and simply required every American household to write a $20 check to the radical feminist group of its choice.”
Nov. 7, 2000 column in National Review
Explaining that his wife voted for a Democrat: “Women are sooo malleable! No wonder there’s a gender gap.”
March 19, 2002 column in National Review
Writing about the “March Madness” NCAA college basketball tournament: “Here’s the rule change I propose: No more women refs, no women announcers, no women beer vendors, no women anything. There is, of course, an exception to this rule. Women are permitted to participate, if and only if, they look like Bonnie Bernstein. The fact that Bonnie knows nothing about basketball is entirely irrelevant.”
Nov. 21, 2013 speech at Brown University
“You all know the motto for Fox News, right, John? It’s, uh, ‘Fox News: Fair Balanced and Blonde.’ Haha! I’ve met a lot of beautiful women at Fox News and it’s one of the fringe benefits of working there.”
April 10, 2014 column for National Review
“What are the implications of a society in which women earn more than men? We don’t really know, but it could be disruptive to family stability. If men aren’t the breadwinners, will women regard them as economically expendable? We saw what happened to family structure in low-income and black households when a welfare check took the place of a father’s paycheck. Divorce rates go up when men lose their jobs.”
July 19, 2016 debate at Republican National Convention
“I’d get rid of a lot of these child labor laws. I want people starting to work at 11, 12. It’s amazing how many people I meet who are successful…who grew up on a farm and started working on a farm at age 10, 11, 12 years old where you learn a work ethic.”
“If we do have a higher minimum wage, nationally…we must, must, must must have a policy that has a $6- or $7-an-hour teenage minimum wage because we’re going to price a lot of those young people out of the workforce, and they’re not going to get the training we need.”
“And by the way did you see that there’s that great, um, cartoon going along that the New York Times headline: ‘First thing that Donald Trump Does as President is Kick a Black Family Out of Public Housing?’ And it has Obama leaving the White House? I mean, I just love that one. But uh — It’s just a great one.”
Shown a video clip of that speech on an episode of PBS’s Firing Line with Margaret Hoover that aired April 30, 2019, Mr. Moore sought to defend himself, saying, “You know, that is a joke I always made about, you know, Obama lives in, you know, the president lives in public housing, but I didn’t mean it like a black person did.”
Aug. 17, 2017 appearance on CNN after Charlottesville riots
“I mean, Robert E. Lee hated slavery. He abhorred slavery, but he fought for his section of the country…The civil war was about the South having its own rights.”
“Can I say something politically incorrect? Republican women are so much more beautiful than Democratic women.”
Tucker Carlson is a creep. John Iadarola and Brooke Thomas break it down on The Damage Report. Follow The Damage Report on Facebook: https://www.facebook.com/TheDamageRep…
“Between 2006 and 2011, Tucker Carlson spent approximately an hour a week calling in to Bubba the Love Sponge, a popular shock jock radio program where he spoke with the hosts about a variety of cultural and political topics in sometimes-vulgar terms. During those conversations, Carlson diminished the actions of Warren Jeffs, then on the FBI’s “Ten Most Wanted Fugitives” list for his involvement in arranging illegal marriages between adults and underage girls, talked about sex and young girls, and defended statutory rape. Carlson, who was hired by Fox News in 2009, also used sexist language to talk about women, including then-co-workers at NBC and public figures. He referred to Martha Stewart’s daughter Alexis Stewart as “cunty,” called journalist Arianna Huffington a “pig,” and labeled Britney Spears and Paris Hilton “the biggest white whores in America.” He also said that women enjoy being told to “be quiet and kind of do what you’re told” and that they are “extremely primitive.”
Ivanka plays dumb about Russia a lot to the media, telling ABC News that she knew “almost nothing” about the negotiations to open a massive Trump Tower in Russia that continued, as we now know, long into the general election campaign. But as Dan Friedman of Mother Jones has detailed, the evidence suggests otherwise. It was Ivanka who emailed Cohen in 2015 with a lead she thought could produce a meeting with Russian President Vladimir Putin to secure the deal. She also reportedly suggested an architect for the Moscow tower. The building plans included a spa named after Ivanka and a notation that “all interior design elements of the spa or fitness facilities” were to be approved by her.
Last year, Sacha Baron Cohen used various disguises to pull off the most startling political humor of the Trump era on the Showtime series “Who Is America?”; and on Comedy Central’s “Nathan for You,” Nathan Fielder turned elaborate real-world stunts into unexpectedly emotional and intricate narratives. These artists expanded the ambition of the prank show while still clinging to its queasy-making juvenile roots.
The latest sneaky star of this new wave, the comedian Jena Friedman, introduces a gonzo feminist perspective in her Adult Swim show, “Soft Focus With Jena Friedman” that doesn’t just crack jokes about misogynist violence. It offers the giddy pleasure of payback.
Last year, Friedman, in character as an unflappable news reporter, did a biting segment on campus rape in which she persuaded three college frat brothers to drag around life-size female dolls called Cannot Consent Carrie. And in a bracing episode last month she built a more elaborate mousetrap involving sexual harassment in online gaming. The bit’s conceit was, If men knew what being victims of sexual harassment and abuse felt like, would that change anything?
Morally questionable humiliation has always been a part of the prank show, and the newer versions often make explicit a meanness that was always a part of “Candid Camera” and “Punk’d.” No one parodied this more brilliantly than Dave Chappelle when he imagined a show called “Zapped” in which, adults prank their kids by, for instance, having a doctor soberly tell them their parents are dead. Stop crying, toddlers, you’ve been zapped!
Prank comedy has been dominated by men tapping into their inner Jerky Boy, and Fielder and Cohen have been criticized for making women the butt of their jokes. Friedman not only flips this script, she also represents a departure for Adult Swim. In a 2016 investigation about gender disparity at the channel, Splitsider’s Megh Wright reported that it had never run a series solely created by a women. Responding to a thread on Reddit on the resulting controversy, Mike Lazzo, an executive at Adult Swim, wrote, “Women don’t tend to like conflict, comedy often comes from conflict, so that’s probably why we (or others) have so few female projects.”
Friedman makes a mockery of this sentiment. She has always gravitated toward conflict, whether arguing politics on Twitter or turning deadly serious subjects like Ebola and rape into stand-up fodder. Like Fielder, she maintains a flat equanimity, but also employs a slippery charm to ingratiate herself with subjects and her audience, sometimes glancing at the camera, Ferris Bueller-style, as if to say, “See what I just did?’