Near the outset, Rock recalls attending a high-school orientation session for one of his daughters that promoted the kind of touchy-feely wish-based thinking that infects education these days. Noting that the kids were told, “You can be anything you want to be,” he thought, “Why are you lying to these children? Maybe four of then can be anything they want to be. But the other 2,000 better learn how to weld.” He imagines a more truth-based approach to pedagogy: “You can be anything you’re good at, as long as they’re hiring. And even then it helps to know somebody.”
.. A zero-tolerance policy for bullies? Please. When he heard about that, “Right then I wanted to take my daughter right out the school. . . . School is supposed to prepare you for life. Life has a**holes and you should learn how to deal with them as soon as possible.”
.. Rock has previously been guarded about his 2016 divorce, from his wife Malaak Compton-Rock, which was caused by his own admitted infidelity. He speaks at length about his regrets here, making a plea to put commitment first and forget about the self-actualization: “I’m talking from hell, you don’t want this s***. You got somebody you love, hold tight. That’s right, hold f***ing tight. Commit.” Being a voracious consumer of pornography didn’t help him bond with his wife either. “I was addicted to porn,” he says. “I was 15 minutes late everywhere.” When he speaks about the destructiveness of porn he sounds like Ross Douthat. “When you watch too much porn, you know what happens? You become like sexually autistic.” You develop problems relating to real people. You can no longer handle eye contact or verbal cues. “You get desensitized,” he says. “When you start watching porn, it’s like any porn’ll do. It’s like, ‘Ahh, they’re naked. Whoo-hoo!’” After far too much of this, only gratification of an extremely specific fetish would bring satisfaction.
.. I’ve never heard a woman in my life say, ‘You know, after he got laid off, we got so much closer.
On the sixth floor of 30 Rock, women have long been portrayed as sexual conquests, victims or aggressors, live on Saturday nights. During the 1990s in particular, SNL excelled at celebrating male libido and a get-away-with-anything approach to sex, while reducing women to their sexual function. The show consistently cheered male sexuality and reinforced its boundlessness (consent be damned), while shaming women who reached for power or were unlucky enough to be publicly associated with sex.
The SNL writers’ room is famously collaborative, so it’s hard to know how many such bits Franken specifically wrote. But as a writer on 285 episodes from 1976 to 2008, he undoubtedly influenced the zeitgeist of the show during that era... Again, the laughs: Thomas’s sexual inadequacy is what’s supposed to be funny. SNL imagines that sexual harassment is hilarious and that unattractive women deserve it... One 1996 skit about O.J. Simpson prosecutor Marcia Clark portrays her as an erotomaniac or “fatal attraction type” — a derogation hurled at women during the 1990s, including at Anita Hill and Monica Lewinsky, to discredit them and weaponize their sexuality. Clark, played by Nancy Walls, is less interested in the case’s outcome than forcing fellow prosecutor Christopher Darden to sleep with her, or “take the black bronco down the 405,” as the show put it. “The only thing I’m guilty of is being extremely horny,” Walls says. “Please remove your pants.”.. If SNL women weren’t sexual victims or erotomaniacs, they were not real women at all. Will Ferrell’s career was made in part by his “Janet Reno’s Dance Party” sketches, which rendered the first woman attorney general as a gangly man with an awkward deep voice, skirt and pearls... Ferrell said in an interview that he wouldn’t have played Reno the way he did if she were a “normal woman.” In other words, because Reno didn’t always fit neatly into the stereotypical roles SNL ascribed to women — sexually aggressive like Clark or sexually victimized like Hill — the country’s chief law enforcement officer became a fake woman, just Ferrell in drag... What’s clear, in truth, is that American comedy culture has used sexual abuse as fodder for too long... From Franken and Harvey Weinstein to Roger Ailes and Bill O’Reilly, women are reckoning with the painful reality that powerful men recently accused of sexual misconduct have long been the media and cultural gatekeepers in America.They’ve been the arbiter and the lens, determining what is newsworthy, what is socially acceptable and, in Franken’s case, what is funny... You can tell an awful lot about a society based on what it thinks is funny.
Now the thing is, why we protesting? That’s the big question. Why this Oscars? Why this Oscars, you know? It’s the 88th Academy Awards. It’s the 88th Academy Awards, which means this whole black nominees thing has happened at least 71 other times.
.. Hey, if you want black nominees every year, you need to just have black categories. That’s what you need. You need to have black categories. You already do it with men and women. Think about it. There’s no real reason for there to be a man and a woman category in acting. There’s no reason. It’s not track and field. You don’t have to separate them. Robert De Niro has never said, I better slow this acting down so Meryl Streep can catch up. No. Not at all, man. If you want black people every year at the Oscars, just have black categories, like best black friend. That’s right. And the winner for the 18th year in a row is Wanda Sykes. This is Wanda’s 18th black Oscar.
.. Is Hollywood racist? You damn right Hollywood’s racist, but it ain’t the racist that you’ve grown accustomed to. Hollywood is sorority racist. It’s like: “We like you Rhonda, but you’re not a Kappa.”