The Jordan Peterson Demographic Isn’t Going Away

the glib elite consensus is that because American men are born with a head start, dominate the upper ranks of the country’s major institutions, and don’t face any particular challenges, life should be easy for us. Do the men who dropped out of high school need to be “convinced” that this isn’t true? What about the men whose friends are suffering from drug addiction, or who are addicted themselves? The men with no job prospects, no social capital, and no hope of finding a life partner? When Carlson pointed out, correctly, in the first entry of the series that American men are increasingly dropping out of school, addicted to drugs, falling out of the job market, committing crimes, and killing themselves, it wasn’t an exercise in persuasion. Carlson’s target audience doesn’t need him to “convince” them that their lives have gone awry; they know it already.

.. What Carlson was actually doing in “Men in America,” which concluded last week, was offering his version of an explanation of why conditions are dreadful for so many American men. He blamed a combination of

immigration,

automation,

second-wave feminism,

the vilification of traditional masculinity, and

certain ill-advised government programs

.. For whether or not he’s right about the reasons why men are facing hard times, Carlson is surely right that they are. Meanwhile, his critics, in a representative stand-in for polite progressive opinion, were content to mock or deny the existence of this state of affairs rather than take a stab at offering an alternative explanation for its causes.

.. Elliot Kaufman calls the Jordan Peterson demographic: men in their late teens, twenties, and early thirties who are frustrated with the way their lives are going, often for good reason, and eager for someone to recognize their plight and offer a way out

.. the Peterson phenomenon; the writer Park MacDougald describes his message thus:

Life is hard, you will suffer, and in order to handle that suffering, you will have to be prepared. Preparing means taking responsibility for yourself. That’s hard, too, so you may try to avoid it. You may use all manner of evasions and rationalizations to convince yourself that things will sort themselves out on their own, or that others will bail you out, or that if they don’t, it’s their fault and not yours. But that’s a lie. So stop lying. Accept responsibility for your fate.

..  “Peterson has become a celebrity by telling young people to get their act together, which suggests that there are a lot of them who need to hear it.”

.. one of Peterson’s virtues is that he appeals to men who have fallen out of society — those “not in education, employment, or training” — who might otherwise wind up in fringe movements.

.. Angela Nagle who, in her book about the Internet culture wars, posited a connection between the “growing celibacy among a large male population,” the “anxiety and anger about their low-ranking status in the hierarchy” that such persistent sexual frustration engenders, and the mushrooming of the so-called alt-right in 2016.

.. Peterson appeals to the same folks, but scorns the identitarian movement that has captured many of them.

..  to the extent that Peterson’s rise has drained support for cranks, there’s a strong case that in consequentialist terms it has been a good thing.

.. And, as the dismissive criticisms of Peterson and Carlson show, the Left has little on offer for young men save for a choice between self-abnegation and enduring slurs about sins of the past. Peterson is on to something: They could use a sustained dose of the insights they used to get from tough-minded teachers, coaches, clerics, professors, or drill sergeants. Many of the institutions represented by those stalwart role models, however, have decayed.

.. nobody should be blamed for feeling ambivalent that Fox News’ most cynical host is chief among them. Carlson’s career has been an exercise in switching convictions. His decision to pivot toward Peterson is intended to grow his rapt audience, not promote his sincerely held beliefs. He’s a shrewd actor and savvy businessman, not a responsible thinker.

.. Rather than grousing that the wrong people are reaching out to this demographic, it would be more productive to think honestly about why the demographic exists at all.

Camille Paglia on Hugh Hefner’s Legacy, Trump’s Masculinity and Feminism’s Sex Phobia

Hugh Hefner absolutely revolutionized the persona of the American male. In the post-World War II era, men’s magazines were about hunting and fishing or the military, or they were like Esquire, erotic magazines with a kind of European flair.

.. Hefner reimagined the American male as a connoisseur in the continental manner, a man who enjoyed all the fine pleasures of life, including sex. Hefner brilliantly put sex into a continuum of appreciative response to jazz, to art, to ideas, to fine food. This was something brand new. Enjoying fine cuisine had always been considered unmanly in America. Hefner updated and revitalized the image of the British gentleman, a man of leisure who is deft at conversation — in which American men have never distinguished themselves — and the art of seduction, which was a sport refined by the French.

.. Hefner’s new vision of American masculinity was part of his desperate revision of his own Puritan heritage. On his father’s side, he descended directly from William Bradford, who came over on the Mayflower and was governor of Plymouth Colony, the major settlement of New England Puritans.

.. What do you think about the fact that Trump’s childhood hero and model of sophisticated American masculinity was Hefner?

.. the mainstream media based in Manhattan, particularly The New York Times, was hopelessly off in the way it was simplistically viewing Trump as a classic troglodyte misogynist. I certainly saw in Trump the entire Playboy aesthetic, including the glitzy world of casinos and beauty pageants. It’s a long passé world of confident male privilege that preceded the birth of second-wave feminism. There is no doubt that Trump strongly identified with it as he was growing up. It seems to be truly his worldview.

.. Many mainstream voters are gratified by his reassertion of male pride and confidence. Trump supporters may be quite right that, in this period of confusion and uncertainty, male identity needs to be reaffirmed and reconsolidated.

.. What Playboy doesn’t know about well-educated, upper-middle-class women with bitter grievances against men could fill a book! I don’t regard Gloria Steinem as an expert on any of the human appetites, sexuality being only one of them. Interviews with Steinem were documenting from the start how her refrigerator contained nothing but two bottles of carbonated water. Steinem’s philosophy of life is extremely limited by her own childhood experiences. She came out of an admittedly unstable family background. I’m so tired of that animus of hers against men, which she’s been cranking out now for decade after decade. I come from a completely different Italian-American background — very food-centric and appetite-centric. Steinem, with that fulsomely genteel WASP persona of hers, represents an attitude of malice and vindictiveness toward men that has not proved to be in the best interest of young women today.
.. Gloria Steinem, Susan Faludi, all of those relentlessly ideological feminists are people who have wandered away from traditional religion and made a certain rabid type of feminist rhetoric their religion. And their fanaticism has poisoned the public image of feminism and driven ordinary, mainstream citizens away from feminism.
.. I hugely admired the early role that Steinem played in second-wave feminism because she was very good as a spokesperson in the 1970s. She had a very soothing manner that made it seem perfectly reasonable for people to adopt feminist principles. She normalized the image of feminism when there were a lot of crazy feminists running around (like Valerie Solanas, who shot Andy Warhol). That was Steinem’s great contribution, as far as I’m concerned. Also, I credit her for co-founding Ms. magazine and thereby contributing that very useful word, Ms., to the English language, which allows us to refer to a woman without signaling her marital status. I think that’s a tremendous accomplishment.But aside from that, Steinem is basically a socialite who always hid her early dependence on men in the social scene in New York.

.. I have always felt that feminism should transcend party politics and be a big tent welcoming women of faith and of all views into it. Also, I hold against Steinem her utter, shameless hypocrisy during the Bill Clinton scandal. After promoting sexual harassment guidelines, which I had also supported since the 1980s, Steinem waved away one of the worst cases of sexual harassment violation that can ever be imagined — the gigantic gap of power between the President of the United States and an intern! All of a sudden, oh, no, it was all fine, it was “private.” What rubbish! That hypocrisy by partisan feminist leaders really destroyed feminism for a long time.

.. hat Hefner espoused and represented — the art of seduction, where a man, behaving in a courtly, polite and respectful manner, pursues a woman and gives her the time and the grace and the space to make a decision of consent or not

.. Instead, what we have today, after Playboy declined and finally disappeared off the cultural map, is the coarse, juvenile anarchy of college binge drinking, fraternity keg parties where undeveloped adolescent boys clumsily lunge toward naive girls who are barely dressed in tiny miniskirts and don’t know what the hell they want from life. What possible romance or intrigue or sexual mystique could survive such a vulgar and debased environment as today’s residential campus social life?

.. Today’s hook-up culture, which is the ultimate product of my generation’s sexual revolution, seems markedly disillusioning in how it has reduced sex to male needs, to the general male desire for wham-bam-thank-you-ma’am efficiency, with no commitment afterwards. We’re in a period of great sexual confusion and rancor right now. The sexes are very wary of each other. There’s no pressure on men to marry because they can get sex very easily in other ways.

.. What Hefner’s death forces us to recognize is that there is very little glamour and certainly no mystery or intrigue left to sex for most young people. Which means young women do not know how to become women. And sex has become just another physical urge that can be satisfied like putting coins into a Coke machine.

.. But if feminism means anything, it should be encouraging young women to take control of every aspect of their sex lives, including their own impulses, conflicts and disappointments. That’s what’s tragic about all this. Young women don’t seem to realize that in demanding adult inquiry into and adjudication of their sex lives, they are forfeiting their own freedom and agency.

.. there are so many hugely rich women stars in movies and music who should be using their millions to fund the creation of production companies precisely for the kind of hiring that they want. All those wealthy performers with their multiple houses — how about selling one of them? And let them do whatever feminist projects they want and see if they can sell it to the general public.

.. Multiplying like bunnies: Hefner was making a strange kind of joke about the entire procreative process.

.. I think feminism is wildly wrong when it portrays men as the oppressor, when in fact men, as I have argued in my books, are always struggling for identity against the enormous power of women.

.. Hefner created his own universe of sexuality, where there was nothing threatening. It’s a kind of childlike vision, sanitizing all the complexities and potential darkness of the sexual impulse. Everybody knows that Hefner’s sexual type was the girl next door, in other words, the corn-fed, bubbly American girl who stays at the borderline of womanhood but never crosses it.

.. Hefner’s women may have been uncomplex as personalities, but they were always warm and genuine. I never found them particularly erotic. I much preferred the Penthouse style of women, who were more femme fatales. Hefner’s bunnies were a major departure from female mythology, where women were often portrayed as animals of prey — tigresses and leopards. Woman as cozy, cuddly bunny is a perfectly legitimate modality of eroticism. Hefner was good-natured but rather abashed, diffident, and shy. So he recreated the image of women in palatable and manageable form. I don’t see anything misogynist in that. What I see is a frank acknowledgment of Hefner’s fear of women’s actual power.