Sinclair Pays a Rich Premium to Challenge Fox

The broadcaster is paying a 26 percent premium for its rival after the Trump administration relaxed a wave of regulations. Tribune gives Sinclair more heft to mount a challenge to Rupert Murdoch’s Fox News.

.. With the addition of Tribune’s 42 TV stations, Sinclair will cover more than 70 percent of households in the United States. That will transform it into the largest local broadcast owner by far.

.. Longer term, the big question is whether Mr. Ripley is starting a ratings war with 21st Century Fox. Mr. Murdoch’s media conglomerate is embroiled in a series of sexual-harassment scandals that have troubled its United States news network, which has a conservative-leaning viewership.

.. The broadcaster already has a good relationship with the administration of President Trump; his adviser and son-in-law, Jared Kushner, even said the Trump campaign had struck a deal with Sinclair for better coverage, according to Politico, which the company has denied.

.. Mr. Ripley also has a few former Fox stars he may woo, including those who left under a cloud — not least Bill O’Reilly.

Reading Bill O’Reilly’s Old Novel About a TV Newsman Who Murders Several People After Losing His Job

The main character is a violently bitter journalist named Shannon Michaels, who, after being pushed out of two high-profile positions, takes revenge on four of his former colleagues by murdering them one by one.

.. rants about ex-wives, newsroom politics, and the Long Island Expressway

.. a veteran newsman preys upon a younger female co-worker in the very first scene.

.. struggling with a “basic human need, the need for some kind of physical release.” Costello spots a pretty camerawoman at a party, happily notes that she’s had too much vodka, and approaches her with “intense sexual hunger.”

.. Then the vengeful Michaels kills Costello by shoving a silver spoon through the roof of his mouth and into his brain.

.. the feud between Michaels and Costello in “Those Who Trespass” is based on O’Reilly’s experience at CBS, in the eighties, during the Falkland Islands War. O’Reilly and his crew had captured exclusive footage of a riot in Buenos Aires, which CBS spliced into a report delivered by the veteran network correspondent Bob Schieffer, who never mentioned O’Reilly by name.

.. spends the next decade plotting his revenge.

.. O’Reilly’s first avatar within the novel: a horny, aggressive, ambitious Irish-American who delivers monologue after monologue about the “self-obsessed business” of television news. (“People who are greedy for power realize that television is the most influential tool ever created,” he says.

.. Tommy O’Malley, who is also horny, aggressive, ambitious, and Irish. O’Malley is an “intense man, sometimes quick to anger.” He arrests a drug dealer and breaks his thumb out of spite: “That must really hurt, he thought, giving in to a feel of sadistic pleasure.” He really hates inner-city teen-agers. (“These thugs killed with a casualness that O’Malley could not comprehend.”) For the duration of the story, as Michaels goes about murdering colleagues who have slighted him, O’Malley, the good guy, is hot on his trail.

.. Like both Michaels and O’Malley, Van Buren is horny, aggressive, and ambitious. Unlike them, she’s not an avatar for O’Reilly but an object onto which he projects a whole host of suspect qualities. “Ashley Van Buren knew her good looks were partially responsible for her rapid rise,” O’Reilly writes

.. In her first conversation with O’Malley, trying to get information about the murder on Martha’s Vineyard, the blond Van Buren deploys both a “deep, sexy tone” and a “teasing voice.”

.. Van Buren is the only major female character in the novel. (An “unattractive woman” named Hillary appears briefly, before Michaels knocks her out and throws her body out the window into an alley.) It’s almost funny how utterly the character of Van Buren unmasks her author: she is conveniently and perpetually sexually frustrated, and she is happy to be seen as an object of desire while she’s at work. She’s dying for a real man to make real advances upon her. In one entirely unnecessary flashback, she invites a date to her apartment, takes off her bra, licks her lips at the sight of her reflection—“her unrestrained breasts were full and firm . . . and her nipples were clearly outlined”—and then pouts when her date won’t take the hint. Over the course of the investigation, she becomes attracted to both O’Malley and Michaels; when she sleeps with Michaels, she silently marvels at “Shannon’s stamina.”

.. it’s full of recognizable pet ideas. Housing projects are “moral sinkholes”; inner-city children are “unfeeling predators.” A Latino detective succeeds in his department because “his strategy included overlooking petty crap like prejudice.”

.. It’s impossible to take in the steady stream of coldly rendered violence in O’Reilly’s novel without remembering his daughter’s court testimony that he choked his ex-wife and dragged her down the stairs by the neck.

.. Being on TV was like a drug to him and when it was taken away from him, he had to find a substitute drug

The Pond-Skater Presidency

The problem is that Trump has now changed and many of his critics refuse to recognize the change. He’s not gotten brighter or humbler, but he’s gotten smaller and more conventional. Many of his critics still react to him every single day at Outrage Level 11, but the Trump threat is at Level 3 or 4.

.. The “resistance movement” still reacts as if atavistic fascism were just at the door, when the real danger is everyday ineptitude.

.. First, it is increasingly clear that everything about Trump is less substantial than it appears. Trump will be the last president who grew up entirely in the TV age, post-print but pre-internet. In the Trump mental framework, everything exists in segments and episodes. Ratings are the ultimate criteria of value.

The Non-Transformation of Donald J. Trump

It’s astonishing, isn’t it, how suddenly Donald J. Trump is being viewed, in certain precincts, as—what’s the word?—yes, “Presidential,” and all it took was for him to issue an order to launch fifty-nine cruise missiles

.. Laura Ingraham tweeted, “Missiles flying. Rubio’s happy. McCain ecstatic. Hillary’s on board. A complete policy change in 48 hrs.”), there was wide approval from the foreign-policy establishment. The former Secretary of State John Kerry was said to be “absolutely supportive” and “gratified to see that it happened quickly,” and there’s been non-stop gushing within the Trumpian orbit. Kellyanne Conway, gusher-in-chief and Presidential counsellor, spoke about “our very tough, very resolute, very decisive President.

.. For a television performer, television appearances matter a lot.

.. when Trump started getting intelligence briefings, his briefers were advised that he was “a visual and auditory learner”—in other words, that he should deal with as few words as possible and, instead, get “more graphics and pictures.”

.. preference for pictures over words explains, as Trump might phrase it, so much, so very, very much.

.. “We rushed into Korea with no advance planning, and we stumbled into the ground war in Vietnam with uncertain footing. In neither case did we have any fully thought-out ideas concerning our objectives or the means we would be willing to expend to attain them. As each situation arose we extemporized, unsure what the next step would be, until we were far more committed than we had expected to be.” Our best soldiers never forget that sort of lesson.

.. What’s most worrisome about Trump is what’s been worrisome all along: that he doesn’t think through the consequences of what he says and does, and that he acts without a glimmer of consistency, or guiding principle; he’s a man of constant surprise. In that way, Trump is not unlike another erratic world figure, the North Korean leader, Kim Jong-un, who also seems capable of acting in extremes, without warning, at any time, and at any level of incitement.