The cross is a perfect metaphor for what I meant when I titled one of my books Everything Belongs. God is to be found in all things, even and most especially in the painful, tragic, and sinful things—exactly where we do not want to look for God. The crucifixion of the God-Man is at the same moment the worst and best thing in human history. It validates the central notion of paradox at the heart of Christianity.
The cross is saying that there is a cruciform pattern to reality. Reality is not meaningless and absurd (chaos/no patterns/nihilism), but neither is it perfectly consistent (rationalism/scientism/
fundamentalism). Reality, rather, is filled with contradictions, what Bonaventure (1221-1274) and others called “the coincidence of opposites.” [1] Bonaventure even found sacred geometry in the symbol of the cross: “For the center is lost in a circle, and it cannot be found except by two lines crossing each other at a right angle.” [2] In other words, some kind of suffering is the only way to reconcile differences. Jesus was killed on the collision of cross-purposes, conflicting interests, and half-truths. The cross was the price Jesus paid for living in a “mixed” world that was both human and divine, simultaneously broken and utterly whole.
.. . Jesus agreed to carry the mystery of suffering and not to demand perfection of creation. He taught, in effect, that it is the “only” way to be saved. We are indeed saved by the cross—more than we realize. The people who hold the contradictions—and resolve them in themselves—are the saviors of the world.
Is ‘Game of Thrones’ a Dystopia?
And so I snarked on Twitter that “the porn-y side of Game of Thrones helps keeps liberals deluded about why they like the show,” letting them tell themselves, “Oh, I like it because it’s deconstructing this patriarchal pre-modern world and showing how it’s sex and power all the way down.” But not so, liberals: “You like it because it lets you escape the flat dreariness of liberalism for a little while. Because deep down you want a king or queen.”
.. I think that dystopian exaggeration is in fact key to the show’s appeal to liberals in many ways. It lets you fantasize about the negation of your principles while simultaneously confirming their rightness. GoT presents a vision of a world in which illiberal instincts can be freely indulged, in which the id is constrained only by physical power. All the violent, nasty stuff liberal society (thankfully) won’t let us do, but that’s still seething in our lizard brains, gets acted out. And not just acted out — violence and brutality are the organizing principles on which the world is based.
.. the show chides you for harboring the very fantasies it helps you gratify. It wallows in their destructive consequences — makes that wallowing, in fact, simultaneous with the fulfillment of the fantasies. Will to power leads to suffering and chaos, which lead to more opportunities for the will to power to be acted upon, etc. This is a vastly more complex and interesting emotional appeal than “people secretly want kings.”
.. These shows invite liberal viewers into various illiberal or pre-liberal or just, I suppose, red-state worlds, which are more violent and sexist and id-driven than polite prestige-TV-viewing liberal society, and which offer viewers the kind of escapism that Phillips describes … in which there is a temporary attraction to being a mobster or hanging out with glamorous chainsmoking ’50s admen or leaving your put-upon suburban life behind and becoming Heisenberg the drug lord.
.. But then ultimately because these worlds are clearly wicked, dystopic or just reactionary white-male-bastions you can return in relief to the end of history, making Phillips’ “reconciliation with the existing order” after sojourning for a while in a more inegalitarian or will-to-power world.
.. But what the shows properly understood are doing isn’t a celebration of illiberalism; it’s an exploration of its attractions that ultimately confirms the liberal world and all its norms.
.. fundamentally “The Sopranos” was a story without any heroes, a tragedy in which the only moral compass (uncertain as Dr. Melfi’s arrow sometimes was) was supplied by an outsider
.. fantasy from Tolkien to the present (in both its fictional forms and role-playing varietals) partakes by its nature of romantic and reactionary themes, often scratching the same anti-modern itch as certain forms of far-right and New Age lefty politics — and perhaps the same monarchical itch as certain forms of Macron-esque centrism as well.
.. it’s a world in which the fabric of a feudal society gets rent and you root for a very particular set of noble families to regain their rightful place and help weave it back together
.. whatever their politics in this world, both the show’s bad fans and its good fans are rooting a queen or for a king.
Most Immature Religion has Attacked the Shadow Directly
Many people presume that the job of religion is to eliminate evil; however, how we eliminate evil is much more important! Violence, injustice, and greed only increase when they are denied in ourselves and projected onto others—this is the “shadow” self.
Most immature religion has attacked the shadow directly, focusing on the symptom while missing the actual source of evil. This leaves self-righteous and high-minded people feeling like they are in control, when in reality they are ignoring the core problem—the mistaken belief that we are separate from God and each other.
.. They help us rediscover all beings’ inherent unity and belovedness. Conversion demands immense humility and honesty rather than zeal or purity. The autonomous, egocentric, and separate self must give way to our True Self.
.. Suffering—whenever we are not in control—is the most effective way to destabilize and reveal our arrogance, our separateness, and our lack of compassion. If we do not transform our pain, we will most assuredly transmit it.
Hallmarks of the Franciscan Order
Both Francis and Clare let go of all fear of suffering, all need for power, prestige, and possessions, and the need for their small self to be important. They came to know something essential—who they really were in God and thus who they really were.
.. Francis did not wish for himself or his followers to be priests, to take higher places on the Church’s hierarchical ladder of education, prestige, and power.
These hallmarks of the Secular Franciscan Order (from the formation manual For Up To Now) can be claimed and practiced by anyone:
- Simplicity (A spirituality that is genuine; without pretense)
- Poverty (Love of Gospel poverty develops confidence in the Father and creates internal freedom)
- Humility (The truth of what and who we really are in the eyes of God; freedom from pride and arrogance)
- A genuine sense of minority (The recognition that we are servants, not superior to anyone)
- A complete and active abandonment to God (Trusting in God’s unconditional love)
- Conversion (Daily we begin again the process of changing to be more like Jesus)
- Transformation (What God does for us, when we are open and willing)
- Peacemaking (We are messengers of peace as Francis was)