If you’re a murderous dictator, this is a joyous time to be alive.
No one will make much of a fuss if your opposition leader is jailed, if an annoying journalist goes missing or if, as happened in Congo, a judge who displeases the dictatorial president suffers a home invasion in which goons rape his wife and daughter.
.. The U.S. has abandoned a bipartisan consensus on human rights that goes back decades.
.. I’m back from Myanmar, where leaders are finding that this is also the optimal time to commit genocide.
The army conducted a scorched-earth campaign against the Rohingya ethnic minority, with soldiers throwing babies onto bonfires as they raped the mothers.
.. In the past, human rights was at least one thread of our foreign policy.
.. Trump defended Vladimir Putin for killing critics (“What? You think our country’s so innocent?”), and praised Egypt’s brutal president, Abdel Fattah el-Sisi, for “a fantastic job.” Trump hailed the Philippines’s president, Rodrigo Duterte, whose dirty war on drugs has claimed 12,000 lives, for an “unbelievable job on the drug problem.”
.. when Trump visited Manila, he laughed as Duterte called reporters “spies” — in a country where aggressive journalism has landed people in the morgue.
.. A record number of journalists are in prison worldwide
.. Trump has met with the leaders of each of the three top jailers of journalists — China, Russia and Turkey — and as far as we know, has never raised the issue of press freedom with them.
.. “What’s completely gone is the bipartisan consensus that was a cornerstone of our foreign policy, that if you imprison journalists and restrict the media, there will be consequences,”
.. In Cambodia, Prime Minister Hun Sen approvingly cited Trump’s attacks on fake news as a precedent for closing down radio stations and the much admired newspaper Cambodia Daily. After the crackdown, in November, Trump posed for a photograph with Hun Sen, flashing a thumbs-up — and Hun Sen praised the American president for his lack of interest in human rights.
.. “Your policy is being changed,” Hun Sen declared gratefully, and he lauded Trump for being “most respectful.”
.. Trump told the king of repressive Bahrain, “there won’t be strain with this administration.”
.. the government responded a few days later by killing five protesters
.. sentencing Rajab himself to five years in prison for his tweets.
.. Trump’s soft spot for authoritarianism goes way back. He has spoken sympathetically of the Chinese government’s massacres of pro-democracy protesters in 1989, and of Saddam Hussein’s approach to counterterrorism.
.. Periodically, Trump does raise human rights issues, but only to bludgeon enemies like North Korea or Venezuela. This is so ham-handed and hypocritical that it simply diminishes American standing further.
.. approval of the United States has collapsed to a record low of 30 percent. Indeed, more people now approve of China than of the United States. Russia is just behind us.
.. “Trump has been a disaster for U.S. soft power,”
.. “He’s so hated around the world that he’s radioactive. So on those rare occasions when he does something about human rights, it only tarnishes the cause.”
.. In Myanmar, a young Rohingya man pleaded with me: “Please don’t let us be treated as animals.
Rob Porter Is Donald Trump’s Kind of Guy Rob Porter Is Donald Trump’s Kind of Guy
On Wednesday, we learned that during a 2017 background check for the former White House staff secretary Rob Porter, his two ex-wives both told the F.B.I. that he had abused them
- His first wife, Colbie Holderness, gave the F.B.I. a photo of her with a black eye, a result, she said, of Porter punching her in the face during a vacation in 2005.
- Porter’s second wife, Jennifer Willoughby, shared a 2010 emergency protective order she’d received after he punched in the glass on her door while they were separated.
.. The White House chief of staff John Kelly reportedly knew about these allegations, which are said to be the reason the F.B.I. never gave Porter a full security clearance,
.. Porter’s past was apparently not considered a problem inside the White House until it became public. This tells us quite a bit about how seriously this administration takes violence against women.
.. Kelly reportedly urged Porter not to resign
.. President Trump’s press secretary Sarah Sanders read a statement from Porter calling his ex-wives’ accounts “simply false” and part of a “coordinated smear campaign.”
.. In what was perhaps a rare outbreak of candor by omission, she didn’t bother with a pro forma statement that the White House condemns domestic violence.
.. “I was exposed to a far wider array of classified and sensitive information in the White House job than as the top lawyer at the National Security Agency,”
.. It’s hard to see why Kelly, who was supposed to be the disciplined adult in this administration, would cover for Porter. Unless, that is, he genuinely couldn’t grasp that domestic violence is a big deal.
.. the abuse charges were the origin of Trump’s derisive nickname for Bannon: “Bam Bam.”
.. Andy Puzder, the former head of Carl’s Jr. and Trump’s first nominee for labor secretary.
.. Trump himself was accused of domestic assault by his first wife, Ivana Trump
.. Hurt wrote that Donald Trump became enraged after scalp reduction surgery left him in pain, and blamed his then-wife, who had recommended the doctor.
.. Hurt describes Trump pinning back Ivana’s arms and ripping out her hair by the handful “as if he is trying to make her feel the same kind of pain that he is feeling.” Then, she told friends, Trump raped her.
.. residents create administrative cultures:
.. Willoughby described confiding in a Mormon official about her husband’s fits of rage. She was told to think about how Porter’s career might suffer if she spoke out. Powerful people in Washington seem to have been similarly worried, first and foremost, about protecting the ambitious and pedigreed young man.
.. Senator Orrin G. Hatch, Republican of Utah, and in The Daily Mail, the senator categorically dismissed the accusations and, whether he meant to or not, the women making them.
.. “Shame on any publication that would print this — and shame on the politically motivated, morally bankrupt character assassins that would attempt to sully a man’s good name,” he said.
.. Later, after the black-eye photograph of Holderness was published, Hatch issued a statement saying that domestic violence is “abhorrent.” But after that, he gave an interview in which he said he hoped Porter would “keep a stiff upper lip” and not resign. “If I could find more people like him, I would hire them,” said Hatch
.. It’s not really a surprise that Hatch, who once said that Trump’s presidency could become the greatest ever, would treat serious allegations of abusing women as a personal foible unrelated to one’s professional capabilities. You basically have to see things that way to support Trump in the first place.
Hollywood Uses the Very Women It Exploited to Change the Subject
As allegations of sexual exploitations pile up, the
industry has absorbed the critiques and converted them
into inspirational messaging and branding exercises.Is it possible for Hollywood to truly reckon with its issues while it’s so busy celebrating itself? It’s remarkable how slickly the entertainment industry — and its annual showcase, the winter awards show circuit — has adapted to the accusations against it. Harvey Weinstein may have been cast out of Hollywood (exiled, for now, to a spa in Scottsdale, Ariz.), but his complicity machine stretched its tentacles into agencies, law firms, fashion deals and of course, awards shows. New allegations of exploitations and inequities are revealed every week. The details suggest systemic rot.
In response, Hollywood has nimbly absorbed its critiques and converted them into inspirational messaging and digestible branding exercises, just in time for the unfurling of the red carpets. Whatever talks may (or may not) be happening inside agencies or on film sets, the message that comes across is this: The industry has skirted a conversation about its culture of harassment in favor of one about what an amazing job it is doing combatting that harassment. It’s engaged in just enough introspection to recalibrate and move on.
.. But when an earnest effort is fed through the Hollywood machine, it is quickly repurposed for what Hollywood does best, which is to sell things — women included. The initiative has revealed as much about Hollywood’s still unexamined sexism as it has the abuses it intended to address. In short, that women are expected to clean up the industry’s mess, and look good doing it. And they don’t have much choice, either, because if they say nothing, they’ll be knocked for that, too.
.. In this commodified atmosphere, it was difficult to process the appearance of real activists on the red carpet: #MeToo founder, Tarana Burke, came as Michelle Williams’s date, while Meryl Streep brought along Ai-jen Poo, executive director of the National Domestic Workers Alliance. The tactic bucked expectation — namely, that actresses tie their public personas to their relationships with men — and gave these pioneering activists exposure that’s hard to come by, but it also revealed the impossibility of dismantling an event bent on promoting a certain kind of femininity and luxury at once.
.. The image of white actresses paired with activists of color suggested a kind of moral accessorizing. And the meeting of celebrities and “regular” people came tinged with a preset narrative, one where the celebrity’s perceived exceptionalism is only enhanced by her engagement with the real world. But when Ryan Seacrest interviewed Ms. Williams and Ms. Burke on the red carpet, E! made it clear which it valued most — women’s appearance, or what they have to say. The network shrank Ms. Burke’s image into a corner as soon as she began speaking and turned its gaze to the actress Dakota Johnson. She twirled.
.. Watching this sparkling protest unfold, it’s easy to forget what exactly is being protested. The ugliness of rape and abuse is polished into optimistic hashtags and spun into glamorous dresses. In glad-handing Hollywood, criticizing the industry is verboten, but using one’s platform to advocate for other people is so expected it’s a cliché. (Mr. Weinstein himself was a master of linking his films to social causes, cynically pitching the award show ballot as a kind of morality test.)
.. The most electrifying moments of this protest have come when Hollywood women choose instead to model what it looks like to interrogate their own industry’s destructive norms: When Debra Messing broke red carpet geniality to speak out against E!’s underpayment of women, straight into an E! microphone, or when Ms. Portman presented the Golden Globes’ best director nominees as “all-male.”
.. all of this is quite easier for men. Just as they’re not required to uphold the same standards of beauty as their female peers, men are generally excused from carrying the moral weight, too. At the Golden Globes, they got by silently wearing Time’s Up lapel pins.
.. Justin Timberlake captioned his pre-Globes Instagram snap: “Here we come! And DAMN, my wife is hot! #TIMESUP #whywewearblack.” The bar is so low for men that this was, according to Instagram, the most-liked post of the night.
.. One way to push Hollywood toward change is to heighten its contradictions, drawing out the gap between its shimmering idea of itself and its darker realities. The image Hollywood builds for itself at these self-congratulatory events can be used as a bargaining chip for behind-the-scenes activist wins. As the SAG Awards neared, pressure mounted for the guild to protect its workers by installing a real code of conduct to address harassment. And as “All the Money in the World” racked up award nominations, the revelation that Mark Wahlberg earned much more to participate in reshoots than his co-star Ms. Williams — reshoots necessary to scrub the film of Kevin Spacey, and make it palatable for post-#MeToo audiences — created such a PR nightmare that Mr. Wahlberg ended up donating his $1.5 million salary to Time’s Up.
.. When Mr. Franco attended the Golden Globes earlier this month, grinned down the red carpet and bounded onstage to claim a statuette for “The Disaster Artist,” he wore the Time’s Up logo pinned to his lapel. As the night unfolded, female acting students and collaborators began filing complaints on Twitter about Mr. Franco’s own behavior, noting the hypocrisy of the pin. When Mr. Franco appeared on Seth Meyers’s show days later, he was grilled over the allegations. A Los Angeles Times report came next. Mr. Franco skipped the Critic’s Choice Awards, and when he turned up at the SAG Awards last Sunday, his very appearance made news. This time, he didn’t wear the pin. Aziz Ansari, who himself weathered his own hypocrisy scandal after wearing the pin at the Golden Globes, didn’t even show up. All of a sudden, a Hollywood awards show is a perilous place for some men to be.
.. For a woman, getting old is as much of a career-ending affront as an assault allegation is for a man. When Mr. Meyers opened his Golden Globes monologue by greeting the “ladies and remaining gentlemen,” I thought of all the women who don’t “remain” in Hollywood, either, pushed out through abuse or just discarded. One of those women — until recently — was Rose McGowan.
.. She’s now emerged as the most prominent actress to take aim not just at Hollywood abusers but at Hollywood itself.
.. Ms. McGowan and other accusers of Mr. Weinstein were not invited to the campaign’s Golden Globes coming-out party.
.. On Twitter, she’s called out “fancy people wearing black to honor our rapes.” Of Ms. Streep, she wrote: “YOUR SILENCE is THE problem. You’ll accept a fake award breathlessly & affect no real change.”
.. its opening line — “I was in the middle of my second movie for his company, and I get assaulted” — is itself more real and more damning than anything that’s been said at these Hollywood events.
Harvey Weinstein Is My Monster Too
Knowing what I know now, I wonder if it wasn’t my friendship with them — and Quentin Tarantino and George Clooney — that saved me from being raped.
.. The range of his persuasion tactics went from sweet-talking me to that one time when, in an attack of fury, he said the terrifying words, “I will kill you, don’t think I can’t.”
When he was finally convinced that I was not going to earn the movie the way he had expected, he told me he had offered my role and my script with my years of research to another actress.
.. he gave me a list of impossible tasks with a tight deadline:
1. Get a rewrite of the script, with no additional payment.
2. Raise $10 million to finance the film.
3. Attach an A-list director.
4. Cast four of the smaller roles with prominent actors.
Much to everyone’s amazement, not least my own, I delivered, thanks to a phalanx of angels who came to my rescue, including Edward Norton, who beautifully rewrote the script several times and appallingly never got credit, and my friend Margaret Perenchio, a first-time producer, who put up the money. The brilliant Julie Taymor agreed to direct, and from then on she became my rock. For the other roles, I recruited my friends Antonio Banderas, Edward Norton and my dear Ashley Judd. To this day, I don’t know how I convinced Geoffrey Rush, whom I barely knew at the time.
.. Now Harvey Weinstein was not only rejected but also about to do a movie he did not want to do.
Ironically, once we started filming, the sexual harassment stopped but the rage escalated. We paid the price for standing up to him nearly every day of shooting.
.. So he told me he was going to shut down the film because no one would want to see me in that role.
It was soul crushing because, I confess, lost in the fog of a sort of Stockholm syndrome, I wanted him to see me as an artist: not only as a capable actress but also as somebody who could identify a compelling story and had the vision to tell it in an original way.
.. I was hoping he would acknowledge me as a producer, who on top of delivering his list of demands shepherded the script and obtained the permits to use the paintings.
.. But all of this seemed to have no value. The only thing he noticed was that I was not sexy in the movie.
.. He offered me one option to continue. He would let me finish the film if I agreed to do a sex scene with another woman. And he demanded full-frontal nudity.
He had been constantly asking for more skin, for more sex. Once before, Julie Taymor got him to settle for a tango ending in a kiss instead of the lovemaking scene he wanted us to shoot between the character Tina Modotti, played by Ashley Judd, and Frida.
.. When Harvey saw the cut film, he said it was not good enough for a theatrical release and that he would send it straight to video.
This time Julie had to fight him without me and got him to agree to release the film in one movie theater in New York if we tested it to an audience and we scored at least an 80.
Less than 10 percent of films achieve that score on a first screening.
I didn’t go to the test. I anxiously awaited to receive the news. The film scored 85.
.. the film industry stopped making an effort to find out what female audiences wanted to see and what stories we wanted to tell... between 2007 and 2016, only 4 percent of directors were female and 80 percent of those got the chance to make only one film. In 2016, another study found, only 27 percent of words spoken in the biggest movies were spoken by women.