As allegations of sexual exploitations pile up, the
industry has absorbed the critiques and converted them
into inspirational messaging and branding exercises.Is it possible for Hollywood to truly reckon with its issues while it’s so busy celebrating itself? It’s remarkable how slickly the entertainment industry — and its annual showcase, the winter awards show circuit — has adapted to the accusations against it. Harvey Weinstein may have been cast out of Hollywood (exiled, for now, to a spa in Scottsdale, Ariz.), but his complicity machine stretched its tentacles into agencies, law firms, fashion deals and of course, awards shows. New allegations of exploitations and inequities are revealed every week. The details suggest systemic rot.
In response, Hollywood has nimbly absorbed its critiques and converted them into inspirational messaging and digestible branding exercises, just in time for the unfurling of the red carpets. Whatever talks may (or may not) be happening inside agencies or on film sets, the message that comes across is this: The industry has skirted a conversation about its culture of harassment in favor of one about what an amazing job it is doing combatting that harassment. It’s engaged in just enough introspection to recalibrate and move on.
.. But when an earnest effort is fed through the Hollywood machine, it is quickly repurposed for what Hollywood does best, which is to sell things — women included. The initiative has revealed as much about Hollywood’s still unexamined sexism as it has the abuses it intended to address. In short, that women are expected to clean up the industry’s mess, and look good doing it. And they don’t have much choice, either, because if they say nothing, they’ll be knocked for that, too.
.. In this commodified atmosphere, it was difficult to process the appearance of real activists on the red carpet: #MeToo founder, Tarana Burke, came as Michelle Williams’s date, while Meryl Streep brought along Ai-jen Poo, executive director of the National Domestic Workers Alliance. The tactic bucked expectation — namely, that actresses tie their public personas to their relationships with men — and gave these pioneering activists exposure that’s hard to come by, but it also revealed the impossibility of dismantling an event bent on promoting a certain kind of femininity and luxury at once.
.. The image of white actresses paired with activists of color suggested a kind of moral accessorizing. And the meeting of celebrities and “regular” people came tinged with a preset narrative, one where the celebrity’s perceived exceptionalism is only enhanced by her engagement with the real world. But when Ryan Seacrest interviewed Ms. Williams and Ms. Burke on the red carpet, E! made it clear which it valued most — women’s appearance, or what they have to say. The network shrank Ms. Burke’s image into a corner as soon as she began speaking and turned its gaze to the actress Dakota Johnson. She twirled.
.. Watching this sparkling protest unfold, it’s easy to forget what exactly is being protested. The ugliness of rape and abuse is polished into optimistic hashtags and spun into glamorous dresses. In glad-handing Hollywood, criticizing the industry is verboten, but using one’s platform to advocate for other people is so expected it’s a cliché. (Mr. Weinstein himself was a master of linking his films to social causes, cynically pitching the award show ballot as a kind of morality test.)
.. The most electrifying moments of this protest have come when Hollywood women choose instead to model what it looks like to interrogate their own industry’s destructive norms: When Debra Messing broke red carpet geniality to speak out against E!’s underpayment of women, straight into an E! microphone, or when Ms. Portman presented the Golden Globes’ best director nominees as “all-male.”
.. all of this is quite easier for men. Just as they’re not required to uphold the same standards of beauty as their female peers, men are generally excused from carrying the moral weight, too. At the Golden Globes, they got by silently wearing Time’s Up lapel pins.
.. Justin Timberlake captioned his pre-Globes Instagram snap: “Here we come! And DAMN, my wife is hot! #TIMESUP #whywewearblack.” The bar is so low for men that this was, according to Instagram, the most-liked post of the night.
.. One way to push Hollywood toward change is to heighten its contradictions, drawing out the gap between its shimmering idea of itself and its darker realities. The image Hollywood builds for itself at these self-congratulatory events can be used as a bargaining chip for behind-the-scenes activist wins. As the SAG Awards neared, pressure mounted for the guild to protect its workers by installing a real code of conduct to address harassment. And as “All the Money in the World” racked up award nominations, the revelation that Mark Wahlberg earned much more to participate in reshoots than his co-star Ms. Williams — reshoots necessary to scrub the film of Kevin Spacey, and make it palatable for post-#MeToo audiences — created such a PR nightmare that Mr. Wahlberg ended up donating his $1.5 million salary to Time’s Up.
.. When Mr. Franco attended the Golden Globes earlier this month, grinned down the red carpet and bounded onstage to claim a statuette for “The Disaster Artist,” he wore the Time’s Up logo pinned to his lapel. As the night unfolded, female acting students and collaborators began filing complaints on Twitter about Mr. Franco’s own behavior, noting the hypocrisy of the pin. When Mr. Franco appeared on Seth Meyers’s show days later, he was grilled over the allegations. A Los Angeles Times report came next. Mr. Franco skipped the Critic’s Choice Awards, and when he turned up at the SAG Awards last Sunday, his very appearance made news. This time, he didn’t wear the pin. Aziz Ansari, who himself weathered his own hypocrisy scandal after wearing the pin at the Golden Globes, didn’t even show up. All of a sudden, a Hollywood awards show is a perilous place for some men to be.
.. For a woman, getting old is as much of a career-ending affront as an assault allegation is for a man. When Mr. Meyers opened his Golden Globes monologue by greeting the “ladies and remaining gentlemen,” I thought of all the women who don’t “remain” in Hollywood, either, pushed out through abuse or just discarded. One of those women — until recently — was Rose McGowan.
.. She’s now emerged as the most prominent actress to take aim not just at Hollywood abusers but at Hollywood itself.
.. Ms. McGowan and other accusers of Mr. Weinstein were not invited to the campaign’s Golden Globes coming-out party.
.. On Twitter, she’s called out “fancy people wearing black to honor our rapes.” Of Ms. Streep, she wrote: “YOUR SILENCE is THE problem. You’ll accept a fake award breathlessly & affect no real change.”
.. its opening line — “I was in the middle of my second movie for his company, and I get assaulted” — is itself more real and more damning than anything that’s been said at these Hollywood events.
Why Iran Is Protesting
.. The current unrest looks different. So far, the middle class and the highly educated have been more witnesses than participants. Nonviolence is not a sacred principle. The protests first intensified in small religious towns all over the country, where the government used to take its support for granted. Metropolitan areas have so far lagged behind.
.. they all mention unemployment, inflation and the looting of national wealth: A woman asks President Hassan Rouhani to live on only her salary of $300 a month
.. The chants are also different this time. “Where is my vote?” and “Free political prisoners!” dominated in 2009. Today they have been replaced with “No to inflation!” and “Down with embezzlers!” and “Leave the country alone, mullahs.”
.. emerged as a resonant, nationwide cry for justice and equality.
An Interview with John McWhorter about Politics and Protest
So—many people’s analysis of this is that we who have a problem with all of these speakers being shouted down—we are modern-day equivalents of the people who saw student protests in the late ‘60s and early ‘70s and felt that all those students needed to just cut their hair and go back to the classroom. That’s a really off analysis because the crucial difference with today is the new idea that certain people aren’t to be just protested, but they absolutely aren’t to be heard; that their speech is to be shut down. And it’s not only directed against people who are openly arguing for concepts that most of us consider nauseous: outright white supremacy, and branding other races as troglodyte groups who are set to be exterminated or to fall behind. That’s one thing. But also just buttoned-up sorts of people saying things that could be taken as supporting X, Y and Z. Even people like this should not even be allowed to open their mouths.
.. That’s something quite different from what most of the student protesters were doing 50 years ago. I think that the fact that so many people who are New York Times or New Yorker readers, who listen to NPR, are having trouble with this new form of protest—it’s evident that this isn’t just the parents and the graduates who don’t like what’s going on with the kids.
.. We’re seeing something that even reasonable people find to have gone over a certain edge of coherence, not to mention civility.
.. The very fact that you’re trying to attract people’s attention who otherwise would not be inclined to give it, that’s theater. That’s part of politics. But there’s a particular theatrical aspect to all of this in that I find it simply incoherent—it’s not believable—that a psychologically healthy person and one intelligent and ambitious enough to have gotten into a selective school, in particular, is somebody who is constitutionally unable to bear hearing somebody express views that they don’t agree with, or that they even find nauseous.
It’s one thing to find views repugnant. It’s another thing to claim that—to hear them constitute a kind of injury that no reasonable person should be expected to stand up to. That’s theatrical because it’s not true. Nobody is hurt in that immediate, lasting and intolerable way by some words that a person stands up and addresses, in the abstract, to an audience at a microphone.
.. you’re pretending that something that you find unpleasant to behold is injurious.
.. I think maybe one thing that’s happening at Columbia is that because it’s in New York City, you have a lot of international students and you have this international community. So to a large degree, you do come up against people whose ideas are very different from yours, which is kind of different from being at a college like Middlebury or a college in a secluded location
.. So in your classrooms you mentioned people throwing around the term “white supremacy” pretty liberally. Do you find that happening in your classrooms and class discussions? Do you find students or maybe other professors using the term “white supremacy” to describe any kind of racial bias?
.. I haven’t taught my philosophy class since then, and I haven’t happened to teach socio-linguistics since then, and really there has been a major sea change over about the past two or three years.
.. I don’t think 10 years ago she would have used that term. It’s fashionable.
.. To some degree I understand that limiting the definition of white supremacy solely to the KKK is also problematic because I think there is this tendency among certain white conservatives to think that America really is primarily for European immigrants and you can hear them talk about it. There’s this underlying sense that European immigrants are the ones who come here and work hard, and immigrants from elsewhere and African-Americans are collecting welfare checks, and it’s not tied to reality.
.. However, I think that the way it’s being used today extends far beyond people like that to what just about 10 minutes ago was being called racist or institutional racism. White supremacy has come into use not because it referred to something new but as a punchier way of referring to racism in a climate where, perhaps, it has gotten to the point that just to say “racism” no longer makes as many people jump in their seat as it used to.
.. But white supremacy is a way of calling somebody a racist or calling something racist in a way that at least, in 2017 and 2018, shut a lot of people up because the image is so graphic and it makes you think about lynching.