We Got Rid of Some Bad Men. Now Let’s Get Rid of Bad Movies.

TV and film are in the thick of an unprecedented sociopolitical reckoning, the first ever of such scale and ferocity, a microcosm of our ever-more-literal national culture war. But to make that reckoning stick, we have to look ahead and ask ourselves what we want of this new Hollywood, and look back to avoid repeating the past.

Hollywood is both a perfect and bizarre vanguard in the war for cultural change. Perfect because its reach is so vast, its influence so potent; bizarre because television and movies are how a great many toxic ideas embedded themselves inside of us in the first place.

.. When I was growing up, I didn’t chafe at the shallow, exploitative representations of my gender that I saw on screen; I took notes. I added item after item to my mental lists of how to be a woman and the things I should yearn for and tolerate from men.

.. From makeover shows, I learned that I was ugly. From romantic comedies, I learned that stalking means he loves you and persistence means he earned you

.. From Disney movies, I learned that if I made my waist small enough (maybe with the help of a witch), a man or large hog-bear might marry me, and that’s where my story would end.

.. “The Smurfs” taught me that boys can have distinct personalities, like being smart or grumpy, and girls can have only one (that personality is “high heels”).

.. From “The Breakfast Club,” I learned that rage and degradation are the selling points of an alluring bad boy, not the red flags of an abuser.

.. From pretty much all media, I learned that complicated women are “crazy” and complicated men are geniuses.

.. What we could really use from Hollywood is about 100 years of phase cancellation.

.. We are not done talking about why so many men feel entitled to space, power and other people’s bodies.

.. We are not done talking about how to get justice for “imperfect” victims

.. Unseating a couple (or a score, or even a generation) of powerful abusers is a start, but it’s not an end, unless we also radically change the power structure that selects their replacements and the shared values that remain even when the movement wanes. Art didn’t invent oppressive gender roles, racial stereotyping or rape culture, but it reflects, polishes and sells them back to us every moment of our waking lives. We make art, and it simultaneously makes us. Shouldn’t it follow, then, that we can change ourselves by changing the art we make?

Making China Great Again

As Donald Trump surrenders America’s global commitments, Xi Jinping is learning to pick up the pieces.

The hero, Leng Feng, played by the action star Wu Jing (who also directed the film), is a veteran of the “wolf warriors,” special forces of the People’s Liberation Army. In retirement, he works as a guard in a fictional African country, on the frontier of China’s ventures abroad. A rebel army, backed by Western mercenaries, attempts to seize power, and the country is engulfed in civil war. Leng shepherds civilians to the gates of the Chinese Embassy, where the Ambassador wades into the battle and declares, “Stand down! We are Chinese! China and Africa are friends.” The rebels hold their fire, and survivors are spirited to safety aboard a Chinese battleship.

.. For decades, Chinese nationalism revolved around victimhood: the bitter legacy of invasion and imperialism, and the memory of a China so weak that, at the end of the nineteenth century, the philosopher Liang Qichao called his country “the sick man of Asia.” “Wolf Warrior II” captures a new, muscular iteration of China’s self-narrative, much as Rambo’s heroics expressed the swagger of the Reagan era.

.. “In the past, all of our movies were about, say, the Opium Wars—how other countries waged war against China,” he said. “But Chinese people have always wanted to see that our country could, one day, have the power to protect its own people and contribute to peace in the world.”

.. For years, China’s leaders predicted that a time would come—perhaps midway through this century—when it could project its own values abroad. In the age of “America First,” that time has come far sooner than expected.

.. Trump often portrays America’s urgent task as one of survival. As he put it during the campaign, “At what point do you say, ‘Hey, we have to take care of ourselves’? So, you know, I know the outer world exists and I’ll be very cognizant of that, but, at the same time, our country is disintegrating.”
.. China’s approach is more ambitious. In recent years, it has taken steps to accrue national power on a scale that no country has attempted since the Cold War, by increasing its investments in the types of assets that established American authority in the previous century: foreign aid, overseas security, foreign influence, and the most advanced new technologies, such as artificial intelligence.
.. It has become one of the leading contributors to the U.N.’s budget and to its peacekeeping force, and it has joined talks to address global problems such as terrorism, piracy, and nuclear proliferation.
.. This was an ironic performance—for decades, China has relied on protectionism—but Trump provided an irresistible opening. China is negotiating with at least sixteen countries to form the Regional Comprehensive Economic Partnership, a free-trade zone that excludes the United States, which it proposed in 2012 as a response to the T.P.P. If the deal is signed next year, as projected, it will create the world’s largest trade bloc, by population.
.. By setting more of the world’s rules, China hopes to “break the Western moral advantage,” which identifies “good and bad” political systems
.. Meng Hongwei, a Chinese vice-minister of public security, became the first Chinese president of Interpol, the international police organization; the move alarmed human-rights groups, because Interpol has been criticized for helping authoritarian governments target and harass dissidents and pro-democracy activists abroad.

.. Moreover, China’s economic path is complicated by heavy debts, bloated state-owned enterprises, rising inequality, and slowing growth. The workers who once powered China’s boom are graying.

.. In 2000, the U.S. accounted for thirty-one per cent of the global economy, and China accounted for four per cent. Today, the U.S.’s share is twenty-four per cent and China’s fifteen per cent.

.. in the past we were used to going to the White House to get our work done,” Shivshankar Menon, India’s former foreign secretary and national-security adviser to the Prime Minister, told me. “Now we go to the corporations, to Congress, to the Pentagon, wherever.”

.. everybody else in the world will look around and say, I want to be friends with both the U.S. and the Chinese—and the Chinese are ready, and I’ll start with them.”

.. He presented China as “a new option for other countries,” calling this alternative to Western democracy the zhongguo fang’an, the “Chinese solution.”

.. The state press ran a profile of Xi that was effusive even by the standards of the form, depicting him as an “unrivalled helmsman,” whose “extensive knowledge of literature and the arts makes him a consummate communicator in the international arena.”

.. Xi has inscribed on his country a rigid vision of modernity. A campaign to clean up “low-end population” has evicted migrant workers from Beijing, and a campaign against dissent has evicted the most outspoken intellectuals from online debate.

.. Foreign universities with programs in China, such as Duke, have been advised that they must elevate a Communist Party secretary to a decision-making role on their local boards of trustees.

.. The Party is encouraging dark imaginings about the outside world: posters warn the public to “protect national secrets” and to watch out for “spies.”

.. Last June, Yao Chen, one of China’s most popular actresses, received a barrage of criticism online after she tried to raise awareness of the global refugee crisis. (She was forced to clarify that she was not calling for China to accept refugees.)

.. In Rao’s view, Trump’s “America First” slogan is an honest declaration, a realist vision stripped of false altruism and piety.

.. “In this world, power speaks,” he said, making a fist, a gesture that Trump adopted in his Inauguration speech and Xi displayed in a photo taken at the start of his new term.

.. “I think Trump is America’s Gorbachev.” In China, Mikhail Gorbachev is known as the leader who led an empire to collapse. “The United States will suffer,” he warned.

.. In 1991, when Bush, Sr., launched the war against Iraq, it got thirty-four countries to join the war effort. This time, if Trump launched a war against anyone, I doubt he would get support from even five countries.

.. For Chinese leaders, Yan said, “Trump is the biggest strategic opportunity.” I asked Yan how long he thought the opportunity would last. “As long as Trump stays in power,” he replied.

.. When Trump won, the Party “was in a kind of shock,”

.. “They feared that he was their mortal enemy.” The leadership drafted potential strategies for retaliation, including threatening American companies in China and withholding investment from the districts of influential members of Congress.

.. Before he entered the White House, China started assembling a playbook for dealing with him.

.. “China knows Trump can be unpredictable, so we have weapons to make him predictable, to contain him. He would trade Taiwan for jobs.”

.. there were two competing strategies on China. One, promoted by Stephen Bannon, then the chief strategist, wanted the President to take a hard line, even at the risk of a trade war. Bannon often described China as a “civilizational challenge.” The other view was associated with Jared Kushner, Trump’s son-in-law and adviser, who had received guidance from Henry Kissinger and met repeatedly with the Chinese Ambassador, Cui Tiankai. Kushner argued for a close, collegial bond between Xi and Trump, and he prevailed.

.. While Xi was at the resort, the Chinese government approved three trademark applications from Ivanka’s company, clearing the way for her to sell jewelry, handbags, and spa services in China.

.. During the transition, Kushner dined with Chinese business executives while the Kushner Companies was seeking their investment in a Manhattan property.

.. In May, Kushner’s sister, Nicole Kushner Meyer, was found to have mentioned his White House position while she courted investors during a trip to China.

.. During the Mar-a-Lago meetings, Chinese officials noticed that, on some of China’s most sensitive issues, Trump did not know enough to push back.

.. “Trump is taking what Xi Jinping says at face value—on Tibet, Taiwan, North Korea,”

.. “The Chinese felt like they had Trump’s number,” he said. “Yes, there is this random, unpredictable Ouija-board quality to him that worries them, and they have to brace for some problems, but, fundamentally, what they said was ‘He’s a paper tiger.’ Because he hasn’t delivered on any of his threats. There’s no wall on Mexico. There’s no repeal of health care. He can’t get the Congress to back him up. He’s under investigation.”

.. a Beijing think tank, published an analysis of the Trump Administration, describing it as a den of warring “cliques,” the most influential of which was the “Trump family clan.”

.. The Trump clan appears to “directly influence final decisions” on business and diplomacy in a way that “has rarely been seen in the political history of the United States,” the analyst wrote. He summed it up using an obscure phrase from feudal China: jiatianxia—“to treat the state as your possession.”

Everybody Should Be Very Afraid of the Disney Death Star

The first episode of the Streaming Wars is over. The rebels won. Now the empire strikes back.

Disney also acquires a majority stake in the TV product Hulu, which it may use to kickstart its entry into the streaming wars.

These additions would enrich an overflowing treasury at Disney, whose assets includes Star Wars, Marvel, Pixar, ABC, ESPN, the world’s most popular amusement parks, and, of course, its classic animated-film division

.. The deal allows Rupert Murdoch, the billionaire patriarch behind 21st Century Fox, to consolidate his own kingdom—and his legacy—around the very place where he got his start: news.

.. Streaming video has conquered pay TV and created a generation of cord-cutters; the youngest Millennials (those in their late teens and early 20s) watch 50 percent less traditional television .. than people that age did in 2010.

.. For media and entertainment companies, there is one big existential question: Get big and stream, or give up and sell?

.. Traditional television is a pure gerontocracy. The only age demo watching more TV than in 2010 are eligible for Medicare.

.. You could say Disney is spending $60 billion for a risky makeover to appeal to a younger demographic, while Murdoch is using the money to install a golden stair lift.

.. Disney’s long-term strategy is, like Netflix, to own the means of distributing its content. What’s more, this deal is a “horizontal” merger

.. With this deal, Disney would control as much as 40 percent of the the U.S. movie business

.. Its control of the sports-television landscape, between the regional sports networks and ESPN, might be even more concentrated

.. Hollywood studios should be afraid to compete with a corporate Goliath that could earn half of all domestic box-office revenue in a good year.

.. Every tech company should be afraid to get into a content war with a company that combines the

  • top blockbuster movie studio, with a
  • top prestige-film company, with a
  • world-class television production company, with the
  • most valuable franchises—Star Wars, Marvel, Pixar, and X-Men—in the world.

.. In the last fiscal year ending in October, Disney’s made $55 billion in revenue, with about 60 percent coming from television and film (the rest came from parks, resorts, and merchandise). That 60 percent is endangered: Box-office ticket sales have been flat or declining for years, and television is in obvious structural decline

Harvey Weinstein Is My Monster Too

Knowing what I know now, I wonder if it wasn’t my friendship with them — and Quentin Tarantino and George Clooney — that saved me from being raped.

.. The range of his persuasion tactics went from sweet-talking me to that one time when, in an attack of fury, he said the terrifying words, “I will kill you, don’t think I can’t.”

When he was finally convinced that I was not going to earn the movie the way he had expected, he told me he had offered my role and my script with my years of research to another actress.

.. he gave me a list of impossible tasks with a tight deadline:

1. Get a rewrite of the script, with no additional payment.

2. Raise $10 million to finance the film.

3. Attach an A-list director.

4. Cast four of the smaller roles with prominent actors.

Much to everyone’s amazement, not least my own, I delivered, thanks to a phalanx of angels who came to my rescue, including Edward Norton, who beautifully rewrote the script several times and appallingly never got credit, and my friend Margaret Perenchio, a first-time producer, who put up the money. The brilliant Julie Taymor agreed to direct, and from then on she became my rock. For the other roles, I recruited my friends Antonio Banderas, Edward Norton and my dear Ashley Judd. To this day, I don’t know how I convinced Geoffrey Rush, whom I barely knew at the time.

.. Now Harvey Weinstein was not only rejected but also about to do a movie he did not want to do.

Ironically, once we started filming, the sexual harassment stopped but the rage escalated. We paid the price for standing up to him nearly every day of shooting.

.. So he told me he was going to shut down the film because no one would want to see me in that role.

It was soul crushing because, I confess, lost in the fog of a sort of Stockholm syndrome, I wanted him to see me as an artist: not only as a capable actress but also as somebody who could identify a compelling story and had the vision to tell it in an original way.

.. I was hoping he would acknowledge me as a producer, who on top of delivering his list of demands shepherded the script and obtained the permits to use the paintings.

.. But all of this seemed to have no value. The only thing he noticed was that I was not sexy in the movie.

.. He offered me one option to continue. He would let me finish the film if I agreed to do a sex scene with another woman. And he demanded full-frontal nudity.

He had been constantly asking for more skin, for more sex. Once before, Julie Taymor got him to settle for a tango ending in a kiss instead of the lovemaking scene he wanted us to shoot between the character Tina Modotti, played by Ashley Judd, and Frida.

.. When Harvey saw the cut film, he said it was not good enough for a theatrical release and that he would send it straight to video.

This time Julie had to fight him without me and got him to agree to release the film in one movie theater in New York if we tested it to an audience and we scored at least an 80.

Less than 10 percent of films achieve that score on a first screening.

I didn’t go to the test. I anxiously awaited to receive the news. The film scored 85.

.. He also would never know how much he hurt me. I never showed Harvey how terrified I was of him. When I saw him socially, I’d smile and try to remember the good things about him, telling myself that I went to war and I won.
..  the film industry stopped making an effort to find out what female audiences wanted to see and what stories we wanted to tell.
.. between 2007 and 2016, only 4 percent of directors were female and 80 percent of those got the chance to make only one film. In 2016, another study found, only 27 percent of words spoken in the biggest movies were spoken by women.