The transformation of David Brooks

There are many explicitly Christian descriptions of sin: fallenness, brokenness, depravity. Keller suggested Brooks try a more neutral phrasing: “disordered love.” When we blab a secret at a party, for example, we misplace love of popularity over love of friendship.

.. Brooks thinks a tradition of journalists fluent, or at least conversant, in moral concepts dissipated in recent decades. Theologians were walled off within their denominations, and public discourse about values grew dysfunctional. A life of “meaning” by today’s standard, he wrote in his Times column to begin 2015, “is flabby and vacuous, the product of a culture that has grown inarticulate about inner life.”

.. “I think there is some allergy our culture has toward moral judgment of any kind,” he reflects. “There is a big relativistic strain through our society that if it feels good for you, then who am I to judge? I think that is fundamentally wrong, and I’d rather take the hits for being a moralizer than to have a public square where there’s no moral thought going on.”

.. She remembers a unifying creed on campus: “The more you know about the past, the better equipped you were to defend civilized life from barbaric perversion.

..  the 18th-century Irish philosopher, spoke of dispositional conservatism, which Brooks defines this way: “It’s a reverence for the past, a belief in incremental change, a distrust of abstract, permanent truths, at least about political matters.”

.. A 2003 column endorsing gay marriage has one of the most jarring ledes he’s ever written: “Anybody who has several sexual partners in a year is committing spiritual suicide.” He concluded, “The conservative course is not to banish gay people from making such commitments. It is to expect that they make such commitments.”

 

What Do We Really Know About Osama bin Laden’s Death?

American history is filled with war stories that subsequently unraveled. Consider the Bush administration’s false claims about Saddam Hussein’s supposed arsenal of weapons of mass destruction. Or the imagined attack on a U.S. vessel in the Gulf of Tonkin. During the Bay of Pigs, the government inflated the number of fighters it dispatched to Cuba in hopes of encouraging local citizens to rise up and join them. When the operation failed, the government quickly deflated the number, claiming that it hadn’t been an invasion at all but rather a modest attempt to deliver supplies to local guerrillas. More recently, the Army reported that the ex-N.F.L. safety Pat Tillman was killed by enemy fire, rather than acknowledging that he was accidentally shot in the head by a machine-gunner from his own unit.

These false stories couldn’t have reached the public without the help of the media.  Reporters don’t just find facts; they look for narratives.

.. Hersh confidently walked readers through an alternate version of all the familiar plot points in a dispassionate, just-the-facts tone, turning a story of patient perseverance, careful planning and derring-do into one of luck (good and bad), damage control and opportunism.

.. ‘‘It’s all sort of hokey, the whole thing,’’ Robert Baer, a longtime C.I.A. case officer in the Middle East (and the inspiration for the George Clooney character in the movie ‘‘Syriana’’) told me of the government’s version of the events. ‘‘I’ve never seen a White House take that kind of risk. Did the president just wake up one morning and say, ‘Let’s put my presidency on the line right before an election?’ This guy is too smart to put 23 SEALs in harm’s way in a Hollywood-like assassination. He’s too smart.’’ Still, none of Baer’s old friends inside or outside the agency have challenged the administration’s account.

.. This was a story that was so good it didn’t need to be fictionalized, or so it seemed. It began with a series of C.I.A.-led torture sessions, which the movie suggested provided the crucial break in the hunt for bin Laden. Only they didn’t, at least according to a report conducted over the course of many years by the Senate Intelligence Committee (and others with access to classified information). Senator Dianne Feinstein, who oversaw the report as the committee’s chairwoman, said she walked out of a screening of the film. ‘‘I couldn’t handle it,’’ she said. ‘‘Because it’s so false.’’ The filmmakers’ intent had presumably been to tell a nuanced story — the ugly truth of how we found bin Laden — but in so doing, they seem to have perpetuated a lie.

.. And we can’t necessarily console ourselves with the hope that we will have more answers any time soon; to this day, the final volume of the C.I.A.’s official history of the Bay of Pigs remains classified. We don’t know what happened more than a half-century ago, much less in 2011.

.. There are different ways to control a narrative. There’s the old-fashioned way: Classify documents that you don’t want seen and, as Gates said, ‘‘keep mum on the details.’’ But there’s also the more modern, social-media-savvy approach: Tell the story you want them to believe. Silence is one way to keep a secret. Talking is another. And they are not mutually exclusive.

Osama Bin Laden’s First Draft

I recall my own experience writing a book about events that took place in the government. In the fall of 2010, Bethany McLean and I published “All The Devils Are Here,” about the 2008 financial crisis. After many interviews with current and former officials at the Treasury Department and the Federal Reserve, we wrote our account of events that are murky to this day, most obviously why the government let Lehman Brothers fail.

.. In the intervening five years, new information has come out. Most recently, Ben Bernanke, the former Fed chairman, admitted that he and Hank Paulson, the former Treasury secretary, had been less than forthcoming about the reasons for Lehman’s failure. That information was not in our book because Bernanke and Paulson withheld it.

.. Journalism is “the first rough draft of history,” as the old saying goes. In the modern age, that’s as true for books as for any other form of journalism.

Jorge Ramos Is Not Walter Cronkite

In his 2002 memoir, “No Borders: A Journalist’s Search for Home,” Ramos recounts that in 1991 he was elbowed in the stomach and knocked to the ground by a bodyguard after accosting a politician, peppering him with questions and making an uncomfortable declaration. This time, the politician was President Fidel Castro of Cuba, and what Ramos said was, “Many people believe that this is the time for you to call for an election.” At the last word, the bodyguard’s elbow struck.

.. Yet in his books, the person he presents as his North Star is not Cronkite but Oriana Fallaci, the fierce Italian journalist who faced off with Yasir Arafat, Muammar el-Qaddafi and Ayatollah Khomeini. (Christopher Hitchens was another of her outspoken admirers.) Henry Kissinger once confessed that his interview with Fallaci — in which he called himself a “cowboy” and pleaded helplessly for her to stop asking questions about the Vietnam War — was “the single most disastrous conversation I have ever had with any member of the press.”

.. It is precisely this pattern of confrontation — not his poker-faced anchoring of the nightly news with his colleague Maria Elena Salinas on “Noticiero Univisión” — that has won Ramos the trust of so many Hispanics. They know that in many countries south of the United States, direct questions can provoke not simply a loss of access but also a loss of life.