Reading Bill O’Reilly’s Old Novel About a TV Newsman Who Murders Several People After Losing His Job

The main character is a violently bitter journalist named Shannon Michaels, who, after being pushed out of two high-profile positions, takes revenge on four of his former colleagues by murdering them one by one.

.. rants about ex-wives, newsroom politics, and the Long Island Expressway

.. a veteran newsman preys upon a younger female co-worker in the very first scene.

.. struggling with a “basic human need, the need for some kind of physical release.” Costello spots a pretty camerawoman at a party, happily notes that she’s had too much vodka, and approaches her with “intense sexual hunger.”

.. Then the vengeful Michaels kills Costello by shoving a silver spoon through the roof of his mouth and into his brain.

.. the feud between Michaels and Costello in “Those Who Trespass” is based on O’Reilly’s experience at CBS, in the eighties, during the Falkland Islands War. O’Reilly and his crew had captured exclusive footage of a riot in Buenos Aires, which CBS spliced into a report delivered by the veteran network correspondent Bob Schieffer, who never mentioned O’Reilly by name.

.. spends the next decade plotting his revenge.

.. O’Reilly’s first avatar within the novel: a horny, aggressive, ambitious Irish-American who delivers monologue after monologue about the “self-obsessed business” of television news. (“People who are greedy for power realize that television is the most influential tool ever created,” he says.

.. Tommy O’Malley, who is also horny, aggressive, ambitious, and Irish. O’Malley is an “intense man, sometimes quick to anger.” He arrests a drug dealer and breaks his thumb out of spite: “That must really hurt, he thought, giving in to a feel of sadistic pleasure.” He really hates inner-city teen-agers. (“These thugs killed with a casualness that O’Malley could not comprehend.”) For the duration of the story, as Michaels goes about murdering colleagues who have slighted him, O’Malley, the good guy, is hot on his trail.

.. Like both Michaels and O’Malley, Van Buren is horny, aggressive, and ambitious. Unlike them, she’s not an avatar for O’Reilly but an object onto which he projects a whole host of suspect qualities. “Ashley Van Buren knew her good looks were partially responsible for her rapid rise,” O’Reilly writes

.. In her first conversation with O’Malley, trying to get information about the murder on Martha’s Vineyard, the blond Van Buren deploys both a “deep, sexy tone” and a “teasing voice.”

.. Van Buren is the only major female character in the novel. (An “unattractive woman” named Hillary appears briefly, before Michaels knocks her out and throws her body out the window into an alley.) It’s almost funny how utterly the character of Van Buren unmasks her author: she is conveniently and perpetually sexually frustrated, and she is happy to be seen as an object of desire while she’s at work. She’s dying for a real man to make real advances upon her. In one entirely unnecessary flashback, she invites a date to her apartment, takes off her bra, licks her lips at the sight of her reflection—“her unrestrained breasts were full and firm . . . and her nipples were clearly outlined”—and then pouts when her date won’t take the hint. Over the course of the investigation, she becomes attracted to both O’Malley and Michaels; when she sleeps with Michaels, she silently marvels at “Shannon’s stamina.”

.. it’s full of recognizable pet ideas. Housing projects are “moral sinkholes”; inner-city children are “unfeeling predators.” A Latino detective succeeds in his department because “his strategy included overlooking petty crap like prejudice.”

.. It’s impossible to take in the steady stream of coldly rendered violence in O’Reilly’s novel without remembering his daughter’s court testimony that he choked his ex-wife and dragged her down the stairs by the neck.

.. Being on TV was like a drug to him and when it was taken away from him, he had to find a substitute drug

Donald Trump and the Politics of Fear

Trump’s candidacy relies on the power of fear. It could be the only way for him to win.

.. Overall crime rates may be down, but a sense of disorder is constant.

.. His acceptance speech at the Republican National Convention similarly made clear the extent to which his message revolves around fear. “The attacks on our police, and the terrorism in our cities, threaten our very way of life,” Trump thundered. “Any politician who does not grasp this danger is not fit to lead our country. Americans watching this address tonight have seen the recent images of violence in our streets and the chaos in our communities. Many have witnessed this violence personally; some have even been its victims.”

.. But he also, in a more unusual maneuver, summons fear in the abstract: There’s something going on, folks.

.. When back-to-back terror attacks hit Paris in November and San Bernardino in December, he pointed to them as proof that his warnings about Muslims were justified, and voters flocked to him ..

.. Trump’s standing in the polls rose about 7 percentage points in the aftermath of the attacks

.. Trump supporters, recent polling has shown, are disproportionately fearful. They fear crime and terror far more than other Americans; they are also disproportionately wary of foreign influence and social change. (They are not, however, any more likely than other Americans to express economic anxiety.)

.. It is a feedback loop: He stirs up people’s latent fears, then offers himself as the only solution.

.. fear is a handy tool. “Fear is easy,” Rick Wilson, a Florida-based Republican ad maker, told me recently. “Fear is the simplest emotion to tweak in a campaign ad. You associate your opponent with terror, with fear, with crime, with causing pain and uncertainty.”

.. A majority of Americans now worry that they or their families will be victims of terrorism, up from a third less than two years ago

.. Nearly two-thirds worry about being victims of violent crime. Another poll, by Gallup, found that concern about crime and violence is at its highest level in 15 years.

.. “the psychological management of uncertainty and fear” to be strongly and consistently correlated with politically conservative attitudes.

.. the characteristic most predictive of a person’s political leanings is his or her tolerance for ambiguity. “The more intolerant of ambiguity you are—the more you seek control over your surroundings, certainty, clear answers to things—the more you tend toward conservative preferences,” ..

.. he would bring order and control to a chaotic world.

 .. I really thought this was a rational policy disagreement that was headed toward a logical compromise,” Sharry told me recently. “Now, I see it as deeply cultural. It’s racially charged, it’s tribalism, it’s us-vs.-them. It’s a referendum on the face of globalization,
.. The fearful mind sees immigrants as an invasion force, refugees as terrorists, rising crime as a threat to one’s family, drugs as a threat to one’s children, and social change as a threat to one’s way of life.

.. “Trump speaks to our id, something latent in all of us to different degrees. This is not a political campaign. It’s an identity campaign.”

.. From colonial times to the early 19th century, the pervasive, virulent fear was of Catholics, who were seen as inferior, unassimilable, and in thrall to a foreign dictator (the Pope).

.. The mass immigration of Irish Catholics in the 1830s and 1840s ratcheted up the panic and convulsed American politics, with the Whig Party collapsing and the anti-Catholic nativist Know-Nothing Party briefly becoming America’s second-largest political party.

.. His opponent, Hillary Clinton, is now campaigning on a fear-based appeal of her own—the fear of Trump.

.. as President he would escalate the likelihood of catastrophic violent conflict from without and within, posing a serious threat to the future of the United States,” her team wrote in a memo outlining their findings. This message, they noted, was far more effective than emphasizing Trump’s “misogyny” or depicting his economic record as bad for working people.

.. “Every time Clinton says, ‘Trump is dangerous,’ what people are hearing is, ‘The world is dangerous, it’s dangerous, it’s dangerous,’” she told me. “It just plays into the message of chaos.” And the more chaotic the world feels, the more people may look to Trump for comfort.