Last night’s Academy Awards featured a lot of generalities and not much inspiration or speaking truth to power.
Last night’s Academy Awards broadcast was Hollywood’s way of addressing the sexual-harassment scandal without really addressing it, discussing it without really discussing it, and assuring the public that all the worst stuff is in the past and that no one needs to worry about it anymore.
Yes, it was nice to see Ashley Judd and Annabella Sciorra again, up on stage alongside Salma Hayek. But no one involved in the ceremony could ever quite come out and say why those three were up on stage.
.. The president’s defenses of protectionism are incoherent babble that is just factually wrong; Trump insists that “our Steel and Aluminum industries are dead” when the U.S. Department of Commerce figures show that since the beginning of 2009, the six major U.S. steel companies have collectively reported net earnings for 20 quarters... The president still hasn’t figured out that you can’t change government policy as quickly and impulsively as you type out and send a Tweet.By midnight Wednesday, less than 12 hours before the executives were expected to arrive, no one on the president’s team had prepared any position paper for an announcement on tariff policy, the official said. In fact, according to the official, the White House counsel’s office had advised that they were as much as two weeks away from being able to complete a legal review on steel tariffs.
There were no prepared, approved remarks for the president to give at the planned meeting, there was no diplomatic strategy for how to alert foreign trade partners, there was no legislative strategy in place for informing Congress and no agreed upon communications plan beyond an email cobbled together by Ross’s team at the Commerce Department late Wednesday that had not been approved by the White House.
.. By Thursday afternoon, the U.S. stock market had fallen and Trump, surrounded by his senior advisers in the Oval Office, was said to be furious.
.. This reminds me of Steve Bannon’s “plan” to announce the immigration restrictions without any warning in the first days of Trump’s presidency. No one in the rest of the government was prepared to implement them; John Kelly, then the secretary of Homeland Security, learned from television that Trump had signed the order.
.. he’s flat-out wrong when he claims, “Maybe it’ll cost a little bit more, but we’ll have jobs.”
.. the decline of jobs in the steel and aluminum industries predates the competition with China by decades. Industry experts know that this is mostly because of innovation and industry consolidation. The era of labor-intensive metal production is over.
Go Ahead, Millennials, Destroy Us
they forgot what adults always forget: that our children grow up, and remember everything, and forgive nothing.
.. Those kids have suddenly understood how little their lives were ever worth to the people in power. And they’ll soon begin to realize how efficient and endless are the mechanisms of governance intended to deflect their appeals, exhaust their energy, deplete their passion and defeat them. But anyone who has ever tried to argue with adolescents knows that in the end they will have a thousand times more energy for that fight than you and a bottomless reservoir of moral rage that you burned out long ago.
.. whenever you disapprove of young people, you’re in the wrong, because you’re going to die and they’ll get to write history, but I just can’t help noticing that the liberal side isn’t much fun to be on anymore.
.. Young people have only just learned that the world is an unfair hierarchy of cruelty and greed, and it still shocks and outrages them. They don’t understand how vast and intractable the forces that have shaped this world really are and still think they can change it. Revolutions have always been driven by the young.
.. the N.R.A.’s unassailable coalition of greed and fear
.. I’d come to the conclusion that America has always been a violent nation, from our founding genocide to the slave labor that built the country to the arsenal, unprecedented in human history, that maintains our empire.
.. We spend $60 billion a year on pets
.. cynicism is also a kind of faith: the faith that nothing can change, that those institutions are corrupt beyond all accountability, immune to intimidation or appeal
.. Harvey Weinstein ultimately wasn’t the one enforcing the code of silence around his predations: It was all the agents and managers and friends and colleagues who warned actresses that he was too powerful to accuse.
.. Once people stopped believing in his invulnerability, his destruction was as instantaneous
.. It has been inspiring and thrilling to watch furious, cleareyed teenagers shame and vilify gutless politicians and soul-dead lobbyists for their complicity in the murders
.. Wayne LaPierre was reduced to gibbering like Gen. Jack D. Ripper in “Dr. Strangelove” about a “socialist” takeover and “hardening” our schools. You could see the whites all around his irises. That look is fear.
.. why adults should listen to anything young people had to say about the world. My answer:
- because they’re afraid of you.
- They don’t understand you. And
- they know you’re going to replace them.
.. Go get us. Take us down — all those cringing provincials who still think climate change is a hoax, that being transgender is a fad or that “socialism” means purges and re-education camps. Rid the world of all our outmoded opinions, vestigial prejudices and rotten institutions. Gender roles as disfiguring as foot-binding, the moribund and vampiric two-party system, the savage theology of capitalism — rip it all to the ground. I for one can’t wait till we’re gone.
Hollywood Uses the Very Women It Exploited to Change the Subject
As allegations of sexual exploitations pile up, the
industry has absorbed the critiques and converted them
into inspirational messaging and branding exercises.Is it possible for Hollywood to truly reckon with its issues while it’s so busy celebrating itself? It’s remarkable how slickly the entertainment industry — and its annual showcase, the winter awards show circuit — has adapted to the accusations against it. Harvey Weinstein may have been cast out of Hollywood (exiled, for now, to a spa in Scottsdale, Ariz.), but his complicity machine stretched its tentacles into agencies, law firms, fashion deals and of course, awards shows. New allegations of exploitations and inequities are revealed every week. The details suggest systemic rot.
In response, Hollywood has nimbly absorbed its critiques and converted them into inspirational messaging and digestible branding exercises, just in time for the unfurling of the red carpets. Whatever talks may (or may not) be happening inside agencies or on film sets, the message that comes across is this: The industry has skirted a conversation about its culture of harassment in favor of one about what an amazing job it is doing combatting that harassment. It’s engaged in just enough introspection to recalibrate and move on.
.. But when an earnest effort is fed through the Hollywood machine, it is quickly repurposed for what Hollywood does best, which is to sell things — women included. The initiative has revealed as much about Hollywood’s still unexamined sexism as it has the abuses it intended to address. In short, that women are expected to clean up the industry’s mess, and look good doing it. And they don’t have much choice, either, because if they say nothing, they’ll be knocked for that, too.
.. In this commodified atmosphere, it was difficult to process the appearance of real activists on the red carpet: #MeToo founder, Tarana Burke, came as Michelle Williams’s date, while Meryl Streep brought along Ai-jen Poo, executive director of the National Domestic Workers Alliance. The tactic bucked expectation — namely, that actresses tie their public personas to their relationships with men — and gave these pioneering activists exposure that’s hard to come by, but it also revealed the impossibility of dismantling an event bent on promoting a certain kind of femininity and luxury at once.
.. The image of white actresses paired with activists of color suggested a kind of moral accessorizing. And the meeting of celebrities and “regular” people came tinged with a preset narrative, one where the celebrity’s perceived exceptionalism is only enhanced by her engagement with the real world. But when Ryan Seacrest interviewed Ms. Williams and Ms. Burke on the red carpet, E! made it clear which it valued most — women’s appearance, or what they have to say. The network shrank Ms. Burke’s image into a corner as soon as she began speaking and turned its gaze to the actress Dakota Johnson. She twirled.
.. Watching this sparkling protest unfold, it’s easy to forget what exactly is being protested. The ugliness of rape and abuse is polished into optimistic hashtags and spun into glamorous dresses. In glad-handing Hollywood, criticizing the industry is verboten, but using one’s platform to advocate for other people is so expected it’s a cliché. (Mr. Weinstein himself was a master of linking his films to social causes, cynically pitching the award show ballot as a kind of morality test.)
.. The most electrifying moments of this protest have come when Hollywood women choose instead to model what it looks like to interrogate their own industry’s destructive norms: When Debra Messing broke red carpet geniality to speak out against E!’s underpayment of women, straight into an E! microphone, or when Ms. Portman presented the Golden Globes’ best director nominees as “all-male.”
.. all of this is quite easier for men. Just as they’re not required to uphold the same standards of beauty as their female peers, men are generally excused from carrying the moral weight, too. At the Golden Globes, they got by silently wearing Time’s Up lapel pins.
.. Justin Timberlake captioned his pre-Globes Instagram snap: “Here we come! And DAMN, my wife is hot! #TIMESUP #whywewearblack.” The bar is so low for men that this was, according to Instagram, the most-liked post of the night.
.. One way to push Hollywood toward change is to heighten its contradictions, drawing out the gap between its shimmering idea of itself and its darker realities. The image Hollywood builds for itself at these self-congratulatory events can be used as a bargaining chip for behind-the-scenes activist wins. As the SAG Awards neared, pressure mounted for the guild to protect its workers by installing a real code of conduct to address harassment. And as “All the Money in the World” racked up award nominations, the revelation that Mark Wahlberg earned much more to participate in reshoots than his co-star Ms. Williams — reshoots necessary to scrub the film of Kevin Spacey, and make it palatable for post-#MeToo audiences — created such a PR nightmare that Mr. Wahlberg ended up donating his $1.5 million salary to Time’s Up.
.. When Mr. Franco attended the Golden Globes earlier this month, grinned down the red carpet and bounded onstage to claim a statuette for “The Disaster Artist,” he wore the Time’s Up logo pinned to his lapel. As the night unfolded, female acting students and collaborators began filing complaints on Twitter about Mr. Franco’s own behavior, noting the hypocrisy of the pin. When Mr. Franco appeared on Seth Meyers’s show days later, he was grilled over the allegations. A Los Angeles Times report came next. Mr. Franco skipped the Critic’s Choice Awards, and when he turned up at the SAG Awards last Sunday, his very appearance made news. This time, he didn’t wear the pin. Aziz Ansari, who himself weathered his own hypocrisy scandal after wearing the pin at the Golden Globes, didn’t even show up. All of a sudden, a Hollywood awards show is a perilous place for some men to be.
.. For a woman, getting old is as much of a career-ending affront as an assault allegation is for a man. When Mr. Meyers opened his Golden Globes monologue by greeting the “ladies and remaining gentlemen,” I thought of all the women who don’t “remain” in Hollywood, either, pushed out through abuse or just discarded. One of those women — until recently — was Rose McGowan.
.. She’s now emerged as the most prominent actress to take aim not just at Hollywood abusers but at Hollywood itself.
.. Ms. McGowan and other accusers of Mr. Weinstein were not invited to the campaign’s Golden Globes coming-out party.
.. On Twitter, she’s called out “fancy people wearing black to honor our rapes.” Of Ms. Streep, she wrote: “YOUR SILENCE is THE problem. You’ll accept a fake award breathlessly & affect no real change.”
.. its opening line — “I was in the middle of my second movie for his company, and I get assaulted” — is itself more real and more damning than anything that’s been said at these Hollywood events.
Everyone in Trumpworld Knows He’s an Idiot
It’s not Trump’s motives that are scary; Wolff reports that Ivanka Trump and Jared Kushner were “increasingly panicked” and “frenzied” about what Comey would find if he looked into the family finances, which is incriminating but unsurprising. The terrifying part is how, in Wolff’s telling, Trump sneaked around his aides, some of whom thought they’d contained him.
.. “In presidential annals, the firing of F.B.I. director James Comey may be the most consequential move ever made by a modern president acting entirely on his own.” Now imagine Trump taking the same approach toward ordering the bombing of North Korea.
.. We learn that the administration holds special animus for what it calls “D.O.J. women,”
.. most of all, the book confirms what is already widely understood — not just that Trump is entirely unfit for the presidency, but that everyone around him knows it.
.. One thread running through “Fire and Fury” is the way relatives, opportunists and officials try to manipulate and manage the president, and how they often fail.
.. the people around Trump, “all — 100 percent — came to believe he was incapable of functioning in his job.”
.. According to Wolff, Treasury Secretary Steven Mnuchin and Reince Priebus, the former chief of staff, called Trump an “idiot.” (So did the media mogul Rupert Murdoch, owner of Fox News, though he used an obscenity first.)
.. Trump’s chief economic adviser, Gary Cohn, compares his boss’s intelligence to excrement. The national security adviser, H. R. McMaster, thinks he’s a “dope.” It has already been reported that Secretary of State Rex Tillerson called Trump a “moron,” which he has pointedly refused to deny.
.. Wolff takes a few stabs at the motives of Trump insiders. Ivanka Trump apparently nurtured the ghastly dream of following her father into the presidency. Others, Wolff writes, told themselves that they could help protect America from the president they serve
.. Some of the military men trying to steady American foreign policy amid Trump’s whims and tantrums might be doing something quietly decent, sacrificing their reputations for the greater good.
.. But most members of Trump’s campaign and administration are simply traitors. They are willing, out of some complex mix of ambition, resentment, cynicism and rationalization, to endanger all of our lives — all of our children’s lives — by refusing to tell the country what they know about the senescent fool who boasts of the size of his “nuclear button” on Twitter.
.. Maybe, at the moment, people in the Trump orbit feel complacent because a year has passed without any epic disaster, unless you count an estimated 1,000 or so deaths in Puerto Rico
.. A guy falls from a 50-story building. As he flies by the 25th floor, someone asks how it’s going. “So far, so good!” he says.
Eventually, we’ll hit the ground, and assuming America survives, there should be a reckoning to dwarf the defenestration of Harvey Weinstein and his fellow ogres.
.. His enablers have no such excuse.