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He told me, in front of the publicist and a co-worker beside him, that a famous star, a few years my senior, had once sat across from him in the chair I was in now. Because of his “very close relationship” with this actress, she had gone on to play leading roles and win awards. If he and I had that kind of “close relationship,” I could have a similar career. “That’s how it works,” I remember him telling me. The implication wasn’t subtle. I replied that I wasn’t very ambitious or interested in acting, which was true. He then asked me about my political activism and went on to recast himself as a left-wing activist, which was among the funniest things I’d ever heard.

.. Women in technical jobs were almost nonexistent, and when they were there, they were constantly being tested to see if they really knew what they were doing.

.. the photo shoots in which you were treated like a model with no other function than to sell your sexuality, regardless of the nature of the film you were promoting.

.. How would one have left that meeting, or those hotel rooms, which have been described by others, with that relationship intact, when he displayed such entitlement and was famous for such anger? I was purely lucky that I didn’t care.

.. Shortly afterward, I started writing and directing short films. I had no idea, until then, how little respect I had been shown as an actor. Now there were no assistant directors trying to cajole me into sitting on their laps, no groups of men standing around to assess how I looked in a particular piece of clothing. I could decide what I felt was important to say, how to film a woman, without her sexuality being a central focus without context. In my mid-20s, I made my first feature film, “Away From Her.”

.. I realized that in the past, whether I’d known it or not, some part of me had been afraid of direction. I vowed to go back to acting with my newfound understanding of collaboration. I would be more pliable. I was excited to give my whole, unfettered self to a director, the way Julie Christie had done for me.

.. Most directors are insensitive men. And while I’ve met quite a few humane, kind, sensitive male directors and producers in my life, sadly they are the exception and not the rule. This industry doesn’t tend to attract the most gentle and principled among us.

.. I went into a film as an actor with an open heart and was humiliated, violated, dismissed and then, in one instance, called overly sensitive when I complained. One producer, when I mentioned I didn’t feel a rape scene was being handled sensitively, barked that Dakota Fanning had done a rape scene when she was 12 — “And she’s fine!”

.. for a long time, I felt that it wasn’t worth it to me to open my heart and make myself so vulnerable in an industry that makes its disdain for women evident everywhere I turn.

.. he was just one festering pustule in a diseased industry

.. I hope that when this moment of noisy sisterhood dissipates, it doesn’t end with a woman in a courtroom, being made to look crazy, as these stories so often do.

.. I hope that the ways in which women are degraded, both obvious and subtle, begin to seem like a thing of the past.

We need to look at ourselves.

• What have we been willing to accept, out of fear, helplessness, a sense that things can’t be changed?
• What else are we turning a blind eye to, in all aspects of our lives?
• What else have we accepted that, somewhere within us, we know is deeply unacceptable?

And what now will we do about it?