This election was supposed to be a referendum on Hillary Clinton, long a polarizing figure because she seemed to embody the cultural transformations of the 1960s — the liberal, feminist, working-mother spouse of the first boomer president.
But in the year of Donald Trump, the religious conservatives who fought many of those transformations find themselves reduced to a hapless rump... So in word, deed and his wife’s “artistic” shots, it’s Trump rather than Clinton who has confirmed the full triumph of the sexual revolutions.
..Trump and Hillary are both children of the ’60s — but of its opposite ends, the Brat Pack era in Trump’s case and the flowering of boomer liberalism in Hillary’s... Much of what seems strange and reactionary about Trump is tied to what was normal to a certain kind of Sinatra and Mad Men-era man — the casual sexism, the odd mix of sleaziness and formality, even the insult-comic style...It was Hefner who fully embodied the male sexual revolt. Today he’s just a sleazy oldster, but in the beginning he was a faux philosopher, preaching a gospel cribbed from bohemia and various Freudian enemies of repression, in which the blessed pursuit of promiscuity was the human birthright.
.. The men’s sexual revolution, in which freedom meant freedom to take your pleasure while women took the pill, is still a potent force, and not only in the halls of Fox News. From Hollywood and college campuses to rock concert backstages and Bill Clinton’s political operation, it has persisted as a pervasive but unspoken philosophy in precincts officially committed to cultural liberalism and sexual equality.
.. the Playboy mystique was emphatically not a joke in the lower middle class environs that produced his centerfolds and their most adoring fans.
.. among men who were promised pliant centerfolds and ended up single with only high-speed internet to comfort them, the men’s sexual revolution has curdled into a toxic subculture, resentful of female empowerment in all its forms.
.. He’s become the Daddy Alpha for every alpha-aspiring beta male, whose mix of moral liberation and misogyny keeps the Ring-a-Ding-Ding dream alive.
.. the cultural conflict between these two post-revolutionary styles — between frat guys and feminist bluestockings
Why Clinton Lost So Many Democrats
The privileged student radicals of 1968 became the vanguard of the new class, which, despite its electoral marginality, defined American liberalism for the next five decades. Their children, inheriting their values, advanced their cause both in the prestige media and as the loudest, most aggressive voices on elite campuses. Today, that prosperous elite is ever-more isolated from the social and economic devastation that has gripped most of the country.
.. But it is no accident that leading corporate liberal publications, from The Atlantic to Slate toNew York, traffic in the most unrestrained identity politics, belligerence, and transgender extremism while their mostly young writers have also been the most supportive of Clinton and critical of Sanders.
.. But it is precisely because the liberal culture-war catechism is so totally losing resonance with them—not to mention the slaying of the Reagan policy paradigm by Trump—that the liberal pundit class is invoking that catechism with increasing hysteria. This election will do much to determine how the millennial majority ultimately takes shape.
.. If Trump wins, the combination of his likely one-term disaster and the shock of a Clinton loss will likely open the way for a lasting generational transformation of the Democratic Party. Unless Trump loses in a landslide, which looks increasingly unlikely, there is no going back to the old order for the Republicans
.. The legacy of the Bernie Sanders campaign will have been to reveal that for the Democrats, no less than the Republicans, the twin legacies of the 1960s—in both the party establishment and its ideological base—are at long last at death’s door.
Grammys 2015: Transcript of Bob Dylan’s MusiCares Person of Year speech
These songs didn’t come out of thin air. I didn’t just make them up out of whole cloth. Contrary to what Lou Levy said, there was a precedent. It all came out of traditional music: traditional folk music, traditional rock ‘n’ roll and traditional big-band swing orchestra music.
I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that’s fair game, that everything belongs to everyone.
For three or four years all I listened to were folk standards. I went to sleep singing folk songs.
.. All these songs are connected. Don’t be fooled. I just opened up a different door in a different kind of way. It’s just different, saying the same thing. I didn’t think it was anything out of the ordinary.
.. Sam Cooke said this when told he had a beautiful voice: He said, “Well that’s very kind of you, but voices ought not to be measured by how pretty they are. Instead they matter only if they convince you that they are telling the truth.
.. Traditional rock ‘n’ roll, we’re talking about that. It’s all about rhythm. Johnny Cash said it best: “Get rhythm. Get rhythm when you get the blues.” Very few rock ‘n’ roll bands today play with rhythm. They don’t know what it is. Rock ‘n’ roll is a combination of blues, and it’s a strange thing made up of two parts. A lot of people don’t know this, but the blues, which is an American music, is not what you think it is. It’s a combination of Arabic violins and Strauss waltzes working it out. But it’s true.